Archive | February 2017

The Kind Worth Killing – Peter Swanson

kindworthI have been in a bit of a reading slump this year – which seems like a ridiculous thing to say considering we are only two months in. The first couple of books I read at the start of 2017 were lackluster at best, and I just haven’t been able to find my reading groove. Peter Swanson’s The Kind Worth Killing may have actually changed all that.

Lily Kintner and Ted Severson meet in a bar at Heathrow. Over martinis,  Ted discloses a few details about his life including the fact that he thinks his wife, Miranda, is having an affair with Brad,  the contractor that is building their dream home in a coastal town in Maine.

Ted admits to Lily that he wants to kill his wife. Perhaps even more unusual, Lily offers to help. It might take a teensy bit of suspension of disbelief to believe that a cuckolded husband would meet a beautiful woman in a bar in a foreign country who expresses a desire to help him plan his wife’s murder, but stranger things have surely happened.

Once on the plane, Lily suggests that “…since we’re on a plane, and it’s a long flight, and we’re never going to see each other again, let’s tell each other the absolute truth. About everything.” During the trans-Atlantic flight, the two reveal tidbits both mundane and philosophical. Lily remarks: “…everyone is going to die eventually. If you killed your wife you would only be doing to her what would happen anyway. And you’d save other people from her. She’s a negative.”

Lily isn’t quite as forthcoming about her life as Ted is about his. Her story is revealed in alternating chapters. The daughter of  bohemian academics, Lily is an intelligent, thoughtful child. Through her eyes, we learn about growing up in “Monk’s House,” a Victorian mansion  deep in the Connecticut woods, about an hour from New York City.

There was never only one guest at Monk’s House, especially in the summertime when my parents’ teaching duties died down and they could focus on what they truly loved –  drinking and adultery. I don’t say that in order to make some sort of tragedy of my childhood. I say it because it’s the truth.

Lily has a skewed morality, but it’s the very thing that makes her such a fascinating character. She’s a charming psychopath, and it’s almost impossible not to like her, to root for her, even. She’s  – by far –  the most interesting of cast of characters in Swanson’s novel. She reminded me a little bit of Alice Morgan, a character in the brilliant BBC crime series, Luther. (If you haven’t ever seen the show, you must watch it immediately. It’s on Netflix.)

There are twists and turns aplenty in The Kind Worth Killing. The plot did unravel slightly for me towards the end, but that in no way undermined my enjoyment of the shenanigans these people got up to.

The Kind Worth Killing was a whim purchase for me. I needed a book for my book club and this one was popular on Litsy. I am pleased to report that everyone in my group really enjoyed the book, even though it was definitely a departure from the sort of stuff we normally read.

This is a page-turner.

The Possessions – Sara Flannery Murphy

Eurydice (Edie) is a “body” for the Elysian Society. As a body, she works with clients who possessions1seek to speak with loved ones they have lost. Dressed in a simple white dress, she sits in Room 12 and once in possession of an item belonging to the deceased, she swallows a lotus – a pill that  summons the spirits of the deceased – and the living communes with the dead. That’s the general principle of Sara Flannery Murphy’s debut novel The Possessions.

Edie has been working at the Elysian Society for five years, a long time for a body. She leads a very quiet, private life. “Since I joined the Elysian Society,” she says, “my emotions have evolved. They’ve gone from unwieldy to finely attuned. ready to snap into nothingness.”

That ability, to become a blank slate, is perhaps one of the reasons that Edie has been able to do this job for as long as she has. But then Patrick Braddock walks into her life. Patrick wants to speak with his wife, Sylvia. She drowned in a lake. The circumstances of Sylvia’s death are part of what propels the plot forward, but the relationship between Patrick and Edie is definitely the driving force.

Although Edie tells Patrick that she is not privy to the conversations that take place between a client and their loved ones, the line between Edie and Sylvia definitely blurs.

