Jess Lourey (Unspeakable Things, Bloodline) has written another fast=paced thriller ripped straight from the headlines. Literally. In her Author’s Note, Lourey says of her childhood home in Minnesota: “Three killers were on the loose in Saint Cloud when I was growing up. Only two have been caught.”

In The Quarry Girls, best friends Maureen, Brenda and our narrator, Heather, are coming of age in Pantown, a suburb of Saint Cloud, in 1977. Pantown was

built by Samuel Pandolfo, an insurance salesman who in 1917 decided he was going to construct the next great car manufacturing plant in good old Saint Cloud, Minnesota. His twenty-two-acre factory included fifty-eight houses, a hotel, and even a fire department for his workers. And to be sure they made it to work come sleet or snow, he ordered tunnels dug linking the factories and the houses.

One day, while playing hide and go seek in the tunnels, Heather and Brenda see something they aren’t supposed to see. When a local girl who is just a little bit older than they are goes missing, the teens begin some sleuthing of their own. It turns out that not everyone in Pantown is to be trusted.

There are all sorts of nefarious characters in this book including local boys Ricky and Ant and a new guy, Ed who

was way too old to be hanging out with high school kids, even a brain-fry like Ricky. […] Ed was exciting and terrifying and so out of place. His greased black hair and leather jacket against the soft, pastel Pantowners shopping behind him reminded me of a sleek jungle cat let loose in a petting zoo.

Even Heather’s parents, a mother who spends most of her time in bed and whose moods are unpredictable and a father, the local D.A. who is hardly never home, don’t seem all that reliable. Heather’s story is as much about the journey to adulthood as it is about what dark deeds are happening in Pantown.

And – an added bonus – so many references to the 1970s, the period of time in which I was coming of age. Heather’s friend Claude looks like Robby Benson. Getting dolled up meant an extra slick of Kissing Potion. Phones operated on a party line. Smokie and the Bandit was on the big screen. All these little nods to the period were just so much fun.

The story itself is fast-paced, well-written and I couldn’t put it down.