Monthly Archives: June 2024

The Butterfly Garden – Dot Hutchison

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Dot Hutchison’s novel The Butterfly Garden requires some suspension of disbelief. It is the story of Maya, one of several young girls who have been rescued from a horrifying situation. FBI agents Victor Hanoverian and Brandon Eddison are tasked with questioning Maya about what happened, but she is a bit reticent to reveal many details.

After a night working at a restaurant, Maya wakes up in a strange place with “a splitting headache.” She is being cared for by a woman who calls herself Lyonette who tells her “Don’t bother telling me your name because I won’t be able to use it.” Where is Maya? She’s in The Garden.

Lyonette led me out from behind the curtain of water into a garden so beautiful it nearly hurt to look at it. Brilliant flowers of every conceivable color bloomed in a riotous profusion of leaves and trees, clouds of butterflies drifting through them. A man-made cliff rose above us, more greenery and trees alive on its flat top, and the trees on the edges just brushed the sides of the glass roof that loomed impossibly far away.

Maya is a prisoner. And she is not alone. She is one of many “butterflies” being held captive in this garden, young women who must submit to having intricate butterfly wings tattooed on their backs, and worse, must endure being raped by The Gardener and his sadistic son.

Just how Maya and the rest of the ‘butterflies’ come to be rescued makes up the main part of the story. We also get a little bit of insight into her troubling childhood. What we don’t really get is why The Gardener, a man who seems devoted to his frail, clearly out-to-lunch wife, would go to the lengths he has to hold these girls captive.

It’s hard to imagine this place he has built. It’s even harder to imagine that he hasn’t been found out. And when his younger son, Desmond, is introduced to this creepy garden, it’s hard to imagine him not ratting his father out, especially when he seems to develop feelings for Maya.

Still, The Butterfly Garden is oddly compelling. It’s not nearly as graphic as you might imagine it to be, but is still potentially triggering. It was an easy read.

The Inheritance – Joanna Goodman

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Arden Moore’s life was perfect. She lives in a too-big, slightly run down “Depression-era Tudor Revival built in 1931.” Her husband, Scott, “was infatuated with it, from its steeply pitched, twin triangular gables and multipaned windows to the arched front door with the wrought-iron knocker.” Better yet, it was in the right part of town, and such things mattered to Scott. But now Scott is dead, and Arden is left with a too-big house she can’t afford to renovate let alone pay the mortgage on.

Joanna Goodman’s (The Finishing School) novel The Inheritance examines the aftermath of the death of a spouse, sibling relationships, (Arden has an older sister, Tate, who is “the glamorous, successful sister”) and mother/daughter relationships. It also looks at aging, as Virginia Bunt, Arden and Tate’s mother, is trying to come to terms with, and self-harm. Actually, there’s A LOT going on in this book. Some might say too much, but I actually think that Goodman did a good job of keeping all the spinning plates in the air. As a woman of a certain age, I related to Virginia’s story; as the mother of a daughter – albeit, no longer a teenaged one – I related to Arden and 13-year-old Ivey’s acrimony (Arden has six-year-old-twins besides).

And then, there’s the inheritance. Virginia had tried many years ago, after the death of Arden’s father, Wallace, to claim her share of Wallace’s money for Arden. In fact, the fight had consumed her life and ended her marriage with Hal. Now, the death of Arden’s half brother (if her mother is to be believed) and advances in DNA testing means that Arden might actually get what is rightfully hers. Thirty million dollars worth.

The Inheritance was a page-turner, for sure, but also a thoughtful examination of grief, moving on and all the complicated relationships that exist in our lives. I enjoyed the read.