The Fate of Katherine Carr is the story of things lost and found. George Gates is a former travel writer who now writes features for the local paper and spends his evenings drinking scotch at his neighbourhood bar. He’s a broken man, but no wonder: his eight year old son, Teddy, had been taken off the street on his way home from school, murdered and the murderer had never been caught. That was seven years ago, but George hasn’t recovered. He was supposed to pick Teddy up at the bus stop and hadn’t because he’d been trying to write the perfect sentence. He’s consumed with guilt.
One night at the bar, George runs into Arlo McBride, a retired police detective. Over drinks, Arlo tells George about the one missing person’s story which has stayed with him because it was never solved. She vanished, Arlo tells George, “like she cut a slit in the world and stepped through it into another one.”
George is intrigued. Before he’d retired from travel writing, he’d spent the bulk of his career writing about places where people had disappeared. Creepy places like Saipan, where Japanese parents – fearing American soldiers – had hurled their children and then themselves from the cliffs. He suddenly finds himself investigating what might have happened to Katherine. As it turns out, Katherine was also a writer and she left behind a handful of poems and a story which Arlo provides to George.
During the course of his ‘investigation’ George meets Alice Barrows, a twelve-year-old with progeria, a disease which causes premature aging. At first, Alice is just a potential subject for a story, but their relationship quickly becomes more profound. Alice is alone in the world and so is George. She is interested in mysteries and George is soon sharing Katherine’s story with Alice.
Thomas H. Cook is one of my favourite writers. I’ve said it before and I’ll say it again – he writes literary mysteries. They’re page-turners, to be sure, but they are beautifully written, too. The characters are complicated and, more often than not, damaged. George is particularly sympathetic. As a parent, I can only imagine how horrific it must be to lose a child to a monster, but to live daily with the guilt of not being where you said you would. Cook ups the ante every single time.
The Fate of Katherine Carr works on many levels. Narratively, it’s a story within a story within a story. Emotionally, it’s hard not to be moved by George’s never-ending grief or Alice’s own sad fate. Some might argue that nothing much happens, but I respectfully disagree. While Cook might not write blood and guts thrillers, and while his endings might not leave all the loose ends tied in a neat bow – I think he writes fantastic books for careful and thoughtful readers.