Tag Archives: literary fiction

Distant Sons – Tim Johnston

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It was on page 32 of Tim Johnston’s latest novel Distant Sons when I realized that I recognized his main character, Sean Courtland. It wasn’t his name; it was a passing reference to “the high pines of the Rockies, the summer she was eighteen, a track star floating up the mountain on pink Nikes while he, age fifteen, fell increasingly behind on the bike.” Wait a minute! I know that scenario. I raced for my copy of Descent and sure enough there he was. Cool, I thought. I LOVED Descent and I loved Sean, so I was happy to spend more time with him. Then, a while later, when we are introduced to Dan Young, I had the same niggle in the back of my head. Again, it wasn’t the name, it was the fact that he had a twin brother named Marky. Wait a minute! I ran for my copy of The Current. Yep. Tim Johnston is cannibalizing his previous novels and, oh, what a feast it is.

First of all, you don’t need to know anything about Descent or The Current to understand the plot of Distant Sons. This is not the sort of novel where the reader loses out if they are not familiar with the backstories. That said, I highly recommend both of those novels. Descent, in particular, blew me away and made Johnston an auto buy author for me. Nevertheless, you will not suffer for not having read these books before reading this one because Distant Sons isn’t really a sequel.

It’s ten years past the events of Descent (not totally sure what that means for the timeline of The Current.) Sean Courtland, now 26, has landed in small town Wisconsin and isn’t able to go much farther because his car has broken down. He finds a job doing some carpentry work for Marion Deveraux, an elderly reclusive oddball. The townspeople have long been suspicious of Devereaux because of three boys who’d gone missing thirty-odd years ago.

Not long after he arrives in town, he finds himself in trouble with the local police for getting into a bar fight, where he was defending the honour of local waitress Denise Givens against jack off Blaine Mattis. Then, he crosses paths with Dan Young, who has also run into some of his own bad luck with a vehicle. Sean offers him some work because, as luck would have it, Dan has plumbing experience and the job at Devereaux’s needs plumbing work done.

These are the main characters in Johnston’s story. Their intertwining lives, the stuff of chance, has a profound impact on each of them. As much as I loved Sean when I first met him, I love him just as much – or more – in this book. I feel as though he has been punishing himself for a decade and I wanted him to be able to let the past go and find something good to hold on to. His new relationships with Dan, Denise and Denise’s father are thoughtful and it is refreshing to see male relationships in particular that are not merely posturing. Sean’s interactions with other people errs on the side of kindness always. Although Dan and Sean are reluctant to reveal too much about themselves, I felt as though I was watching an authentic relationship unfold.

There is a mystery at the core of this novel, and Johnston certainly has a few surprises in store for the reader, but this is a novel about people – some of whom who are just trying to do the right thing. Slow burn, for sure, but 100% worth the effort. I gasped. I teared up. I loved every second of this book.

If you haven’t ever read this author, I beg you to give him a try. He’s fantastic.

You Are Here – David Nicholls

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As I age, my desire to read straight-up frothy romances has waned. Sure, I used to love them: hot boy meets hot girl and sexy fun times ensue. But now? Boring. Give me the characters who have lived a life and are neurotic, flawed, cynical, searching, hopeful…human. Bonus if they’re past 30. (Extra points if they’re past 40.)

I love David Nicholls. His outstanding novel One Day introduces us to Emma and Dexter on the eve of their graduation from university, but then follows them for the next twenty years. (If you have not watched the incredible series on Netflix, I highly recommend it. It’s perfection.) Us follows Douglas and Connie, a couple whose marriage is disintegrating after twenty years, just as they are about to head off on a European vacation with their 17-year-old son. Sweet Sorrow is Charlie and Fran’s story. They meet at sixteen while participating in a production of Romeo and Juliet, but their story is told from a future vantage point complete with the requisite melancholy.

Nicholls’ most recent novel You Are Here is the story of 38-year-old copywriter, Marnie, and a high school geography teacher named Michael who is 42. Marnie is divorced and lives a relatively solitary life in London. She used to have an active social life, was “A nice addition to the group if not the core, well liked if never adored or idolised.” Now all her friends are married and having babies and Marnie feels like “perhaps this was natural, this falling away.” Nevertheless, Marnie does admit that she is lonely. Michael and his wife, Natasha, are separated and Michael resists all efforts to shake off the lethargy. Instead of staying in the house they shared, where she had “left enough of her possessions to keep it comfortable but he could never quite escape a feeling that something had gone missing”, Michael walks. A lot.

Although Michael and Marnie are unknown to each other at the beginning of the book, they do have one common friend, Cleo. When Michael turns down one too many invites because he will be walking, she insists that she’ll come, too and bring other people. Thus, Michael, Marnie, Cleo and company set off to hike from one side of England to the other (well, at least, that’s Michael’s intent; the rest are only going to walk for three days.)

