Tag Archive | mystery

I Found You – Lisa Jewell

IFoundYouIn present day, Lily Monrose’s husband is missing. Newly married, Lily is frantic to find the man she loves, the man who came “home with gifts, with ‘two-week anniversary’ cards, with flowers.” Her husband, Carl, is “certainly never more than a minute late,” but he’s seemingly just vanished.

Alice Lake is a single mom with three kids who lives in a ramshackle cottage by the sea in Ridinghouse Bay. One day, from her window, she spies a man sitting on the beach.

He’s been there all day, since she opened her curtains at seven o’clock this morning, sitting on the damp sand, his arms around his knees, staring and staring out to sea.

Finally, Alice goes out to see if the man is okay and he admits “I think…that I have lost my memory…Bcause I don’t know what my name is. And I must have a name.”

Alice invites him in to her home and together they try to uncover who he is and where he came from.

In 1993, we meet Gray, 17, and Kirsty, 15, who are staying Rabbit Cottage in Ridinghouse Bay with their parents. They are on holiday, enjoying their family time when they meet Mark, a boy just a little older than Gray and for whom Gray takes an immediate dislike.

When Mark stops to chat to the family on the beach, Gray notes that the

smile on his face [looked] to Gray suspiciously like triumph. As though this ‘spontaneous’ conversation with his family was not just a passing moment of friendly human interaction, but the first brilliant stroke of a much bigger master plan.

Gray is right to be wary.

From these seemingly unconnected threads, British writer Lisa Jewell weaves an often riveting account of family, love and obsession. Although I was less interested in Lily’s situation – something about her irked me – I was wholly invested in Gray and Kirsty.  Their relationship was really believable and their part in the story provided the most heart-pounding moments.

As for Alice and her mystery man, well, obviously I don’t want to spoil anything. Alice is a likeable character, kind-hearted  and slightly reckless. As they work to peel back the layers of missing memory, the threads of this story start to come together. I found some of the machinations a bit clunky, but overall I Found You had me turning the pages way past my bedtime.

Thornhill – Pam Smy

Thornhill-HousePam Smy’s lovely hybrid novel tells the story (in words) of Mary and (in pictures) Ella – two girls separated by twenty-five years. Ella and her father have moved into a house that looks out onto Thornhill Institute which was “established in the 1830s as an thornhill orphanage for girls” and sold in 1982 “after the tragic death of one of the last residents, Mary Baines.” For the last twenty-five years, the house has remained vacant, although plans have been made to develop the site.

Through a series of diary entries, we meet Mary. She’s an odd, mostly silent girl who is virtually friendless. As Thornhill prepares to be fully de-commissioned, the few girls who remain are merely passing time, waiting for placement with a family. Mary’s chief tormenter has just returned from a situation which didn’t work out and Mary feels she must “lock myself away. Now that she’s back it is the only way I can keep myself safe.”

Up in her attic bedroom, she spends her time making puppets.

I often wonder what my life would be like without my puppets. …I love that I am surrounded by the things I have made. They sit on shelves above my bed, on my bookcase, suspended from the ceiling, balanced on my windowsill – my puppets are like friends that sit and keep me company..

thornhillellaIn the present day, Ella spends much of her time alone, too. Her father, who clearly seems to love her, is away a lot. Her mother is presumably dead. Ella is curious about the house she can see from her bedroom window and the girl she sometimes glimpses in the overgrown garden behind the walls

One day, she manages to creep into Thornhill’s garden and she discovers  a puppet head. As the days go on, she continues to see the girl in the garden and to discover more puppet pieces.  She becomes more curious about Thornhill’s history and who the girl might be.

Smy makes great use of Mary’s diary entries to round out the story. Her story is particularly sad because there is no one in Mary’s life to take her side against the terrible bullying she endures. The adults in this story are either non-existent or ineffective. Her housemates are cruel and manipulative. Even though it’s obvious that her story isn’t going to end well, you can’t help but root for her.

As for Ella, the monochromatic pictures tell her story as beautifully as Mary’s diary.  It will be impossible not to race through the pages to find out what happens.

Ultimately, Thornhill is a story of loneliness and friendship, and although there’s no happy ending, it’s a journey worth taking.

Not a Sound – Heather Gudenkauf

Amelia Winn is a hard-working trauma nurse when Heather  Gudenkauf’s novel Not a Sound begins. Then she’s hit by a car. Fast forward ten years and Amelia is unemployed, a recovering alcoholic, separated and deaf. She and her “hearing” dog, Stitch, live in a remote house by  Five Mines River where Amelia spends her days paddling  and trying to right the wreckage of her life. On this particular day, she is feeling somewhat optimistic. She has a lead on a job which her ex isn’t trying to sabotage and for once things seem to be looking up – that is, until she discovers the body of a nurse she once worked, a woman named Gwen, with lying on the edge of the river.

notasoundNot a Sound is a straight-up mystery and while it was easy enough to turn the pages – I didn’t particularly enjoy reading the story because…well, mostly for a whole lot of niggly reasons.

