Ruthless – Carolyn Lee Adams

2E11B418-C156-499C-B40A-C90F9802D4A7Seventeen-year-old Ruth Carver has a nickname on the show-riding circuit: Ruthless. She earned the name by being single-minded  when it comes to competitions, but it’s more than that. At the ranch, it’s “sink or swim” and Ruth lives by that motto. Ruth also understands that her success in the ring will benefit her parents’ struggling ranch. She’ll do whatever it takes to win, even if that means pushing other people away from her. That includes Caleb, the boy who loves her.

Carolyn Lee Adams’ YA novel Ruthless is a thrill-ride of a novel. It starts when Ruth wakes up in the back of a pickup truck, buried in a mound of manure, hay and shavings. She’s hurt and she soon realizes that she is in trouble, serious trouble.

The trouble comes in the shape of a man Ruth nicknames Wolfman.

He is tall and big, with a large, black beard and bushy eyebrows. He has strange hazel-orange eyes. He reminds me of a wolf.

Ruth remembers him from the ranch. “I kept seeing that wolf-looking guy, and that wolf-looking guy kept seeing me,” Ruth recalls. So “I told Dad to fire him.” Seems like Wolfman is the kind of guy to carry a grudge.

Wolfman aka Jerry Balls, is a smart and dogged  psychopath.  He punishes girls who he feels are deserving and Ruth can see that “He hates me in a way that I didn’t know was possible.”

So here is Ruth, trapped with a psycho in the middle of the Blue Ridge Mountains. Left alone when Wolfman is called in to work, she discovers that she is not his first victim, but she is determined that she will be his last. Her breathless escape from his cabin is just the start of 200+ pages of pulse-pounding reading.

If you’re wondering how Ruth is going to manage getting and staying away from Wolfman in the middle of nowhere, in terrain she doesn’t know, without supplies…well, that’s part of what makes Lee’s novel so compelling. Failing is not an option here and readers soon discover that Ruth is every bit as tenacious as Wolfman.

There is nothing graphic about this book, although the threat is imminent. Wolfman is also not a one-dimensional character; his story is told through a series of flashbacks. Doesn’t make him any more sympathetic, but you still get a glimpse into how he might have ended up the way he did.

We also see a bit of Ruth’s story from pre her abduction. One surprisingly prescient snippet recalls a conversation she has with her family. Her grandfather, once a sheriff, is offering advice should she ever be taken. He tells her “Don’t ever let them take you to a second location.” Her father offers “May God have mercy on the soul of the poor bastard who ever dared try.” Truer words.

Ruthless is terrific.

Stories I Only Tell My Friends – Rob Lowe

I was more of a Robby Benson than a Rob Lowe fan back in the day. I guess they were sort of popular around the same time, give or take a few years. 0D9E8612-E728-46F5-8D69-9E382FBC38EFRob Lowe’s autobiography Stories I Only Tell My Friends, however, made for riveting reading, and the same can not be said for Robby Benson’s novel Who Stole the Funny.

Lowe was born in Charlottesville, Virginia in 1964. He moved with his mother and father to Dayton, Ohio when he was still an infant. His parents chose Dayton because it was “a bustling, growing city,”  home to many national companies. Lowe’s father was a lawyer; his mother gave up her job as a high school English teacher to stay home and raise her son. Four years later, Lowe’s brother, Chad, was born.

Lowe got an early start in the acting business in Dayton. A trip to see a production of Oliver!  turned out to be a “a transformational experience” for ten-year-old Lowe. A few weeks later,  he participated in a community theatre production of The Wizard of Oz. Lowe notes that his parents (well, his mom and step-father because by then his parents were divorced) would have had “no way of knowing how deeply affected I’d been, how electrified I was by the age-old connection of actors, material and audience…that was a club I wanted to belong to.”

Flash forward a few years and the family has moved to Malibu, California.

An entire book could (and should) be written about Malibu in 1976. In the bicentennial sunlight of that year, it was a place of rural beauty where people still rode to the local market on horseback and tied up to a hitching post in the parking lot. Long before every agent and studio president knocked down the beach shacks to build their mega mansions, Malibu was populated by a wonderful mix of normal working-class families, hippies, asshole surfers, drugged-out reclusive rock stars, and the odd actor or two.

It is during this period that Lowe begins to pursue acting in earnest, and also lands the role that will turn him into a household name.