Initially Cleo had thought to match Marnie up with Conrad, “perhaps the most handsome man” Marnie had ever seen. The woman she’d invited for Michael cancelled at the last minute and so you can see where this is going to go from miles away….and miles is just how long it’s going to take for Marnie and Michael to really see each other…to let their guards down and trust themselves and each other.

Trust me, it’s the journey not the destination that matters in this one. It’s filled with flirty banter, heartfelt revelations, and beautiful descriptions of the English countryside. This book will make you want to plan your own ramble and open yourself up to the possibility of love.

Another winner by one of my favourite authors.

Mayflies – Andrew O’Hagan

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I had no real expectations going into Andrew O’Hagan’s 2020 novel Mayflies, but even if I had know what I was getting myself into, my reading experience would have exceeded all of them.

The novel opens in 1986 and the narrator, James, and his best friend, Tully, are just finished secondary school. They live in Glasgow and things aren’t easy for them. James’ father “wandered off in search of himself” and his mother “decided that the life of a single mother was not for her, and flitted to Arran.” He spends a lot of time at Tully’s house.

James admires Tully.

Other guys were funny and brilliant and better at this and that, but Tully loved you. He had the leader thing, when he was young, the guts of the classic frontman, and if any of us got together we instantly wanted to know where he was.

The first part of the novel focuses on one weekend when James, Tully and some of their other friends, travel down to Manchester to a music festival. It’s a weekend of total debauchery, as you might imagine when a group of young lads get together. I was in my 20s in the 1980s – and big into British music because I had a boyfriend from England – and so I loved all the pop culture references. The bands playing the festival included Orchestral Maneuvers in the Dark (which they trash, but which I recall liking) and The Smith (whom I didn’t appreciate then, but do now).

What we had that day was our story. We didn’t have the other bit, the future, and we had no way of knowing what that would be like. Perhaps it would change our memory of all this, or perhaps it would draw from it, nobody knew. But I’m sure I felt the story of that hall and how we reached it would never vanish.

Tully and James also quote movies back and forth at each other and engage in the silly banter you might expect from boys their age, but they also talk meaningfully about James’ missing parents, Tully’s strained relationship with his father, and the politics of the day. Theirs is a true and profound relationship, which makes the second part of this novel even more poignant.

Flash forward to 2017, when James receives a call from Tully. I’ll leave it at that. The second half of the book is a love letter to the friendship and shared memories between the two men and it is utterly beautiful. In fact, I found the whole book just, well, truly heartbreaking.

They say you know nothing at eighteen. But there are things you know at eighteen that you will never know again. Morrissey would lose his youth, and not just his youth, but the gusto that took him across the stage with a banner saying ‘The Queen Is Dead’ is a thing of permanence. We didn’t know it at the time, but it was also, for all of us, a tender goodbye, and we would never be those people again.

For anyone who has more behind them than ahead of them, this book will certainly speak to the person you were, the memories and the people you shared the journey with. But even for a young person, this book will surely resonate. I found it deeply moving and cried on more than one occasion.

Highly recommended.

Demon Copperhead – Barbara Kingsolver

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I might have never gotten around to reading Barbara Kingsolver’s Pulitzer Prize winning novel Demon Copperhead if it hadn’t been chosen for our book club. Like A Little Life , the book seems to be pretty divisive. I hated that book; I did not hate this one.

“First, I got myself born,” says Demon, mimicking Charles Dickens’ classic David Copperfield in which the titular narrator says “To begin my life with the beginning of my life, I record that I was born…” in the book’s opening paragraph. Kingsolver thanks Dickens in her acknowledgement and her novel definitely owes a debt to him.

Born Damon Fields to a teenage mother with few prospects, Demon survives poverty, his mother’s addictions, and physical abuse at the hands of her boyfriend, Stoner, mostly because he lives next door to the Peggots and their grandson, Demon’s best friend, Maggot. (Yes, there are a lot of weird names in this book, but they correspond to names from Dickens’ novel.) The Peggots’ home in rural Virginia was “a place where things got put where they went.” The Peggots were de facto grandparents to Demon, Mrs. Peggot making sure that “she played no favorites: same Hostess cakes, same cowboy shirts she made for both of us with the fringe on the sleeves. Same little smack on the shoulder with her knuckles if you cussed or wore your ball cap to her table.” For this reason, with the exception of his mother having difficulty staying sober, Demon would probably say that he had a wonderful childhood, until he didn’t.

Forced into the foster system at age 11, Demon’s life deteriorates and I won’t spoil the ups and downs of his journey to adulthood because those details are the meat and potatoes of his story. Let’s just say that I was wholly invested until about the midpoint of the story (which clocks in at 546 pages).

