Delia Owens’s debut novel Where the Crawdads Sing has the distinction of being the book we discussed at my book club’s first ever virtual meeting. It was chosen for our March meeting, but of course those plans were canceled due to Covid 19. I had started the book and then put it aside. When we decided to meet virtually, I picked up the book again and read it straight through. It’s kinda un-put-downable.
The novel opens in 1969 with the death of Chase Andrews beloved son of one of the town’s most influential families, and although this death (was there foul play?) is significant, this is really Kya’s story, which begins in 1952.
Kya Clark is the ‘Marsh Girl’. She lives in a rundown shack outside of Barkley Cove, a small town on North Carolina’s coast. Kya, just six when the novel opens, lives with her older siblings and her parents. Hers is a life filled with the wonders of the natural world, a joy she shares with her brother Jodie, who is 13. One day “she saw her mother in a long brown skirt, kick pleats nipping at her ankles, as she walked down the sandy lane in high heels.” Her mother has left the marsh before “But she never wore gator heels, never took a case.” Her mother doesn’t return, and “over the next few weeks, Kya’s oldest brother and two sisters drifted away too, as if by example.” Then Jodie, her closest companion, unable to endure their father’s drunken rages any longer, leaves, too.
From a very young age, out of necessity, she learns how to live in harmony with the world around her and the isolation doesn’t bother her until one day she meets Tate Walker out on the water. Tate proves to be a balm to her loneliness and over the years, as he teaches Kya to read and they explore the coastline, they fall in love. Even though it might not seem realistic because Kya lives alone in a shack without running water or electricity – she is, in fact, a wild child in every sense of the world – it’s actually a relationship that makes sense. Tate, too, cares deeply about the natural world, and sincerely cares about Kya.
Kya proves herself to be a resilient, resourceful and incredibly sympathetic character. Owens takes her time with Kya, allowing us to understand her life. Tate, too, is well drawn. Chase is little more than a caricature, which I suppose doesn’t really matter in the whole scheme of things.
Owens writes beautifully about the natural world, which makes sense considering she is a wildlife scientist. It’s impossible not to be totally immersed in Kya’s secret world. Kya understands that “Marsh is not swamp. Marsh is a space of light, where grass grows in water, and water flows into the sky.” Her observations about nature and her place in it are downright beautiful.
Some readers will likely be thrilled by the novel’s final twist. I wasn’t so fussy about it, but who cares, really. There’s a reason everyone and their dog has been talking about this novel. It’s pretty damn awesome.