Dancing at the Pity Party – Tyler Feder

When Tyler Feder was nineteen, her much-adored mother died of cancer. Feder recounts her relationship with her mother, her mother’s brief illness and death, and the stages of guilt that follow in her beautiful graphic memoir Dancing at the Pity Party.

A mother-daughter relationship is special. I was very close to my mother and felt bereft when she died of lung cancer in 2006. I was 45 and had two young children and a flailing marriage. My mom was always in my corner. I am the oldest of four kids and being the only girl made our relationship extra special. (I know my brothers would all say they had a special relationship with mom – she was that kind of mother.)

Me -in the ugly sweater – with my brothers (L-R) Tom, James and Mark, and my parents Ed and Bobbie circa 1974. My mom did that weird “faux wood” look on the cupboards behind us.

My mom, Bobbie, was a tiny woman – 96 pounds soaking wet – who loved AM radio, instant coffee, really bad white wine, sappy movies, cooking, cheap shoes, and Tai Chi. You only had to meet her once to be considered part of the family. She loved to laugh and didn’t mind being the butt of the joke, and she often was. She made and kept friends easily because she was thoughtful and kind and generous with her time. She was a wonderful grandmother for the short time my children had her in their lives. We lived close enough to each other that my kids could go down to her house on their own from a very young age. She’d drop anything to make cookies or watch a show or go for a walk. Having her so close was handy because I am squeamish and she was a nurse. On more than one occasion she’d come running after I called and said “There’s blood.” She fixed scraped knees, and torn clothes, and broken hearts. She made perfect poached eggs and lasagna and chocolate cake with boiled icing. Following in the tradition of her mother, Sunday dinner was usually at mom’s. There could be six people or sixteen or twenty-six; it never mattered because she could cook for all of us and never break a sweat. I miss her wise counsel, her steadfastness, her unwavering support, even when I screwed up.

So, Feder’s memoir about her mother resonated with me. Her mom is carefully rendered, a warm and complete human being with a crazy fixation on eyebrow maintenance, distinctive spiky handwriting and “smiley brown eyes.” Feder herself is the oldest of three girls and, as I well know, being the oldest comes with both perks and hardships. By the time her mom’s health problems announce themselves, her prognosis is dire. Like my mom, Mrs. Feder died very quickly. There is hardly any time to process the illness, let alone the loss.

I found Dancing at the Pity Party to be funny and heart-wrenching in equal measure. Other than the fact that Feder is Jewish and so the customs surrounding grief and mourning are different from my own essentially atheist views, there was little in this memoir that wasn’t familiar to me. Her mother’s physical decline, the spread of the disease, the toll chemo took, the often inappropriate jokes and laughter contrasted with the grief and despair: all of it is part and parcel of what cancer steals from us, and weirdly, gives to us.

I think Feder’s memoir will certainly speak to anyone who has lost someone they’ve loved to cancer. Although it has been many years since my mom died, I found Dancing at the Pity Party cathartic, humourous, and honest. I think anyone who has ever been in Feder’s shoes will find something of themselves in these pages.

It is also a wonderful reminder that our loved ones never really leave us. I send Christmas cards by the dozens because I watched my mother do it year after year, including a little family update with each card she sent to the many people she knew from the many moves we’d made as I was growing up. I now host Sunday dinner – though not nearly as often as my mom did – and I feel her with me every time I pull a turkey from the oven or make Washington Pie. I love the family stories we tell around the dinner table, each of us remembering something different about our mom/sister/grandmother. I love sappy movies, (I can’t watch Dirty Dancing without thinking abut her), and Gordon Lightfoot. I get my work ethic from her. Whenever I say “Age is just a number” I think of her. She used to say that energy couldn’t be created or destroyed. She had the most positive energy of anyone I ever met, even when life was serving her a shit sandwich.

She is with me, I know. I hope Feder feels like her mother is with her, too. In any case, she has written a beautiful tribute to her and I highly recommend others read it.