I was happy to spend time with Demon. I enjoyed his ‘voice’ and admired his resilience in the face of tremendous adversity. I shared his minor victories and bemoaned his poor choices and bad luck. I didn’t 100% believe all of it. He was lucky and unlucky in equal measure and despite having a really solid supporting cast, he still didn’t always make the best choices. That’s probably to be expected, though, as he’s young and young people do stupid things even when they acknowledge that they are stupid.

Kingsolver has lots of opinions on capitalism, pharmaceutical companies, education, the foster system, rural life and readers will certainly be aware when didactics trickle into fiction. It doesn’t interfere, per se, although sometimes it’s pretty obvious when her point of view wants to take center stage.

I am not sure when I stopped being 100% invested in his story. I will say that I really didn’t like the ending of the book. I will also say that I had zero trouble turning the pages even though Demon’s story was generally grim. He is a memorable character and I was invested in his survival.

Sisters – Daisy Johnson

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Sisters is a fever dream of a novel. It is the story of siblings July and August who have left Oxford with their mother, Sheela, to escape something horrible that has happened there. They’ve gone to the crumbling Settle House, a dwelling owned by their deceased father’s sister.

The house is here, squatting like a child by the small slate wall, the empty sheep field behind pitted with old excrement, thornbushes tall as a person. […] The white walls of the house are streaked with mud handprints and sag from their wrinkled middles, the top floor sunk down onto the bottom like a hand curved over a fist.

July, the younger of the two sisters, is the main narrator of this story. Their mother, a children’s book author and illustrator, rarely says anything, although one part of the novel does provide us a glimpse into her life with the girls’ father. Mostly, though, she “has been this way, taciturn or silent, ever since what happened at school.”

The “what happened” at school is the “mystery” – I did guess one thing, although not the specifics. What separates Daisy Johnson’s novels from other stories is the writing, which is innovative and compelling. It’s a gauzy, disconcerting narrative and it is almost impossible to feel as though your feet are on firm ground.

This the year we are houses, lights on in every window, doors that won’t quite shut. When one of us speaks we both feel the words moving on our tongues. When one of us eats we both feel the food slipping down our gullets. It would have surprised neither of us to have found, slit open, that we shared organs, that one’s lungs breathed for the both, that a single heart beat a doubling, feverish pulse.

Sisters is a gripping book and reminded me a little of I’m Thinking of Ending Things.

The Butterfly Garden – Dot Hutchison

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Dot Hutchison’s novel The Butterfly Garden requires some suspension of disbelief. It is the story of Maya, one of several young girls who have been rescued from a horrifying situation. FBI agents Victor Hanoverian and Brandon Eddison are tasked with questioning Maya about what happened, but she is a bit reticent to reveal many details.

After a night working at a restaurant, Maya wakes up in a strange place with “a splitting headache.” She is being cared for by a woman who calls herself Lyonette who tells her “Don’t bother telling me your name because I won’t be able to use it.” Where is Maya? She’s in The Garden.

Lyonette led me out from behind the curtain of water into a garden so beautiful it nearly hurt to look at it. Brilliant flowers of every conceivable color bloomed in a riotous profusion of leaves and trees, clouds of butterflies drifting through them. A man-made cliff rose above us, more greenery and trees alive on its flat top, and the trees on the edges just brushed the sides of the glass roof that loomed impossibly far away.

Maya is a prisoner. And she is not alone. She is one of many “butterflies” being held captive in this garden, young women who must submit to having intricate butterfly wings tattooed on their backs, and worse, must endure being raped by The Gardener and his sadistic son.

Just how Maya and the rest of the ‘butterflies’ come to be rescued makes up the main part of the story. We also get a little bit of insight into her troubling childhood. What we don’t really get is why The Gardener, a man who seems devoted to his frail, clearly out-to-lunch wife, would go to the lengths he has to hold these girls captive.

It’s hard to imagine this place he has built. It’s even harder to imagine that he hasn’t been found out. And when his younger son, Desmond, is introduced to this creepy garden, it’s hard to imagine him not ratting his father out, especially when he seems to develop feelings for Maya.

Still, The Butterfly Garden is oddly compelling. It’s not nearly as graphic as you might imagine it to be, but is still potentially triggering. It was an easy read.

The Inheritance – Joanna Goodman

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Arden Moore’s life was perfect. She lives in a too-big, slightly run down “Depression-era Tudor Revival built in 1931.” Her husband, Scott, “was infatuated with it, from its steeply pitched, twin triangular gables and multipaned windows to the arched front door with the wrought-iron knocker.” Better yet, it was in the right part of town, and such things mattered to Scott. But now Scott is dead, and Arden is left with a too-big house she can’t afford to renovate let alone pay the mortgage on.

