White Rabbit – Caleb Roehrig

white rabbitRufus Holt is having a really fucking bad day. I use the expletive because, well, there’s a lot of F-bombs in Caleb Roehrig’s YA mystery White Rabbit. I’m not a prude by any stretch, but I have to admit that by the end of the novel I was getting a little tired of all the swearing. Surely teenagers as smart as the ones who populate Roehrig’s world would have the vocabularies to match.

But, really, that’s just a niggle. Overall, Roehrig has written a tightly plotted and well-written (I know what I said, it’s still a well-written book!) mystery.

Sixteen-year-old Rufus has just received a call from his half-sister April. He’s pissed because his ex-boyfriend, the handsome and thoughtful Sebastian, has just hauled him out of the 4th of July party they were attending to “talk.” But then, April tells Rufus that she’s in trouble and needs his help.

Rufus’s relationship with April is somewhat contentious. Her father is his father, but Rufus is the black sheep. His father is never anything but cruel to Rufus. His relationship with his older brother, Hayden, is downright abusive. But when April calls, Rufus feels obligated to help. What he discovers is his sister, whacked out of it,  sitting in a puddle of her boyfriend Fox Whitney’s blood surrounded by White Rabbits, “a designer drug known to cause euphoria, heightened sensory perception, and hallucinations.” But “the pills have also been linked, notoriously, to acts of extreme violence.”  April swears she didn’t kill Fox and begs Rufus to help her.

Rufus and Sebastian spend the rest of the book trying to prove April’s innocence by visiting the other people who’d attended the same party. Rufus has never been a part of the “IT” crowd, but one of the party attendees is Lia, Sebastian’s ex-girlfriend. Sebastian insists that he’s not leaving Rufus, and besides he has the car.

White Rabbit  is a carefully plotted mystery. The characters are, generally speaking, awful people – with the exception of Rufus (despite his potty mouth) and Sebastian. As the boys try to get answers to clear April’s name (and there is a financial incentive for Rufus to take on this mostly thankless task), they are lied to, shot at, chased with cars. While they try to figure out whodunit, Rufus and Sebastian also try to navigate their feelings for one another. There are red herrings galore and people with nefarious motives, but all of it makes for page-turning fun.

 

 

They Both Die at the End – Adam Silvera

theybothdieIn a not-too-distant future universe- or I don’t know, maybe it’s way in the distance – Mateo Torrez gets the call everyone dreads:

…I regret to inform you that sometime in the next twenty-four hours you’ll be meeting an untimely death. And while there isn’t anything we can do to suspend that, you still have a chance to live.

Mateo is only seventeen and he certainly doesn’t want to die.

Neither does eighteen-year-old Rufus Emeterio. He gets the call as he’s beating the snot out of Peck, his ex-girlfriend’s new boyfriend.

Death-Cast makes the call, but they can’t tell you anything more than sometime in the next twenty-four hours your number is up. That’s the premise of Adam Silvera’s philosophically astute and heart-breaking YA novel, They Both Die at the End.

Mateo and Rufus came from vastly different worlds. Mateo is introverted and lives his life from the safety of his apartment. His father in in the hospital in a coma; his best friend, Lidia and her infant daughter, Penny, are his closest friends. Rufus lives in a group home. His family had received the Death-Cast call and perished. He has a new family, now, a rag-tag group of foster kids and the foster parents who love them. Despite the fact that he was beating someone up when we meet him, he is a sweet and thoughtful kid.

Mateo and Rufus meet via the Last Friend App, an app “designed for lonely Deckers and for any good soul who wants to keep a Decker company in their final hours.” (Decker meaning those on deck to die). Although the boys come from vastly different worlds, their one night together opens them up to life’s possibilities in ways neither could have imagined.

“To live is the rarest thing in the world. Mot people exist, that’s all.” Oscar Wilde

That’s the quote that opens this much-lauded novel. It’s so true, isn’t it? We hide behind our phones, we curate our lives for social media (just look at pictures of people at concerts; everyone is holding up a phone to video the performance rather than enjoying it in the moment.) We collect stuff, not memories. We don’t really talk to each other anymore. With the specter of the end hanging over their heads, Mateo and Rufus spend the day criss-crossing NYC, having meaningful moments with their loved ones and moments of introspection with themselves.