The Lost Daughter – Lucy Ferriss

The whole time I was reading Lucy Ferriss’s novel The Lost Daughter  I was trying tolostdaughter figure out whether I liked it – not the book, exactly, the whole family drama thing. Am I really interested in life’s ups and downs? Do I care about people’s children and marriages? Well, if every book was as good as this one, the answer would be yes.

When the novel opens high school seniors Brooke and Alex have taken refuge in a hotel where Brooke is about to give birth. It’s a harrowing beginning to their stories. Brooke was bound for Tufts in the fall, and Alex was going off to college on a soccer scholarship.

Fast forward fifteen years and Brooke is married to Sean. They have a six-year-old daughter called Meghan. Their marriage is solid, but Sean is pressing for another baby; in his big Irish Catholic clan, a single child is blasphemy. Brooke is reluctant; she has her reasons although it’s difficult for her to articulate them. Sean doesn’t understand Brook’s reticence and her

excuses bewildered him. His love for her harbored no doubts, and he had seen the joy she took in Meghan. Every time they talked about another pregnancy it went this way, but he loved her too much to stop.

Then Alex blows through town. He’d been living in Japan with his wife and young son, but his life has fallen apart. “I’d like to see you from time to time…If that’s okay. I’m not going to, you know,  invade your life or anything,” Alex tells her. Their reunion causes a ripple effect and sets them both on a path from which there is no turning back.

There are no bad guys in The Lost Daughter. This is a novel that asks you to examine the choices people make, the consequences of those choices and how sometimes life throws you an unexpected curve ball. Ferriss’s characters seem like real people. Sean’s bewilderment over Brooke’s behaviour and his own disappointments make him a dynamic character, rather than just a foil against which Alex and Brooke’s story plays out. Brooke and Alex are equally authentic. It didn’t really matter whose part of the journey I was following, it was all compelling. That’s a credit to Ferriss’s writing. I’ve never read anything by her before this, but I would definitely like to read more of her work.

While The Lost Daughter is ultimately hopeful, it does recognize that “…life itself, in the end, [is] a tragic journey…”. This journey, however, is well worth taking.

Highly recommended.

 

The Railway Children – E. Nesbit

One of my all-time favourite childhood movies is The Railway Children.  I don’t remember the-railway-children-26specifically when I first watched it, but it came out in 1970 and I probably saw it shortly after that. I have it on VHS somewhere, but no longer have a VHS machine. I did, however, have the book.

E. Nesbit’s story, first published in 1906, tells the story of siblings Roberta (Bobbie), Peter and Phyllis who live with their well-to-do parents “in an ordinary red-brick-fronted villa.” Their father works in government and their mother was always “ready to play with the children, and read to them, and help them to do their home-lessons.”

One evening, out of the blue, two men arrive at the villa and the father is “called away on business.” Afterwards, the children and their mother leave London and head out to the countryside where they will live in a “ducky dear little white house.” Although they seem to be destitute they get by. The mother is a writer and when she sells a story, the children get a treat of buns.

The children occupy their days with adventures, including making friends with the porter at the local railway station and an old gentleman who waves at them from the window of the 9:15 train they nickname the Green Dragon. There is pretty much nothing sweeter than what these three kids get up to. They are thoughtful, resilient, and kind. Revisiting their story was like being wrapped in a warm hug and Bobbie’s sentiments seemed particularly poignant given the circumstances in which we find ourselves at this point in history:

I think everyone in the world is friends if you can only get them to see you don’t want to be un – friends.

 

Rooms – Lauren Oliver

Lauren Oliver is well-known in the YA fiction world, but Rooms is her first novel for roomsadults…although the distinction hardly matters, really. Rooms is the story of the Walker family, alcoholic mother Charlotte; twenty-something Minna, her single-mother daughter, and Amy, her granddaughter; and Trenton, her awkward teenage son. They’ve returned to the house they once called home to pack things up. Richard, Charlotte’s ex and the children’s father, has died and now it’s been left to them to pick up the pieces. They aren’t alone. The house is inhabited by two ghosts: Sandra and Alice.

