Connected Underneath – Linda Legters

Celeste, the wheelchair-bound narrator of Linda Legter’s novel Connected Underneath,  promises to tell us everything, even the parts too terrible to share. Then she admits “there, already: I’ve hardly begun and I’m already lying.” Whether or not Celeste’s lies are as pivotal to the story as she’d like to think is open to debate and, truthfully, she’s the least interesting part of the story, anyway. Connected Underneath cover

Celeste lives in Madena, a tiny town in upstate New York. She introduces the reader to the novel’s key players: Theo and Natalie – high school friends, although Theo had definitely hoped for more. Natalie, however, liked boys like Mike Teague, high school basketball star, because “Theo was from the wrong side of town, her side, and she wanted a different side.” When she becomes pregnant, Natalie turns to Theo for help and he ends up adopting her daughter, whom he names Persephone. (A fitting name, as it turns out -Persephone was the goddess of the underworld – because Seph, at fifteen, is a little off the rails.)

Theo and Seph are actually disconnected these days. Seph is in love with a girl called Krista, but she trades sex for tattoos. Billie, the tattoo artist, is “sweet, gentle, swift, so it never seemed like a very big deal, not even the first time, the time that drew blood.” Of course, Seph keeps the tattoos and the sex from her father, but even so, Theo is beginning to worry about his daughter; “he was sure his girl was in trouble.”

So that’s the impetus for a visit to Natalie’s house across town. She lives with her husband, Doug, and their son, Max. Natalie doesn’t really want anything to do with Theo and shows little interest in the daughter she gave up fifteen years ago. In fact, when Theo admits he’s afraid of losing her, Natalie’s response is callous and decidedly un-motherly: She tells him, “You’re too late. Not my fault.”

Connected Underneath is a story about secrets – those we keep from each other and those we keep from ourselves. It is also a story about the damage we can do, both willfully and inadvertently. Everyone in Connected Underneath seems to operate, ironically, without actually realizing how they are connected and when the secrets  bubble to the surface, discretion is abandoned and truth is used as a weapon.

Theo is definitely the most sympathetic character. Despite a fraught childhood, he has always tried to do the right thing. He loves his daughter, even if he isn’t quite sure how to keep her safe. Natalie is another story. I didn’t like her and also, more importantly, didn’t believe her. Not for a  minute. And then there’s Celeste. As she watches Theo’s world unravel, her world – miraculously – begins to right itself. Can’t say that I was all that invested in her, either.

On the plus side – Connected Underneath is an elliptical, strangely compelling story about the ways we try to save each other, even when we can’t. It is well-written, even if I didn’t believe in some of the characters. It is almost relentlessly grim, but sometimes life is just like that.

tlc logoThanks very much to TLC Book Tours for  inviting me to be a part of the book tour for Connected Underneath and to Linda Legters and Lethe Press for providing my review copy.



Pretty Girls – Karin Slaughter

So my son asked me how I liked Karin Slaughter’s novel Pretty Girls and I really had to think about my answer. I couldn’t just say “yes” because that isn’t exactly true. I couldn’t say “not really” because that isn’t true either. I read about 300 pages of it last night, turning the pages to get to the end, my skin crawling and my eyes burning.PrettyGirls_HC

Pretty Girls is the story of  sisters Julia, Lydia and Claire – actually it’s mostly about Lydia and Claire because twenty years back Julia, then 19, went to a bar with friends, and disappeared. Claire is married to Paul, successful architect and doting husband; Lydia is single mom to 17-year-old-Dee. She’s 19 1/2 years sober.  Lydia and Claire have been estranged for twenty years, but when Claire’s husband is brutally murdered in a botched alleyway robbery Claire turns to her sister to help her make sense of her unraveling life. And trust me – Claire’s life is about to go belly up, big time.

That’s pretty much all I can tell you about the plot without giving too much away.

