One hot summer when nine-year-old Ava is outside riding her bike around the apartment complex where she lives, a man tells her “I have something that will keep you cool…” He leads Ava down a lane between the apartments and the trees and assaults her. This is the beginning of Saundra Mitchell’s YA novel All the Things We Do in the Dark.
Flash forward and Ava is now seventeen. Her parents are divorced. She has one best friend, Syd. She tries to be as invisible as possible, although she lives in small-town Maine where everyone knows who she is and what happened to her and if they didn’t, the scar the man left down the side of her face would certainly be cause for curiosity.
Ava has never really dealt with the trauma of her assault. Her mother keeps close tabs on her, but even she doesn’t know everything and Ava is prone to keeping secrets. This becomes evident when one day, walking home through the woods, she stumbles upon the body of a young girl.
She’s twisted like a Barbie doll at the waist. Her top half points forward, baring her face, her chest, those Vs. It takes me a minute to realize they’re stab wounds. Her bottom half faces down. Somehow both her breasts and her butt are exposed at the same time.
Human people, alive people, they don’t make that shape.
Ava makes a decision: she doesn’t tell anyone about the body. Chalk it up to shock or her own bad experience post-assault, but she decides to protect her. It’s a ridiculous decision to make – readers will know that – but Ava hasn’t ever really recovered from her own post-assault experience.
When Ava returns to the scene of the crime, she discovers someone else there, and convinced that she has stumbled upon the murderer, she gives chase. That’s where Mitchell’s book morphs from an examination of the trauma of assault to a straight-up mystery. I think I found this part of the book a little less successful, mostly because some of the decisions Ava makes (even though I could sort of understand why she was making them) seemed a little unrealistic.
Mitchell does do a wonderful job of crafting a character who has been through something horrific, something she still struggles with many years later as she tries to navigate relationships (with her bestie and a new friend, Hailey) and her own complicated feelings about her body and sexuality.
While I found the writing a bit choppy, a students in my class (who recommended the book) said that she liked the writing, that it felt like a conversation with her friends and that she related to some of the relationships in the book. That’s the true test of a YA book, I think: does it speak to its intended audience?