All of these characters have stories to tell. Mostly they are stories of loss and dysfunction. Sandra and Alice, in particular, are trapped by their memories, which Sandra claims are “thick as mud.” These two women watch the Walker family stumble around with varying degrees of affection and distaste. Alice has tender feelings towards Trenton, who she remembers as a young child claiming that “For years, I’ve longed to see Trenton. He was the most beautiful child….” She can’t quite believe that the “absurdly tall, skinny adolescent, with the sullen look and dingy-dark hair”  who stumbles into the house all these years later is the same boy.

The Walker children don’t seem to have happy post-divorce memories of their father. Minna is caustic towards Trenton and indifferent toward her daughter. Trenton has clearly had a difficult time, too. He is virtually friendless and has recently been in an accident (the details of which are revealed slowly), which has left him physically damaged. He longs for someone in his family to tell the truth.

Everyone in his family lacked integrity. They were corrupt (antonym).  His mom, Caroline, was the worst. She had lied to everyone for so long, Trenton wasn’t even sure she knew the difference anymore.

Rooms doesn’t follow a linear narrative. There’s more than one story to be told here, and the ghosts want their fair share of the limelight. While Richard was still alive, Sandra and Alice took bets about where he would die. Alice wins, remarking “Richard Walker does not die at home. Thank God. I’ve shared the house with him for long enough.”

The house itself is a character. “It’s corners are elbows, its stairways our skeleton pieces, splinters of bone and spine.” Trenton takes a different view.

…they were just rooms, many of them empty and thus unfamiliar, like the rooms of a stranger’s house. It didn’t matter much. The past would come along with you, whether you asked for it or not.

Rooms is a family drama and a ghost story. It is a story about secrets, regrets and finding a way to forgive – yourself and others. I thoroughly enjoyed it.

The Daughter – Jane Shemilt

732E19BC-CA2D-4623-B4E1-EA31B053BDE9It’s probably every parent’s worst nightmare: your child just doesn’t come home one day. That’s the premise of Jane Shemilt’s debut The Daughter.

Jenny is a successful family doctor in Bristol. She’s married to Ted, also a physician. Together they parent twins, Ed and Theo, 17, and Naomi, 15.  Life is busy for the family, which means that sometimes things slip through the cracks. Pretty much every parent  can relate to that. Things are particularly hectic right now because Naomi is starring in her school’s production of  West Side Story, and she is always dashing off.

But on the night before the last performance, Naomi doesn’t come home. She doesn’t respond to her mother’s frantic phone calls. She’s not at the theatre or the place she’d told her mother she’d be. She’s not with her friends.

The Daughter is a page-turner, for sure, but it is also a meditation on modern marriage, parenting, and the fine balancing act of having a career and a family. Jenny is so convinced that she understands her daughter, her sons, her marriage, but it turns out there are cracks everywhere.  Jenny feels blindsided by her daughter’s disappearance and by the fissures which suddenly appear in her domestic life.

If I was asked, I would say she was happy, that Ted and I were as well. I would say we were all perfectly happy.

The novel’s narrative isn’t straight forward. We are given glimpses into Jenny’s life just before Naomi leaves, and then several months later when she has taken herself to Dorset, to the family’s cottage. In these passages, we see how Naomi’s disappearance has affected Jenny and those around her. It’s not that Jenny’s life has come to a complete standstill, but certain aspects of her life have been derailed. She has not given up all hope that Naomi will be found and her grief is palpable.

But it not only Jenny’s grief that drives the narrative. Her husband also suffers. “I look for her everywhere I go,” he tells Jenny months after Naomi’s disappearance. “Don’t give up,” he tells her. “Don’t ever give up. I still think we’ll find her.” Jenny’s sons also suffer under the horrible weight of this loss.

Shemilt handles all their grief and a plot that might have proved unwieldy with a great deal of finesse. I raced to the end, which was both heartbreaking and unexpected.