The one other voice we hear in Slaughter’s novel is the girls’ father. He never gives up trying to find Julia and keeps track of his search and his feelings in journals. “When you first disappeared,” he writes, “your mother warned me that finding out exactly what had happened to you would be worse than never knowing…’The details will tear you apart.'” She wasn’t wrong.

There’s some bad blood between Claire and Lydia, but soon enough they find themselves in a heap of trouble and they have no choice but to put the past aside. The plot catapults along and if you don’t care too much about the quality of the prose (not that there’s anything wrong with it – Slaughter’s writing is more than up to the task at hand) you’ll fly through the pages unhindered by flowery language. What will give you pause are the gruesome crime details – or maybe not. Maybe we have been desensitized to that sort of thing. I’m not easily bothered, but this book bothered me.

There’s nothing pretty about Pretty Girls. If there is redemption to be had, it comes at a high price for Claire and Lydia and readers will have to have a strong stomach to go along.

What She Left Behind – Tracy Bilen

13040715Sara’s mom finally has a plan to get the two of them out of Dodge – okay, they don’t actually live in Dodge, they live in Scottsfield, a town so small it doesn’t even have traffic lights. Life with Sara’s dad, Ray, an ex-cop cum hardware store owner, has passed the point of impossible and taken a right turn at scary. He’s abusive and a tad on the crazy side considering he still thinks his son, Matt, lives at home. Matt’s dead.

This is what we know at the beginning of Tracy Bilen’s YA novel What She Left Behind. Getting away is a good plan, Sara thinks, until her mother fails to pick her up at the appointed time and place. When she gets home from school her father tells her that her mother was called away on a last minute training course, but every time Sara tries to call her cell it goes straight to voice mail and the duffle bag she’s packed and stowed under her bed, well, that’s been unpacked and everything returned to its place.

Sara was always the invisible one in the family. Her mother and brother took the brunt of Ray’s abuse. Now all eyes are on Sara and she’s desperate to find out what’s happened to her mother and to avoid her father’s ire.

Two boys come to her aid: Zach, her brother’s best friend and Alex Maloy, hot boy from school. Zach knows Sara’s family history; Alex is new on the scene and seems to be interested in Sara, for real, and although Sara likes Alex she also knows there’s no point in pursuing anything with him since she and her mom are leaving…just as soon as her mom returns. He’s cute, though.

I read What She Left Behind in one sitting. Seriously. The plot clicks along at a good clip; Sara is likeable and sympathetic. Ray is one brick short of a chimney. Alex is too-good-to-be-true, but don’t you kinda want that for the girl whose life is pretty much shit.

I’d have no trouble recommending this book to my students.

The Paris Wife – Paula McLain

I wouldn’t consider myself an Ernest Hemingway fan by any stretch. Perhaps I read him when I was too young to appreciate his spare and muscular prose. For some reason I always thought of him as a misogynist, although I couldn’t say how I came to that conclusion. He has been criticized for his portrayal of women in his work, so my opinion has clearly been borrowed from something else I’ve read. I do know, however, that he is a significant figure in American literature even if neither the man nor the myth was all that interesting to me as a reader.

parisNow, after reading Paula McLain’s novel The Paris Wife I have to admit to being quite curious about Hemingway and his writing. I think I might come at it a little differently now compared to the way I approached him as a young university student.

The Paris Wife is a fictional account of the relationship between a young Ernest Hemingway and his first wife, Hadley Richardson. The pair meet through mutual friends in Chicago in 1920. “The very first thing he does,” Hadley says, “is fix me with those wonderfully brown eyes…”

Hadley is 28 and has come to Chicago from St. Louis after the death of her mother. Hemingway is just 20 and “seemed to do happiness all the way up and through. There wasn’t any fear in him…just intensity and aliveness.” For Hadley, who says that her life was “stuck” long before her mother’s death, Hemingway is a revelation. When Hemingway announces that he intends on being an important writer, Hadley remarks “I thought poets were quiet and shrinking and afraid of sunlight.” Hemingway is a force and Hadley has no choice but to be swept along with him.