Stories I Only Tell My Friends is an honest, self-deprecating look at fame and its rewards and consequences. It’s a who’s who of the times, which makes it especially fun to read if you are of the same vintage as Lowe…which I am. I loved reading about Lowe’s participation in The Outsiders. He’s candid about his career highs and lows, and about his prodigious romantic interludes (some clearly less to do with romance and more to do with sex – but look at the guy.) Lowe is aware that he’s a good-looking (great looking, really) man, but he never comes across as full of himself. He’s also honest about how he abused alcohol, a hard-earned perspective that comes from being twenty plus years sober.

This is a really dishy memoir – not a tell-all, exactly, but a Hollywood story about a decent guy who came-of-age in the public eye, and managed to keep his wits about him. He wrote it himself and it’s funny and witty and at times it almost seems as though Lowe can’t believe the ride he’s had either.

Great book.

The Vigilante Poets of Selwyn Academy – Kate Hattemer

vigilanteEthan Andrezejczak attends Selwyn Academy, a fine arts high school in Minneapolis, Minnesota. He’s the narrator of Kate Hattemer’s debut YA novel The Vigilante Poets of Selwyn Academy. His life revolves around hanging with his friends Jackson, Elizabeth and the too-cool-for-their-friend-group, Luke, and teaching Jackson’s gerbil, Baconnaise circus tricks. Ethan pines for ballerina Maura and loathes Miki Frigging Reagler from afar. Maura and Miki are two of the stars of the reality show For Art’s Sake (FAS), which is filmed at Selwyn.

They’d chosen a school (our school) and they’d chosen contestants (not me). Every episode, they had some artistic challenge and someone got kicked off. The last person standing would be crowned America’s Best Teen Artist.

Ethan and his friends are convinced that For Art’s Sake is wrecking Selwyn. Luke is especially bent out of shape because the school’s literary arts magazine refuses to publish his commentary about the TV show. “It’s a review, but mostly it’s editorial,” he tells Ethan. “I tried to suppress my snideness. I may not have been totally successful.”

The fact that someone as cool as Luke is anti-FAS is a touchstone for Ethan. When he enters Ethan’s orbit in grade seven, Ethan describes him as

the most popular prepubescent on the planet. He was impossible to dislike. That’s not hyperbole: I tried. I have a strict policy of holding automatic grudges against people everyone likes. But Luke had a mouthful of braces and said “awesome” all the time, and he was totally genuine.

It’s Luke’s idea to roast FAS in a poem. He announces “We need to reclaim our society and values and culture.”

Conquistadors, they thundered in,
And dizzy, we succumbed to spin.
They’ve colonized our native land.
What once was vivid now is bland.
We sing and dance at their command.
 – The Contracantos

 

 

Luke’s ultimately betrayal is especially hard on Ethan, but it gives him the chance to take some chances and find his own voice.

The Vigilante Poets of Selwyn Academy plumbs the depths of poetry, friendship, loyalty, art, betrayal and growing up. These characters (and I am certainly including Baconnaise) are witty, intelligent and human. They are trying to figure it all out. They don’t always get it right, but Elizabeth asks Ethan if he thinks he’s “the only one who’s amazed and scared and freaked out by how complicated everyone is.”

This is a smart book. I highly recommend it.

We All Love the Beautiful Girls – Joanne Proulx

E1A054FB-47D3-4BF8-93BC-7A8F56A62626The characters in Joanne Proulx’s second novel We All Love the Beautiful Girls are so perfectly imperfect that you can’t help but fall in love with them.

At the centre of this finely crafted family drama is the Slate family, Mia and Michael, and their seventeen-year-old son, Finn. Then there’s Jess, Finn’s former babysitter who now sneaks into his bedroom at night to…you know. Frankie is the daughter of Michael’s business partner, Peter. Peter’s wife, Helen, is Mia’s best friend. Frankie and Finn have grown up together.

Mia and Michael’s perfect life starts to unravel when they get a visit from Stanley, the company accountant (I’m not sure that’s his actual his title, but it doesn’t really matter; he’s only the messenger). He’s discovered that Peter has restructured the company and written Michael out. Michael has, it turns out, been pretty lax about the financials of the company because he and Peter have “known each other since high school.”