 

 

Orchestra in My Garden – Linda Brooks

It probably would have made more sense to talk about Linda Brooks’ beautiful 953A7BC0-3D92-49DF-B19E-85D966DCF6A4coffee table book Orchestra in My Garden back in the spring, which is when I purchased my copy.  But spring is always a busy time at school, and then I went away, and then school  started again…you know how it goes. Now that the days are getting darker and colder, I feel like Linda’s book is the perfect antidote.  Plus,  Orchestra in My Garden would make a fabulous gift for the gardeners, wannabe gardeners and musicians on your list this holiday season.

Linda and I are cousins, although I wouldn’t say that we know each other particularly well. She is the second youngest of five and I am the oldest of four, so on the few occasions when our families would get together,  we would have been of little interest to each other. My dad and Linda’s dad are first cousins. I do have childhood memories of going to the farm where Linda grew up. It was always a lot of fun. My parents loved her parents, Jack and Margie, and I remember loving them, too.  It was probably a lot of fun for the adults to get together and let the nine of us run wild.

Orchestra in My Garden is a love song, and not just to gardening, although Linda is clearly a talented gardener. (She would say “enthusiast” not “expert”.) Her beautiful Nova Scotia garden, nurtured for over a decade, is simply the backdrop, though, for Linda’s blossoming awareness of a new season in her life. (And look at me, with all these corny gardening metaphors. They just write themselves, people!)

I was between albums with  no immediate pressure to produce more content and no outside expectations. Life was throwing some milestones my way. The approach of a 50th birthday coinciding with a first child heading off to university may have encouraged a greater awareness that my life was taking a new turn.

Linda has lead a creative life. Although she has a BA from Mt. Allison and a Bachelor of Law degree from Dalhousie, I always think of her as a musician. She has recorded several albums, two of them in Nashville, and been nominated for ECMAs.  The essays included in her book are her way of expressing herself “beyond the lyrics of a song.”

The essays in this book tackle a wide range of topics: the joys of digging deep (literally and metaphorically, I think), marriage and motherhood, family, inspiration. There really is something for everyone in Linda’s essays. The nice thing about them is that they really feel like personal reflections, rather than didactic lessons.

Supporting and nurturing and, perhaps especially, challenging each other to bloom means understanding that no one of us has all the answers and there is not only one perspective. When we learn to respect another’s growth, we accelerate our own. That’s what family, friendships, and my garden keep teaching me.

And what would a book about gardens be without pictures. First time garden photographer Mark Maryanovich has taken some truly beautiful photos for this book. This might be his first time snapping pics of flowers, but he comes with an impressive resume and it shows.

If all this weren’t enough, Linda has included a code which allows you to download 22 original songs inspired by four seasons in her garden.

Orchestra in My Garden would be a lovely book for anyone who loves nature, sure, but also for anyone who might appreciate what it means to come to a crossroad in life and consider the paths that lay ahead. Download Linda’s songs, make a cup of tea and enjoy.

 

Eleanor Oliphant is Completely Fine – Gail Honeyman

155356C2-E75D-4FCF-8F1B-CEB6EB1DA2B9Eleanor Oliphant, the titular character of Gail Honeyman’s debut novel Eleanor Oliphant is Completely Fine, is not like anyone else you have likely met before. She has worked in the same office for the last nine years, she has no friends and she lives on a diet of vodka and pizza or pasta and pesto. Her life is structured and predictable, right down to her weekly calls from “Mummy.”

It doesn’t take long to figure out that Eleanor is actually not completely fine. She is pretty much the loneliest person I have ever met. She has no aptitude for social niceties; she says whatever pops into her head. It makes it difficult for her co-workers to warm up to her. Her mother is particularly harsh.   When she wins tickets to a concert and asks one of her office mates to accompany her, she becomes the butt of the joke because as everyone knows “she’s mental.”

Enter Raymond. He’s the new office IT guy. When he comes to fix Eleanor’s computer she notes that “he was barely taller than me, and was wearing green training shoes, ill-fitting denim trousers and a T-shirt showing a cartoon dog lying on tops of its kennel. It was stretched taut against a burgeoning belly….All of his visible skin, both face and body, was very pink.”

