When Margot Hull’s parents, owners of Gallows Hill Winery, die suddenly, they leave their estate to their only daughter, Margot. She hasn’t been to Gallows Hill in over a decade, and has, in fact, not had any contact with her parents in many years. Raised by her maternal grandmother, Margot knows nothing about wine and very little about the property that has been in her family for generations. Now it’s hers and she has to decide whether or not she wants to keep it.
Her parents’ manager, Kant, takes her to Gallows Hill after the funeral and thus begins a very long, very slow story about the house and its bloody history. Gallows Hill “rose above her, broad and dark and heavy with shadows” and Margot feels nothing when she first sees it again. She has no memories of the place and there is nothing personal inside that connects her to its many rooms.
Darcy Coates’ Gallows Hill is what I would call an old-fashioned ghost story. It doesn’t take very long for things to start to go awry, but Kant doesn’t bother to tell her about the house’s menacing history that first night. He makes her a cup of coffee, tells her that he was the one who discovered her parents and that’s about it.
Margot’s first night in the house is marked by a few creepy discoveries: a strange life-sized effigy in the living room, a house with many halls and rooms, a lock on a window in what she assumes had once been her room, a mirror which reveals her face with
“skin [that] had shrunken and puckered. Swollen wrinkles spread over the cheeks and forehead. The eyelids had peeled back. Her eyes were swollen round orbs, barely fitting inside the sockets, bulging and bloated and swallowed in a sick gray tinge. Her lips were shrunken away from the teeth, exposing grimacing yellow bone and gray, pulpy gums.”
It takes a long time for Gallows Hill to reveal its secrets, and for patient readers who like a slow burn…good enough. But for me, the story wasn’t scary, the house wasn’t scary and Margot – a sort of mousey character to begin with – just wasn’t all that believable. Because the action doesn’t really ramp up until the last third, the first two thirds is a lot of Margot creeping around using her phone’s flashlight, being scared of just about every sound she hears.
It’s too long, but I think many readers would likely enjoy it.