On the same night that Michael finds himself screwed out of his own company, Finn finds out that Jess won’t be leaving her boyfriend, Eric, for him. She can’t even though Finn is “So gorgeous and so nice.”  Finn is just a kid. (She’s 23.) Eric’s a total douche and happens to be the older brother of Finn’s best friend, Eli. Finn’s at a party at their house, drunk, and after an encounter with Jess he makes a couple of bad choices. First, he hooks up with Frankie. Second, he passes out in the backyard. It’s  January. In Canada.

These two incidents are game-changers for the Slate family and their repercussions propel Proulx’s story along like a thriller. I literally could not put this book down. I finished it well past my bed-time. On a school night.

The novel flips between characters. We watch Finn’s heart break. We watch Mia and Michael’s marriage topple. We watch friends become enemies. Proulx toggles between these perspectives masterfully, the blame and the shame carefully shared. And if there is redemption or peace to be had, it’s hard won.

No one makes it through life unscathed, but perhaps the key to surviving is understanding. As Finn tells his mother: “I’m not the same as I was….I’m different now….But it’s good, you know? I’m good. Like I understand things I didn’t understand before.”

The boy becomes a man. The parents – well, I guess they do what all parents do. The best they can.

I LOVED this book.

Eleanor Oliphant is Completely Fine – Gail Honeyman

155356C2-E75D-4FCF-8F1B-CEB6EB1DA2B9Eleanor Oliphant, the titular character of Gail Honeyman’s debut novel Eleanor Oliphant is Completely Fine, is not like anyone else you have likely met before. She has worked in the same office for the last nine years, she has no friends and she lives on a diet of vodka and pizza or pasta and pesto. Her life is structured and predictable, right down to her weekly calls from “Mummy.”

It doesn’t take long to figure out that Eleanor is actually not completely fine. She is pretty much the loneliest person I have ever met. She has no aptitude for social niceties; she says whatever pops into her head. It makes it difficult for her co-workers to warm up to her. Her mother is particularly harsh.   When she wins tickets to a concert and asks one of her office mates to accompany her, she becomes the butt of the joke because as everyone knows “she’s mental.”

Enter Raymond. He’s the new office IT guy. When he comes to fix Eleanor’s computer she notes that “he was barely taller than me, and was wearing green training shoes, ill-fitting denim trousers and a T-shirt showing a cartoon dog lying on tops of its kennel. It was stretched taut against a burgeoning belly….All of his visible skin, both face and body, was very pink.”

It’s funny that Eleanor dismisses Raymond as she has, similarly, been dismissed by others. She is aware of her own appearance, her “face a scarred palimpsest of fire. A nose that’s too small and eyes that are too big. Ears: unexceptional.” But Raymond doesn’t seem to see Eleanor’s appearance – or care much either way, at least, and is persistent and the two become unlikely friends.

The stuff that comes out of Eleanor’s mouth is often funny. She has no filter and doesn’t seem to take offence to the things she hears, even when she is the subject of ridicule. When an office mate makes a cruel joke at her expense, Eleanor admits that she “laughed at that one, actually.” Her world is very black and white. When she and Raymond stumble upon an elderly man in distress, Eleanor is tasked with keeping him calm.

…don’t worry, you won’t be lying here in the middle of the street for long. There’s no need to be anxious; medical care is completely free of charge in this country, and the standard is generally considered to be among the best in the world. You’re a fortunate man, I mean, you probably wouldn’t want to fall and bump your head in, say, the new state of South Sudan, given its current political and economic situation.

Oh, Eleanor.

It is Eleanor’s friendship with Raymond that starts to crack open her insular, dysfunctional life. The more we know of her story, the more amazing she becomes. Eleanor Oliphant will stay with you long after you’ve closed the final pages and you will leave her knowing that she will actually be completely (mostly) fine.

 

Cuckoo Song – Frances Hardinge

cuckoo songI don’t think I have ever read a book quite like Frances Hardinge’s YA novel Cuckoo Song. I am not much of a fantasy fan, you know – word building and that sort of thing, but I was totally enchanted by Hardinge’s story, which is as much about grief and loss, as it is a creepy story about…well, I can’t really tell you.

I can tell you that the story follows 13-year-old Triss, who wakes up after falling into the Grimmer – a pond near the cottage where she is vacationing with her family. Her mother comforts her, telling Triss that she’s “just been ill again, that’s all. You had a fever, so of course you feel rotten and a bit muddled.”

