Lucy Foley’s thriller The Guest List is the perfect book to pick up if you’ve got a couple hours and you want to be distracted. Although I didn’t find the writing to be spectacular (do people not care about comma splices anymore?) and the twists weren’t necessarily twisty (once you see one, the house of cards starts to crumble), I still thoroughly enjoyed my time on Innis an Amplora or Cormorant Island.
Jules and Will (a digital magazine editor and a reality tv star) are getting married and they’ve decided to hold the exclusive event on Cormorant Island, located in the Atlantic, off the coast of Ireland. There’s nothing much on the island now, except for the Folly (aptly named as it turns out), a few crumbling buildings, a graveyard and a peat bog. To this event they’ve invited 150 or so of their closest friends, but the people who really matter come the day before.
There’s Hannah, wife of Charlie, who’s Jules’s best friend. Hannah’s quite aware that she and Jules are “the two most important people in [her] husband’s life.” There’s Johnno, Will’s best friend and best man. The two men went to an exclusive boarding school called Trevellyan. There’s Olivia, maid-of-honour and Jules’s half sister. Finally there’s Aiofe, wedding planner and owner of the Folly with her husband Freddy. Each of these people, and Jules, reveal their feelings about the event and the people in attendance in first person narratives. The book jacket tells us that one of these people is a murderer, although we don’t find out until the very end who has actually been killed.
Years ago, I read Agatha Christie’s magnificent “locked room” mystery (although at the time, I’m not sure I knew that’s what it was called) And Then There Were None. “The “locked-room” or “impossible crime” mystery is a subgenre of detective fiction in which a crime (almost always murder) is committed in circumstances under which it was seemingly impossible for the perpetrator to commit the crime or evade detection in the course of getting in and out of the crime scene. The crime in question typically involves a crime scene with no indication as to how the intruder could have entered or left, for example: a locked room. Following other conventions of classic detective fiction, the reader is normally presented with the puzzle and all of the clues, and is encouraged to solve the mystery before the solution is revealed in a dramatic climax. (From: https://en.wikipedia.org/wiki/Locked-room_mystery).
The Guest List isn’t totally a “locked room” mystery, but I think Foley does owe a debt of gratitude to Christie. And to every unreliable narrator on the planet. Every one one of the guests who arrive early on the island have something to hide. Secrets are alluded to. Friendships fray. Relationships strain. And it’s all enormous, mindless fun.