It’s funny that Eleanor dismisses Raymond as she has, similarly, been dismissed by others. She is aware of her own appearance, her “face a scarred palimpsest of fire. A nose that’s too small and eyes that are too big. Ears: unexceptional.” But Raymond doesn’t seem to see Eleanor’s appearance – or care much either way, at least, and is persistent and the two become unlikely friends.

The stuff that comes out of Eleanor’s mouth is often funny. She has no filter and doesn’t seem to take offence to the things she hears, even when she is the subject of ridicule. When an office mate makes a cruel joke at her expense, Eleanor admits that she “laughed at that one, actually.” Her world is very black and white. When she and Raymond stumble upon an elderly man in distress, Eleanor is tasked with keeping him calm.

…don’t worry, you won’t be lying here in the middle of the street for long. There’s no need to be anxious; medical care is completely free of charge in this country, and the standard is generally considered to be among the best in the world. You’re a fortunate man, I mean, you probably wouldn’t want to fall and bump your head in, say, the new state of South Sudan, given its current political and economic situation.

Oh, Eleanor.

It is Eleanor’s friendship with Raymond that starts to crack open her insular, dysfunctional life. The more we know of her story, the more amazing she becomes. Eleanor Oliphant will stay with you long after you’ve closed the final pages and you will leave her knowing that she will actually be completely (mostly) fine.

 

Tell Me Something Real -Calla Devlin

Vanessa Babcock, the protagonist of Calla Devlin’s debut, Tell Me Something Real, is sixteen. She lives with her parents, her older sister, Adrienne, andtell-me-something-real-9781481461160_lg her younger sister, Marie, in San Diego. Their mother, Iris, has leukemia, and Vanessa and her sisters often accompany her to a clinic in Mexico where she is treated with the controversial drug, Laetrile.

…the FDA’s banned Laetrile in the States, [and] a lot of people are coming to Mexico to treat their cancer. Most aren’t as lucky as we are, living in San Diego so close to the border.

Each of the girls have their own quirks. Adrienne is prone to swearing like a sailor. Marie is fascinated with the Catholic saints. Vanessa dreams of attending music school. Their father, an architect, works too much, leaving the care of Iris to his daughters, care that is taking its toll.

On one trip to the clinic Vanessa meets Caleb, a boy just a little older than she is who is also taking Laetrile. When Iris suggests that they open their home to Caleb and his mother, Barb, in an effort to make it easier for Caleb to receive his treatments, it seems like a win-win. Barb cooks real meals, and her sunny disposition improves life for everyone. And then there’s Caleb.

He looks healthy, sunburned, and rosy cheeked like me. It isn’t until he steps through the entryway – away from the protection of the flowers – that I recognize he is one of them.

Caleb becomes Vanessa’s touchstone, until one day he tells Vanessa that he and his mother are going home. Something isn’t right in the Babcock home, but he is reluctant to say just what that something is.

I have mixed feelings about Tell Me Something Real. There’s no arguing that Devlin is a talented writer, even though I didn’t feel like this debut went anyplace particularly special. Vanessa’s first person narrative is compelling enough, but her sisters seem more like a collection of quirky attributes than flesh and blood people. The plot does take an unusual turn, but even that felt somehow contrived.

What I wanted, I guess, was an emotional centre and despite the (melo)drama, Tell Me Something Real just didn’t have a beating heart. I wouldn’t discourage people from reading it, for sure, but it was just only so-so for me.

A Beautiful, Terrible Thing – Jen Waite

a-beautiful-terrible-thingEven though my marriage ended seven plus years ago – well, it actually ended way before that, although not formally – I am still drawn to books about broken marriages and I just finished Jen Waite’s memoir  A Beautiful, Terrible Thing. It was an impulse buy and I read it in three sittings.

Waite is a struggling New York actress when she starts training as a waitress at a trendy new restaurant and meets Marco, the head bartender, who is “tall and Latin with black, slicked-back hair and mocha skin [and] a quick, easy smile.” Despite the fact that she has a boyfriend back home in Maine, she is smitten and before you can say Argentina (which is where Marco is from), she is head-over-heels in love. It’s easy to see why, too. Marco is self-deprecating, sensitive and Waite believes that he really sees her for who she is. Throw in the chemistry and it’s an intoxicating and irresistible combination.