Triss’s younger sister Penny, Pen for short, doesn’t seem all that thrilled with Triss’s recovery. “She’s pretending!” she screams, when she comes to Triss’s bedroom. “It’s fake! Can’t any of you tell the difference?”

Things just get weirder for Triss because even she has to admit that something isn’t quite right. For one thing, she has a voracious appetite – never mind easing herself back into the world of food, as “soon as she saw the first bowl of soup arrive, great crusty rolls on the side of the tray, her hands started to shake.” Triss is horrified to discover that food is not the only thing that will sate her hunger; she’ll willingly eat just about anything and lots of it.

Other strange things begin to happen in Triss’s life.  Dead leaves in her hair when she wakes up. Dolls that move in her hands. Dolls that speak to her. And then what’s with all the letters from her brother, Sebastian? Those letters are impossible because Sebastian was killed in the war.

Hardinge has created a masterful, creepy and mysterious novel that is both exciting and kind of heartbreaking. I don’t want to spoil the novel’s surprises, but I will say this: you won’t forget Triss because she is brave, endearing and clever. Her desire to solve the mystery of what’s happened to her keeps the plot ticking along, but her capacity for self -reflection and self-awareness is what makes her a character who will stay with you long after the last page is turned.

Highly recommended.

Sadie – Courtney Summers

sadieI thought if I waited a few days after finishing Courtney Summers’ latest book Sadie, I would have a better chance of articulating my feelings coherently. Sadly, I don’t think I am actually going to be able to adequately express all the ways I loved (and hated) this book.

The premise is clever. West McCray, a radio producer at New York’s WNRK, is shaking up the station’s format by introducing a new podcast, The Girls. The podcast “explores what happens when a devastating crime reveals a deeply unsettling mystery.”  McCray dives headlong into the story of Mattie Southern, a thirteen-year-old whose dead body was discovered in an orchard near a burning schoolhouse, and her nineteen-year-old sister, Sadie, who is missing.

I’ve decided the gruesome details of what was uncovered in that orchard will not be part of this show. While the murder, the crime, might have captured your initial interest, its violence and brutality do not exist for your entertainment – so please don’t ask us.

Transcripts of the podcast (and you can actually listen to those here) alternate with Sadie’s first person narrative. Sadie leaves Cold Creek’s trailer park and her surrogate grandmother, May Beth, to find Keith, a man who once lived with Sadie and Mattie’s mother, Claire. Claire is currently out of the picture, an addict who’s had a steady stream of creeps in her bed.

Despite being blocked at every turn, Sadie is like a dog with a bone when it comes to tracking down Keith, a man she claims is her father. She buys a junker car, and asks fearless questions, hindered only by her stutter and youth. By about page thirty I was as invested in Sadie’s hunt as she was. She is equal parts vulnerable and tough-as-nails and 100% believable.

And this is where I have to pause and commend Summers, once again, for writing characters who are so real. Regular readers to this blog will know I am a fan of Summers and have read several of her books including Cracked Up to Be, All the Rage, This Is Not a Test, and Some Girls Are. I’ll tell you this – Summers is not writing the same book over and over. Her characters are not stereotypes. They are vulnerable, broken, tough, cynical and hopeful and every combination in between. Sometimes they say or do things that are wince-worthy, but as a mom and high school teacher, I know that Summers cuts as close to the bone as it’s possible to get. Like it or not.

So, I wasn’t surprised that I fell in love with Sadie, rough edges and all. I expected to be invested in her journey and I hated (that’s what I hated, folks) that it was a journey that she felt compelled to take. I hated that I was afraid for her the entire freakin’ time! Sadie loved her sister and made sacrifices for her that Mattie would never have the opportunity to understand. That’s what it is to love someone.

McCray is always just one step behind Sadie, but his podcasts fill in some blanks, allowing us to see how Sadie is viewed from other perspectives. Former teacher, Edward Colburn, says, “She was teased by her classmates because of the stutter and that caused her to withdraw.” Her boss, Marty McKinnon said Sadie was “a good kid, hard worker.” Mae Beth said that “The only thing Sadie was afraid of was losing the family she had left and that was Mattie.”

All of these ingredients add up to a story that McCray describes as being “about family, about sisters, and the untold  lives lived in small-town America. It’s about the lengths we go to protect the ones we love…and the high price we pay when we can’t.”

There are few moments of levity in this novel, but Sadie (the novel and the character) will haunt your dreams.

Highly recommended.