We’re expected to believe that Amelia is going to go all undercover cop because a friend from her previous life is found dead. Even though her brother’s best friend, Jake,  is the cop in charge, she takes matters into her own hands – staking out buildings and breaking into people’s garages and asking questions she shouldn’t ask.

Jake is pretty free with giving out what I would consider privileged information about the crime. He tells Amelia how the victim was murder and then posits “my bet is on the husband. It’s always the husband.” That’s police work at its finest, folks.

Some of the minor characters, her new neighbor Evan for example, just seem like conveniently placed chess pieces.

Amelia doesn’t have any real reason to be so torn up about Gwen and yet she persists in trying to figure out who would have wanted her dead. Readers will follow along, but likely won’t be too surprised with how it all turns out.

 

Ask the Dark – Henry Turner

askthedarkSometimes you happen upon a book with a narrator who just feels 100% authentic. That was the case with Henry Turner’s debut YA mystery  Ask the Dark, a finalist for the Edgar Award for Best Young Adult Mystery.

Fourteen-year-old Billy Zeets lives a hard scrabble life with his widowed father and older sister, Leezie. Ever since Billy’s father hurt his back and has been unable to work, things have gone south. Now the family is on the brink of losing their house and despite Billy’s reputation for cuffing school and petty theft, he’s determined to help his father get back on his feet.

The novel starts at the end where Billy informs us that he’s feeling better. People keep asking him about what happened and Billy has decided that he’s just going to tell the story once and “get it the hell over with.”  He’s not used to being the center of attention. In fact, Billy is about as much of an outlier as you can get. His classmate Sam Tate tells him

…you’d never have done it, never even found out about it, if you hadn’t done all the things people hated you for. It turns out those were the right things to do, Billy. Isn’t that funny? All that stealing and never going to school. It’s what made it so you were outside a lot, seeing things nobody else saw. Hidden and secret things.

Billy tells us that “The first boy got took last September” and that he knew him. “He was fourteen then, same as me.”  They weren’t friends or anything, only he “prob’ly didn’t like me ’cause’f how I’m in trouble all the time, and his parents prob’ly told’m I ain’t the right sort of boy for him to get to know.”

When Billy stumbles upon the naked body of another missing boy, he understands that something evil is happening in his neighbourhood. He becomes more watchful and utilizing skills he’s learned from years of ducking in and out of dark alleys, back yards and woods – he starts to pay attention. He’s convinced that he can figure out who the killer is just by doing what he’s always done.

Ask the Dark has some truly creepy moments and  although Billy insists he “ain’t no hero” but you’d be hard pressed to find a braver or more sympathetic kid.

Highly recommended.

The Quiet Child – John Burley

20170423-QUIET-CHILD-cover-rev-11-18-16John Burley’s novel The Quiet Child asks some compelling questions: ‘How far would you go to protect the people you love?’ chief among them.

It’s 1954 in Cottonwood, California and high school Science teacher Michael McCray and his wife Kate had it all. Had being the operative word. Things have been different for them for a while now, ever since their younger son Danny was born six years ago. That’s when Kate started to get sick; now she is practically bedridden. The people of their small town started to pull away from the McCrays because it seemed that coming into close contact with them meant that you, too, would become ill and maybe even die. Danny is an odd child, mostly because he is silent. He doesn’t say a word. Sean, 10, is protective of his younger brother and that’s part of the reason both boys are kidnapped outside of a convenience store on the night their dad takes them for ice cream.

The man in the tan jacket crossing the street, heading in the direction of the parking lot. Danny in the back seat of the car, gazing out the window as he waited for them to return. The engine starting. The spin of tires on gravel. And Sean, standing there less than a minute ago. But now…

After the boys go missing, readers follow local Sherriff Jim Kent and two detectives from Shasta County as they try to piece together what happened and where the boys might be. Don’t forget – it’s the early 50s and sussing out what happened is a lot more time consuming and difficult without the aid of technology.

Kate insists that Michael do “whatever it takes” to bring back  her sons and so Michael sets off on his own. It takes a little bit before the police figure out that the kidnapper has made contact with Michael, but soon they are hot on the trail.

The Quiet Child is certainly a page-turner; I read it in a couple of sittings. Burley provides just the right amount of backstory about the key players so that we care about them and minor characters are fleshed out so that their fate is also important to us.

The interesting thing about this book is that it works on a bunch of different levels. Partly it’s a thriller: will Michael find his sons? Will they be alive? Will everyone survive? Partly it’s sort of supernatural, but I don’t think that’s even the right word. Why is Kate sick? Why is Michael starting to experience tremors in his arm? Are people right to be suspicious of Danny? Is he really able to make people ill? And then, the book is strangely philosophical. Do we really have the right to make decisions that affect the lives of others if they benefit the greater good?

Even if you think you know where The Quiet Child is heading, I suspect you’ll be surprised and I guarantee you’ll be thinking about this book for a while after you’ve read the last page.