But, of course, it’s all fake. Five years into the relationship, shortly after Waite gives birth to their daughter, Louisa, she discovers a suspicious e-mail. It’s like a house of cards: the email is one card and when Waite removes it, the whole structure of her life starts to crumble.

Marriages break down, everyone knows this. It’s a devastating thing that happens to many couples. But there is an extra layer of horror in the dissolution of Waite’s marriage to Marco because he goes from being suave and loving to a blank stranger almost overnight. When Marco tells her that “For around a year now, I haven’t been happy. I lost all my feelings….Like right now, I’m looking at you, and I feel nothing. I feel numb,”  Waite’s reaction is one of disbelief. She thinks “There is something very, very wrong  with my husband. He is sitting across from me, it is his body, but he is not my husband.”

Waite tries to explain away Marco’s admission: they’ve just had a baby, he’s over-worked, tired.  But no amount of rationalizing explains Marco’s increasingly disconcerting behavior. Although Marco adamantly denies having an affair, and even though her parents are inclined to believe that he’s telling the truth, Waite finds it almost impossible to stop obsessing over Marco’s email and social media accounts. When she finally leaves him, he begins a campaign of emotional abuse towards her, employing every trick up his sociopathic sleeve.

Because – as it turns out – that’s exactly what Marco is.

Waite hits Google and starts researching.

I did the same thing. I wasn’t exactly blind-sided when my husband of 17 years told me in a parked car, in the pouring rain, that he didn’t love me. Things had been rocky for a while, although I’d kept telling myself that we’d weather the storm, that it was just a rough period, that despite the problems we were having he still loved me.  But from that moment on, the guy I’d known for 25 plus years, the father of my two children, became a complete stranger. I knew exactly what Waite was talking about.

Her research is a desperate attempt to explain behavior that makes no sense to her. Reading about pathological lying leads her to an article about sociopaths and suddenly the alarm bells start to go off in her head.

My eyes quickly scan to find the criteria, or red flags, of a sociopath. As I read each trait, my hear beats faster, and the hair on my arms rises. Charming. Check. Impulsive. Check. No remorse, guilt, or shame. Check. Invents lies. Speaks poetically. Incapable of apologizing. Check. Check. Check.

I remember my brother calling me and saying, “I am going to read you these qualities of a sociopath and you tell me which of these apply to M.” It was both horrifying and hilarious to discover that I could ‘checkcheckcheck’ my way through the list. Before I even knew what a narcissist was, I’d been describing M. as a vampire. He had taken everything he could from me and then discarded me; overnight the person I had built a life with became a complete stranger.  As all sociopaths are narcissists it’s no wonder – upon reflection – that so much of what I was reading at the time was ticking all the boxes. All of them.

One piece of information that Waite discovers was particularly interesting: narcissistic supply.

If a target is providing a constant stream of supply, they may be overvalued and idealized by the sociopath for many years. However, when their supply eventually decreases, they will quickly be devalued and discarded.

Things started to go south – really south – when my mother was diagnosed with lung cancer. Her illness was brief – diagnosed in July, gone in November – but during that time, M. was carrying on an affair (probably one of many.) I remember when I found out, instead of an apology he said “You weren’t paying any attention to me.” And I remember thinking “My mother was fucking dying!” Then three short years later, I lost my dad and then M. was gone.

I did everything humanly possible to facilitate an amicable relationship for the sake of our kids (who were 13 and 11 at the time). I took a class in co-parenting. I tried to encourage a regular schedule for him to see his children, but the horrible truth of the matter is – he really wasn’t all that interested. Once he cut me out of his life, he began the process of detaching himself from his kids.  He always had an excuse as to why he couldn’t see them and when he did see them, the visits often ended abruptly with the kids calling me and telling me to come get them. Neither of them have had any contact with him in several years.