After Hadley returns to St. Louis, the two begin a correspondence which ends in a wedding proposal.  Once they are married, the two return to Chicago briefly before setting sail for Paris. Why Paris? Sherwood

Hadley and Ernest on their wedding day Sept 3, 1921.
Hadley and Ernest on their wedding day Sept 3, 1921.

Anderson (author of the book Winesburg, Ohio, which I’ve never heard of but apparently both the writer and the book were a big deal back in the day) tells Hemingway “…if you want to do any serious work, Paris is the place to be. That’s where the real writers are now.”

Anderson was right, of course. Paris in the 20’s was a mecca for writers and artists, a literary (and artistic) who’s who. Gertrude Stein, Ezra Pound, F. Scott Fitzgerald,  and Archibald MacLeish are just a few of the celebs who enter the Hemingways’ orbit once they find themselves in the City of Light at the end of 1921. This collection of literati came to be known as “The Lost Generation,” a term coined by Stein but made popular in Hemingway’s novel The Sun Also Rises. The term refers to those who came of age after the First Word War.

McLain’s novel does an exceptional job of capturing the literary scene of the time – its parties and squabbles, jealousies and intrigues – but also the relationship between Ernest and Hadley. There is no question they loved each other deeply and in Hemingway’s own memoir about his time in Paris, A Moveable Feast, he writes “I wish I had died before I loved anyone but her.”

I may have to rethink my position on Hemingway. I may have to read A Moveable Feast. I certainly recommend The Paris Wife especially if you love literary name dropping and Paris. Even if you don’t love those things, McLain’s novel is a delight.

Can you trust these narrators?

Listen here.

First of all, I want to go all fangirl on you because you had Ruta Sepetys in the CBC studio last week and I went with a couple teachers and some students from HVHS to hear her speak at the library on Thursday night. Writers are rock stars in my book and any personal interaction you get to have with them is so squee-worthy.

I haven’t read her other books, but I did read Between Shades of Gray with my grade nine class this year and I have to say it was a remarkable experience. Even students – mostly boys – who weren’t readers enjoyed that book and in fact read way ahead of the class. So, you know there’s something good going on when that happens. I know, too, that one of my colleagues at St. Mac’s said they’d walk through the halls during the 20 minutes they’d set aside for the school to read and there was silence…and they mentioned how gratifying it was to hear students talking about the book in the halls at lunch and break. That is solid-gold to teachers. Her talk at the library was lovely and she is so warm. She took pics with our kids (in the photo below she is on the far left), selfies even, and answered their questions. She was terrific.



Okay – with that out of the way, let’s talk about the books.

I want to talk about books of a type – you know how a book will hit it big and then all of a sudden there are a bunch of similar books on the market. So, for example, everyone was talking about The Girl on the Train by Paula Hawkins and I jumped on that bandwagon and I liked the book – didn’t LOVE the book. But then all of a sudden there were all these books with unreliable narrators and so I thought I would talk about a couple of those today.

still-mine-9781476790428_hrStill Mine – Amy Stuart

Stuart is a Canadian writer and this is her first book. It’s the story of Clare O’Dey, a woman on the run from her abusive husband, Jason, who ends up making a deal with the man he’s sent to find her. In exchange for her freedom, she has to go to this tiny mining town – I’m going to say it’s Northern BC or Alberta – and find a woman called Shayna who has gone missing. Clare finds herself wholly invested in the search for Shayna and it makes a weird sort of sense because Shayna’s past is as messed up as Jason’s. The town, Blackmore, is peopled with all sorts of damaged and dangerous characters including Shayna’s ex-husband, the town’s drug dealer and even Shayna’s parents.
widowThe Widow – Fiona Barton

It’s the story of Glen and Jean Taylor, a pretty average 30-something couple in England whose lives are totally upended when Glenn is accused of kidnapping a little girl named Bella. When the novel opens Glenn is dead – hit by a car – and Jean has decided to tell her story to the press. Although we also spend a little time with Bella’s mother and the police detectives who are investigating the case and the reporter, it’s really Jean’s story – whether you believe her or not – that ties everything together. I should warn listeners that the subject matter of The Widow might be objectionable to some – it deals with online pornography. However, there is nothing graphic here – I promise. Just a lot of skeezy characters.