Dark Saturday – Nicci French

Dark Saturday is the sixth book in Nicci French’s mystery series featuring London- darksatbased psychotherapist Frieda Klein. Although I was at a (slight) disadvantage having not read any of the previous novels in this series, I have read (and enjoyed) several other novels by French (actually the husband/wife writing team of Sean French and Nicci Gerrard) so I knew what I was in for.

There will always be a slight disconnect when reading a single  book from a series, but I didn’t find it particularly problematic. It was clear that I was missing some back story, but there were enough salient details to aid my understanding and allow me to get on with the business at hand – which is the case of Hannah Docherty.

Hannah was just eighteen when she was arrested for brutally murdering her mother, stepfather and thirteen-year-old brother, Rory. Since then she’s been incarcerated at Chelsworth Hospital which was “not a prison [but an institution where] its inmates were patients and the doctors’ job was to treat them and make them better.” However, when Frieda goes to visit Hannah for the first time “it felt like all the other high-security prisons she’d been to over the course of her career.”

Hannah has been incarcerated for 13 years and it’s immediately clear to Frieda that there has been no attempt to help her during that time. And why is Frieda visiting Hannah? She’s been asked by the police (who have clearly had five books’ worth of dealings with her) to look into Hannah’s case to see if, perhaps, there’s the possibility that she is innocent. The lead investigator on the case has recently had another conviction overturned and the police department simply want to cross their T’s and dot their I’s. They aren’t really expecting Frieda to find anything because Hannah is clearly crazy and the evidence against her is compelling.

I suspect that readers who have been reading along with Frieda over the series will already know what I quickly discovered: Frieda is tenacious. She isn’t satisfied with one meeting with Hannah. She asks for the case files and pores through documents and photographs in an effort to better understand Hannah’s story. If Hannah didn’t kill her family, who did and why?

That’s pretty much the main story in Dark Saturday. As a straight-up mystery, there’s plenty to keep readers turning the pages. For someone who isn’t familiar with all the back-story, I found some of it to be a distraction. Was I really interested in sitting in on her therapy sessions with a middle-aged woman who is suffering from panic attacks? Um. No. Did I especially care about a colleague’s cancer diagnosis? Not really because I haven’t had the chance to really know him or understand his relationship with Frieda.

I don’t know how this novel stacks up to the others in the series. Frieda isn’t the most compelling sleuth I’ve ever encountered, but I will chalk that up to having missed out getting to know her in previous novels. She’s smart and careful…although I often wondered how safe it was for her to be walking around London alone in the middle of the night.  Still, I enjoyed watching her attempt to create a new narrative for Hannah. Whether the re-written story is ultimately satisfying will likely depend on how it compares to Frieda’s previous cases. I wasn’t wholly satisfied, but I suspect that fans of this series will be anxiously awaiting the next book.

Visit Harper Collins for more info about this and other excellent titles.

The Leaving – Tara Altebrando

leavingTara Altebrando’s YA novel, The Leaving, will give readers lots to chew on. It’s the story of six kindergarten-aged kids who disappear from their small Florida town only to turn up – minus one – eleven years later.  The kids are dropped off at a playground with maps tucked into their pockets to help them find their way home. They have no memory of where they were and their arrival back home sends ripples through their lives, the lives of their families and the community.

The narrative is shared between two of the returned, Lucas and Scarlett, and Avery, the younger sister of Max, the one child who doesn’t come back.  Avery was just four when her brother disappeared and her memories are vague. When her mother gets the call that the children have returned, Avery ” certainly hadn’t pictured it happening this way.”

It’s actually hard to imagine how any of these characters might have envisioned this moment – to have their sons and daughters returned to them without any memory of where they’ve been or what’s happened to them. And for Avery, she could already anticipate “the endless news coverage, the weird-sad looks she’d get from neighbors and everyone at school…she’d be famous, but not in the right way.”

As for Lucas and Scarlett, they feel a pull towards each other that seems more than survivor’s guilt. They discover they can do things they don’t remember being taught: Scarlett can drive a car; Lucas can load a gun. They also have strange elliptical flashes of memory: a carousel, a man carrying wrapping paper, hot air balloons. They are determined to solve the mystery of the missing eleven years and that makes for pretty compelling reading.

But the part of the book that was especially intriguing to me was this notion of memory and how our memories shape who we are and how, without them, we would certainly feel unmoored. Also worth consideration – and something I certainly thought about as I read Altebrando’s book – was what it would mean if we could actually cherry pick our memories. Lucas considers this notion, wondering:

“Why not forget?

Why not just black out something awful?

Like a shooting.

Or war.

Childhood, even.

Sure!

Oh.

Forgetting meant not knowing, meant ignorance, meant making the same mistakes again and again.”

The Leaving offers lots of food for thought, but even if young readers aren’t ready to consider the value of holding tight to the memories which animate their lives, there’s lots to keep them turning the pages. For my money, the last few lines of the book are worth the bits I didn’t quite buy.