I struggled for a long time – a torturous time for which I give my dearest friends and immediate family lots of credit for not throttling me – to come to terms with what had happened to my marriage and to the person I thought I knew. Eventually, I began to suspect that I had been conned, but even still it hurt. And it hurt my kids. We live in a small city and it was almost impossible to avoid hearing about or seeing M. live his new life. A life which was bizarrely hipster and one we would have laughed at ten years prior. But of course, he was simply creating a new reality for himself, something he found exceedingly easy to do because like Marco he “lack[ed] empathy and  an inner moral compass.”

A Beautiful, Terrible Thing must have been a difficult story for Waite to tell.  I  always say now that M. leaving was the best thing that could have ever happened to me and my kids. He did us a favour. Truly. I have no doubt Waite will be feeling that way at some point, if she isn’t already.

 

 

A book club of two

Listen here.

My son Connor graduates from Harbour View in a couple weeks – and let’s not even talk about how freaky that is since he was only five about a minute ago. Although I don’t understand his taste in music we do have one common interest and it’s – you guessed it – books. A couple weeks ago we were out having dinner and chatting about university – he’s heading off to Mt A in the fall – and reading and we hatched this crazy plan to have a mother-son book club this summer. The rule was, though, that we had to shop from our own shelves.

As we sat there we came up with the rules: five categories (classics, re-reads, contemporary, non-fiction and wild card); we get to pick one book in each category; we have to read all ten over the summer. We also decided to allow ourselves one veto…but neither of us used it during the picking process, although we may decide to use it when we start reading.

When we got home from the restaurant we started shopping our shelves. When it comes to book buying, Con and I are kindred spirits. We’re usually at the book store once a week; the staff at Indigo know us by name. The highlight of our trip to NYC in March was The Strand – you get the idea.

Anyway, over the next couple hours we selected and discarded until we came up with our winners. (I apologize for the quality of the book pile pics – they were taken on my crappy phone.)

CLASSICS

classics_best

The contenders in the classics category included: Agnes Grey by Anne Bronte; The Age of Innocence by Edith Wharton; I Capture the Castle by Dodie Smith; The Railway Children by E. Nesbitt and The Years by Virginia Woolf

 

 

Christie’s Pick: I Capture the Castle by Dodie Smith

I have always wanted to read it and although it’s been on my shelf for years – I just haven’t gotten around to it. This is the story of 17-year-old Cassandra who lives with her family in a crumbling English castle where she works – over the course of six months – to hone her writing skills. Oh, and she falls in love. I have a feeling the main character and I will have lots in common.

Connor’s Pick: The Years by Virgina Woolf  – because of course it was.

To be fair, though, he did pick Woolf’s most popular novel – the story of a middle-class London family from the 1880’s until the 1930’s – it sounds a bit Downton Abby-ish to me, so maybe I won’t have to pull the veto card.

Connor said, “I’ve always been curious about Virginia Woolf. (Lately I’ve been interested internal focalization and stream of consciousness, which were all technical problems she tackled in her own work). I’d never heard of The Years: it’s the last novel she ever wrote and, I’m quite certain, the longest.”

RE-READS

This was a super hard category for me because there are a handful of books I really want to re-read and, you know, it’s hard to justify re-reading when you have 600 books on your to-be-read shelf.

re-reads best

 

The contenders in the re-reads category included: Magdalene by Carolyn Slaughter; Jane Eyre by Charlotte Bronte; A Tree Grows in Brooklyn by Betty Smith; Shadowland by Peter Straub; The Virgin Suicides by Jeffrey Eugenides; Hangsaman by Shirley Jackson; The Secret History by Donna Tartt; Coraline by Neil Gaiman

 

This was a hotly contested category – probably the most difficult to choose –  because revisiting books is one of life’s pleasures. But – we had to make the tough choices anyway.

Christie’s pick: Jane Eyre by Charlotte Bronte

I had to go back where it all started for me and that’s with this story of poor orphan Jane. I am so afraid to re-read this book because what if it’s not how I remember it?

Connor’s pick: Coraline by Neil Gaiman

Connor chose this slightly creepy middle grade book about a girl who steps through a door into another house which is like her own – only better. Or maybe the grass is not always greener, after all. I’ve seen the movie, so I am looking forward to the book.