Finally, just to balance it out a YA book with a character you can trust.

And We Stay by Jenny Hubbard andwestay

This is a beautiful novel that marries prose and poetry – a technique Hubbard used in her novel Paper Cover Rock, which I also highly recommend. In this book, sixteen-year-old Emily Beam has been whisked away from her home to attend The Amherst School for Girls. The reasons for this abrupt change have to do with a tragedy which occurred back home and that tragedy is revealed through flashbacks and through the poems Emily writes. Ad We Stay won quite a few awards and is, imho, deserving of them. This is a quiet novel that treats its subject matter and its characters with care and respect. Plus – there’s Emily Dickinson, so come on.


Two Or Three Things I Forgot To Tell You – Joyce Carol Oates

I have a love/hate relationship with Joyce Carol Oates. Sometimes I read her and after I’ve settled into the odd rhythm of her writing I think, yeah, that was pretty good (We Were the Mulvaneys; Beasts) and then sometimes I read her work and think, that was a lot of effort for nothing (Rape: A Love Story) and then there’s this time, when I read Two Or Three Things I Forgot To Tell You and about two thirds of the way in I thought, what the hell just happened? 13501407

Merissa Carmichael has just been accepted into Brown, her first Ivy League choice. Merissa, M’rissa to her friends, has it all going on: good students, good athlete, good friend, pretty and popular, but she is also deeply troubled.

…in the little bathroom adjoining her room, with trembling hands – trembling with excitement, anticipation! – opening a drawer beside the sink, and, at the very back of the drawer, seizing the handle of a small but very sharp paring knife – bringing out the knife, and pressing its tip against the inside of her wrist, where the skin was pale and thin…

Nadia Stillinger, Merissa’s friend, “hadn’t a chance of getting into Brown, or any Ivy League university” has her own problems including a father who works too much and a too young step-mother. She’s fat, too, weighing in at a whopping 119 pounds. And everyone knew that  it was “utterly, utterly disgusting to be fat.”

The one thing Nadia and Merissa share is Tink, the child-star who moved to their town of Quaker Heights, New Jersey during their junior year. Tink is a “short, fiery-haired girl” whose  “face was pale and plain, as if it had been scrubbed, and even her freckles looked bleached.” She’s unlike any other girl at Quaker Heights High.  She talks back to teachers, doesn’t give a rat’s ass for fashion and doesn’t even seem all that interested in making friends, which is why the girls in Merissa’s circle so desperately want to fly in Tink’s orbit. She seems fearless. Until she kills herself – which actually happens before the story begins – so much of the story is told in flashback.

Two Or Three Things I Forgot To Tell You  isn’t your average YA novel. First of all, the narrative is  Joyce Carol Oates wacky. The narrator is one of the girls – but not Merissa and not Nadia and not Tink. Lots of personal pronouns, though, like “We were stunned” and  “We laughed because Tink laughed”. Still, the first part of the novel is tightly focused on Merissa and her penchant for cutting and the trauma of her parents’ crumbling marriage. Then, Merissa is abandoned (presumably in a much better emotional place than when we meet her) and the focus switches to Nadia and her problems – mostly to do with an incident at a party and her inappropriate feelings for her kind (and handsome) Science teacher.

You either get used to the way Oates writes or you don’t. This book is rife with parentheses and asides couched in dashes. Perhaps the writing is meant to mimic the frenetic minds of its characters, but whatever the case I read the novel quickly. I can’t say I didn’t like it, but I can’t say I loved it, either. There is potential for discussion because the book is topical and in many ways captures the complicated and fraught time in a young woman’s life just before she is about to step over that imaginary line into adulthood. Sadly, some don’t make it.