The Stopped Heart – Julie Myerson

Julie Myerson’s novel The Stopped Heart clocks in at 500 pages and so while not especially easy to hold up in bed, which is where I do a lot of my reading, I was wholly invested in the story and its dual timelines.

In the present day, Mary and her husband, Graham, have left their lives in the city and moved to a little cottage in Suffolk. It’s clear that something traumatic has happened in their lives to necessitate this move, but the details of that event will take some time to be revealed. The cottage, filled with what Graham hopes will be “possibilities” freaks Mary out a little bit from the start. She sees things and hears things but the truth is that grief has made her a little punch drunk.

Many decades earlier, Eliza lives with her parents and younger siblings on this very property, which was once a working farm. Her life consists of helping her mother and caring for her brothers and sisters, but everything changes the night of the big storm that topples an old elm beside the cottage. “The night he came, a storm. Just like him, it seemed to come from nowhere,” Eliza recalls.

The tree misses the newcomer by inches and suddenly he’s been invited into the house.

His hair was bright red, the reddest I’d ever seen on any person. Thick on top, but shaved short around the sides and over the ears. His face was rough and bitter. He had the look of someone who’d just walked out of a room where bad things had happened.

His name is James Dix and he will change 13-year-old Eliza’s life.

Myerson’s book runs on these parallel tracks, pulling the reader along to places I definitely did not want to go. For example, I figured out relatively early on what haunted Mary, even without knowing the exact details. Her grief was palpable and exhausting and explained her isolation and her strange friendship with the husband of a neighbour Graham befriends and with whom they occasionally have dinner. Why is Mary telling Eddie these things when she should be sharing them with Graham?

Eliza’s story is even more compelling actually. Although he seems to have cast a spell on everyone, she doesn’t like James. He unnerves her and when he looks at her it’s “into the very center of [her] eyes and he smiled as if he had just turned over a card and found he’d won a great fat prize.” She is right to be wary.

I think this book would fit squarely in the grief horror category. That’s a story that explores themes of grief and loss, and includes supernatural elements. It’s beautifully written, the characters are compelling and there are some very creepy moments. I might have left Eddie out of the whole thing and Graham’s daughter from his first marriage, Ruby, is a distraction, but otherwise, this was a surprisingly great read that I plucked from my tbr shelf where it has been languishing for many years.

How to Sell a Haunted House – Grady Hendrix

Louise and Mark are estranged siblings who are forced to find a way to work together in an effort to clean out their parents’ house. That’s the starting point for Grady Hendrix’s novel How to Sell a Haunted House.

Louise and Mark squabble over everything, including how they should deal with the contents of the house: Mark calls it “junk”; Louise is more sentimental. It isn’t until things start to get, well, weird, that the siblings discover they have more in common than they realized.

When Louise arrives in Charleston, she discovers that Mark has already arranged for Agutter Clutter to come and cart away all the stuff their parents, Nancy and Eric, have accumulated over the years–and it’s a lot of stuff. Well, it’s a lot of puppets and dolls. That’s because Nancy was a puppeteer with “a Christian puppet ministry”. Neither of the siblings is really a fan and one puppet in particular makes “Louise’s skin crawl.”

Pupkin was a red-and-yellow glove puppet with two stumpy fabric legs dangling down from his front and two little nubbin arms. His chalk-white plastic face had a big smiling mouth and a little pug nose, and he looked out of the corners of his wide eyes like he was up to some kind of mischief. His moth and eyes were outlined in thick black lines and he wore a bloodred bodysuit with a pointed hood and a yellow stomach […]he looked like he’d crawled straight out of a nightmare.

How to Sell a Haunted House is often funny, and also violent and creepy (and this will be especially true if dolls and puppets make you uneasy). And, then, like in the other Hendrix books I have read (My Best Friend’s Exorcism, The Southern Book Club’s Guide to Slaying Vampires), it also offers a deeper look at something more meaningful and real than just straight-up scares. (I didn’t find this book particularly scary, although it did, on occasion, make me squirm.)

This book tracks the emotions attached with grief (each section of the book is named after one of the five stages), the unresolved feelings you’re left with when you lose someone unexpectedly, and the notion that when your loved one is gone, all you have left –if you are lucky — are the people you have shared the journey with. If you are really lucky, that is a sibling.

Super enjoyable read.