I was evasive with Patrick in Room 12 today. The truth is that Sylvia’s memories have lingered. One image in particular, clear and deep. I remember Patrick’s hand against me, at my waist. The golden hairs at his wrist, his long fingers holding the ghost of a summer tan. One or two fingernails endearingly frayed, as if he bites them when no one is watching. I could reach right into the memory, interlace my fingers with his. Feel the light calluses of his fingertips.

Before long, Edie and Patrick’s professional relationship crosses a line and Edie experiences the burgeoning weight of desire. As it often does, it clouds her judgment and drives her to find out what really happened to Sylvia.

The Possessions is a well-written literary hybrid: part mystery, part sci fi (the world seemed slightly off-kilter to me, not the far future but certainly not present day), part love story. It is certainly intriguing and yet…I found it slow going.

Edie’s past is a mystery. Her past is certainly alluded to, but we don’t learn much about her until the very end of the novel and by then it feels more like expository backfill. She’s really a non-entity and that makes it difficult to feel any empathy for her.

Patrick fares only a little bit better. As the grief-stricken husband trying to move on, he’s serviceable enough. Ultimately, neither he nor Edie are well-rounded enough to make me root for their relationship.

So in the plus column: great writing, intriguing plot, lots of potential. In the minus column: slow-moving, lackluster characters, some clunky plot machinations.

That said, Sara Flannery Murphy is definitely an author to keep your eye on.

Thanks to Harper Collins for my review copy and to TLC Book Tours for the chance to participate in this tour.

 

I’ll Give You The Sun- Jandy Nelson

This is us. Our pose. The smush. It’s even how we are in the ultrasound photo they took of us inside Mom…Unlike most everyone else on earth, from the very first cell of us, we were together, we came here together.

20820994That’s almost-fourteen-year-old Noah, one of the twins who narrates  Jandy Nelson’s remarkable YA novel I’ll Give You the Sun. Alternating between Noah and his sister, Jude, who tells her part of the story at age sixteen, the novel traces the siblings’ journey from innocence to experience.

Jude and Noah are artists who dream of getting into California School of the Arts (CSA).  Their parents, both professors, are going through something neither understands. Noah observes “Dad used to make Mom’s eyes shine; now he makes her grind her teeth. I don’t know why.” The summer they turn fourteen, though, their world is rocked by tragedy.

When Jude picks up the story, it is clear that whatever closeness the twins shared has leeched away, their “twin-telepathy long gone…because of all that’s happened, we avoid each other – worse, repel each other.”

Jude and Noah are both eccentric as heck. Jude channels the spirit of her dead Grandma Sweetwine. She’s a self-proclaimed bible thumping klutz who is boycotting all boys because of a traumatic experience she had with Zephyr, the three-years-older than her surf god who “made [her] feel faint every time he spoke to [her].” Noah has his own issues. For one, he paints in his head – elaborate pictures that he’s never told anyone about, not even Jude when they were speaking.  Then there’s Brian, the boy next door. And Noah’s strained relationship with his father who wants him to man up. When the unthinkable happens and Jude is accepted into CSA and Noah is not, the rift between the twins grows larger. It takes a long time before either realizes that the secrets they’d been keeping in an effort to protect each other were, in fact, part of the reason they were estranged.

I’ll Give You The Sun is one of those amazing (and rare) YA novels that actually treats its target audience like they are intelligent (which as a high school teacher, I can tell you with certainty, they are). Everything from the novel’s narrative structure, to its examination of art, love, grief, jealousy, personal happiness versus personal responsibility,  and family dynamics is designed to make you think and question.

Once you’ve settled into the twins’ strange world, you will fall in love with them. They are resilient, brilliant, and endlessly fascinating. They are also just barely hanging on on their own and when Jude finally lets her heart break “Noah is there, strong and sturdy, to catch me, to hold me through it, to make sure I’m safe.”

Jandy Nelson writes beautiful books (check out her first exceptional novel The Sky is Everywhere) peopled with flawed and  totally sympathetic characters. That says nothing of the beautiful prose – resplendent language that spills out of every page. I’ll Give You The Sun is deserving of its copious praise and numerous awards. Jude and Noah will certainly stay with me in the days ahead.

Highly recommended.