CONTEMPORARY

In this category we said the books had to be post 19th century.

contemporarybest

The contenders in the contemporary category included: Do Not Say We Have Nothing by Madeleine Thien; The Girls by Emma Cline; Dark Matter by Blake Crouch; Split by Libby Creelman; Geek Love by Katherine Dunn; Crying of Lot by Thomas Pynchon; Valley of the Dolls by Jacqueline Susann and The Haunting of Hill House by Shirley Jackson

 

Christie’s pick: The Girls by Emma Cline.

This books had tons of buzz when it came out and I actually chose this from Connor’s shelf. We had to go buy it the day it was released – but it’s languished on his shelf ever since. It’s the story Evie, a young girl in 1960’s California who meets and becomes enchanted with an older girl and is soon drawn into the orbit of a cult and its charismatic leader a la Charles Manson. So – just some light reading.

 

Connor’s pick: The Haunting of Hill House by Shirley Jackson.

Of course this is a famous book and Jackson is certainly well-known by English teachers everywhere because of her creepy short story, “The Lottery.” So this haunted house tale is one I will certainly look forward to reading.

NON-FIC

nonficbest

The contenders in the non-fic category included: The Unabridged Journals of Sylvia Plath by Sylvia Plath; Hold Still by Sally Mann; Just Kids by Patti Smith; In Cold Blood by Truman Capote; The White Album by Joan Didion; The Water is Wide by Pat Conroy; A Death in Belmont by Sebastian Junger; The End of Your Life Book Club by Will Schwalbe; and A Moveable Feast by Ernest Hemingway

 

 

Christie’s pick: A Moveable Feast by Ernest Hemingway.

Although I wouldn’t say that I am a Hemingway fan, I am fascinated by the period he lived in Paris and that’s the subject of this memoir which was published after he died.

Connor’s Pick: Just Kids by Patti Smith

The story of Smith and her boyfriend, Robert Mapplethorpe during the turbulent 60s in NYC – I am actually looking forward to reading this one.

“Patti Smith is one of my favourite musicians of all time. On a whim a year or so ago, I threw on a couple tracks from her seminal debut Horses (which is often credited as having invented punk rock) and had my mind blown. Her energy is inimitable, her poetry is incantatory, and the improvisational quality of her instrumentation lends her music an honesty that is unmatched to this day. I’m curious about her life and upbringing, and Just Kids also focuses intently on her relationship with the late and great Robert Mapplethorpe (the two were extremely close from what I gather),” Connor said.

WILD CARD

I could have put a million books into this category. Seriously.

wildcardbest

 

The contenders in the wild card category included: S by Doug Dorst & JJ Abrams; Black Rabbit Hall by Eve Chase; Olive Kitteridge by Elizabeth Strout; Ada or Ardour by Vladimir Nabakov; How to Be Both by Ali Smith; Carpenter’s Gothic by William Gladdis

 

Christie’s pick: Olive Kitteridge by Elizabeth Strout.

I chose this one because it won the Pulitzer in 2009 and that’s when I bought it. I’ll say no more. Except that it’s a series of interconnected stories about a retired school teacher in coastal Maine who attempts to make sense of her changing life. OMG – she could be me.

Connor’s pick: Carpenter’s Gothic by William Gladdis.

I was pretty proud of Connor up until this point. He’s got some whack-a-doodle books on his shelf and he managed to avoid most of them until we got here. First of all, I’ve never heard of Gladdis or this book. I’ll just quote New York Times Critic Cynthia Ozick who called the book “an unholy landmark of a novel.” Yep – I’m saving my veto for this thing because, no quotation marks always freaks me out.

This is what Connor had to say about this pick: “Lately, I’ve been chipping away at David Foster Wallace’s postmodern magnum opus, Infinite Jest, which piqued my interest in the genre. I chose Carpenter’s Gothic  because it is an early incarnation of postmodernism, and I thought it might be a good foundation to leap from in the future.”

So, there you have it – our choices. We’ll read all summer and share our thoughts before Connor heads off to school at the end of August on my blog. Feel free to read along and share your thoughts, too!