Thornton Wilder warned audiences back in the 1930s that life was “too wonderful for anybody to realize.” In his play, Our Town, Emily asks the Stage Manager if “any human beings ever realize life while they live it? – every, every minute.” I think Mateo and Rufus would have appreciated Wilder’s sentiment.

I truly fell in love with these characters, and I kept thinking “surely they’re not going to die” but the book’s title is not misleading. Silvera’s novel is outstanding and I highly recommend it.

Paperback Crush – Gabrielle Moss

paperbackI couldn’t resist picking up Paperback Crush,  a colourful, sometimes snarky look at the Young Adult fiction published in the 1980s and 90s. Author Gabrielle Moss say that the book is “here to honor the young adult lit published after Judy Blume but before J.K. Rowling.” Those decades produced more YA than the previous decades, but the quality, I suspect, wasn’t what we’ve come to expect from modern YA. And I read a lot of YA.

It’s a hotly debated subject (okay, maybe not hotly): what’s the first YA book?

…experts don’t agree on exactly when [YA] dawned. Books from the original 1930s Nancy Drew stories to Laura Ingalls Wilder’s 1932 book Little House in the Big Woods  to the 1936 novel Sue Barton, Student Nurse by Helen Dore Boylston have all been held up as the first-ever YA novel

I like to think that S.E. Hinton’s The Outsiders  is the first true example of YA, a story written expressly for young people, but according to Young Adult Library Services Association president Michael Cart YA “all started with Maureen Daly’s Seventeenth Summer.” I actually have vague memories of reading that book, but my memories of reading The Outsiders and Hinton’s follow-up That Was Then, This is Now  are seared into my adolescent memory.

Moss tracks the trends in YA, everything from first love and love-gone-wrong to sick lit and paranormal romance. She examines teenage jobs (babysitters and camp counselors); friendships (bffs and frenemies); family (siblings and cousins and evil step-parents).  She looks at specific books and authors, flagging the more famous titles with passive-aggressive admiration (Wakefield twins!)

I wasn’t reading a lot of YA lit in the 80s and 90s, but I am a reader, so I was at least familiar with 80% of the literature Moss mentioned. I mean, you would have had to be living on another planet not to know Sweet Valley High  or The Baby-Sitters Club [sic]. I enjoyed reading about these books, and often found Moss’s commentary laugh-out-loud funny.

Literature from this time period was not without its issues. As Moss points out “a lot of these books centered on the stories of white rich thin heterosexual women with naturally straight hair.” But no matter. For better or worse “They validated girls’ stories by putting them to paper….”

I came of age in the 1970s, but as a teacher I enjoyed Paperback Crush.  It is pure nostalgia. Although I am just a bit older than the book’s target demographic, I too remember the joys of the Scholastic flyer, and the thrill of choosing my own books to read. Many of the titles mentioned caused a flood of memories. If books were a part of your life, this one will give you all the feels.

Now is the Time for Running – Michael Williams

now is thetimeIt’s amazing how sheltered I am. I remember reading The Kite Runner years ago and being shocked how little I knew about that conflict. And I know next to nothing about the conflicts in Africa. Michael Williams’ YA novel Now is the Time For Running doesn’t spend too much time talking about the politics of the conflict, but readers will soon understand the chaos and devastation it causes.

Fifteen-year-old Deo lives with his amai (mother), grandfather (Grandpa Longdrop), and older brother, Innocent. Innocent is 25, but he is ‘different’. His impairment is never specified, but it hardly matters. Deo looks out for his big brother.

Deo lives in Gutu,  Zimbabwe. He spends his spare time playing soccer with a ball his grandfather made for him.

It is no proper soccer ball. It is a pouch of cow-leather patches sewn together with twine, stuffed with tightly rolled plastic.

It’s clear that circumstances are dire for Deo and his family. When soldiers roll into their village and demand that the villagers bring them their food, Deo thinks “Does he not know we have nothing, that there is no food here?”

The situation between Deo’s village and these soldiers soon escalates and Deo and Innocent suddenly find themselves running for their lives.

Now is the Time for Running  follows Deo and Innocent as they try to make their way to the relative safety of South Africa, where they think their  father is currently living and working. It is a perilous journey and it is difficult to know who to trust. Deo is an engaging and sympathetic narrator and you will want to know that he and Innocent arrive safely, but safety is a rare commodity.

I was wholly invested in Deo and whipped through this book in record time. It would certainly appeal to anyone looking for a fast-paced story about survival, students who like soccer and anyone interested in social justice.