Joanna Goodman’s (The Finishing School) novel The Inheritance examines the aftermath of the death of a spouse, sibling relationships, (Arden has an older sister, Tate, who is “the glamorous, successful sister”) and mother/daughter relationships. It also looks at aging, as Virginia Bunt, Arden and Tate’s mother, is trying to come to terms with, and self-harm. Actually, there’s A LOT going on in this book. Some might say too much, but I actually think that Goodman did a good job of keeping all the spinning plates in the air. As a woman of a certain age, I related to Virginia’s story; as the mother of a daughter – albeit, no longer a teenaged one – I related to Arden and 13-year-old Ivey’s acrimony (Arden has six-year-old-twins besides).

And then, there’s the inheritance. Virginia had tried many years ago, after the death of Arden’s father, Wallace, to claim her share of Wallace’s money for Arden. In fact, the fight had consumed her life and ended her marriage with Hal. Now, the death of Arden’s half brother (if her mother is to be believed) and advances in DNA testing means that Arden might actually get what is rightfully hers. Thirty million dollars worth.

The Inheritance was a page-turner, for sure, but also a thoughtful examination of grief, moving on and all the complicated relationships that exist in our lives. I enjoyed the read.

Shiner – Amy Jo Burns

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Amy Jo Burns’ debut novel Shiner is my first five-star read of the year. It is the story of Wren Bird who lives with her parents Briar and Ruby in West Virginia outside of the aptly named no-where town of Trap. Wren tells us

The story of a snake handler’s daughter began when I’d just turned fifteen. I knew little then of the outside world my father kept from me. Ours is an oral civilization, I used to hear him say, and it’s dying. He blamed coal, he blamed heroin. He never blamed himself.

Briar is a preacher. As a young man, so the story goes, he’d been struck by lightning, causing one of his irises to go milky white and apparently giving him the power to heal and handle venomous snakes.

My father obeyed the rituals of snake-handling law, which meant he pretended we still lived in the 1940s instead of the age of the internet and all the things people did on their cell phones that I couldn’t understand. […] Daily my father lifted his serpents to the sky and uttered a prayer in tongues that no one could interpret.

Wren has never known any other life. Briar has kept her and her mother isolated on the “mountain’s western ridge.” Their only visitor is Ivy, Ruby’s childhood best friend, and her sons. When they visit, Briar hides in his snake shed because “He couldn’t bear to share my mother mother with anyone – not with Ivy, not even with me.”

A terrible accident sets off a summer of discovery for Wren and it is a breathtaking journey, where secrets are revealed and new relationships are forged.

There are so many things to admire about Shiner, not the least of which is the writing. But you can have great writing that is somehow distancing and impedes the plot. I loved the way this book was written, but I also loved the characters, particularly Wren and Flynn, the local ‘shiner’ (someone who makes moonshine) who is connected to Wren in a meaningful way, although she doesn’t know it.

Shiner is about the way “mountain men steered their own stories, and women were their oars.” It’s about finding your voice and making choices. It is about family. I loved every single second of it.

Highly recommended.

The Berry Pickers – Amanda Peters

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If you looked at my reading habits the last few weeks, you wouldn’t say I was much of a reader. I’ve been suffering from the slump of all slumps: hashtag the struggle is real! I started Amanda Peters’ debut The Berry Pickers but, sadly, it was not the book to kickstart my reading mojo.

Joe and his family, older siblings Ben, Charlie, Mae and younger sister, Ruthie, always travel from their home in Nova Scotia to Maine to pick blueberries at the Ellis farm. They are Mi’kmaw and this is their summer ritual, gathering with many other Indigenous pickers from New Brunswick and Nova Scotia. It is 1962. This is the summer that Ruthie, 4, disappears.

The Berry Pickers is told from Joe’s perspective. It is years later, and he is dying. From his death bed, he recounts the summer Ruthie went missing and the guilt that has plagued him his whole life.

There is another narrator, too. Her name is Norma and she lives with her parents, a quiet father and an overbearing mother. As a young girl, she’d had bad dreams that she couldn’t understand. In one she was in a fast moving car, and she “turned to see the face of a woman who wasn’t my mother but had my mother’s face.” It won’t take much effort for readers to figure out that Norma is Ruthie. I figured it out in the first paragraph.

The Berry Pickers covers a lot of ground and some readers might not mind that too much but, for me, it was a lot of life lived in just 300 pages. That said, the inevitable reconciliation did offer some poignant moments and having recently lost a very important family member, I did find it moving. I also enjoyed the fact that the story takes place close to home.

I think this was a good book, perhaps if I had read it at a different time, I would have motored through it.

The Yonahlossee Riding Camp for Girls – Anton DiSclafani

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From a vantage point some time in the future, Thea Atwell looks back at the year she was fifteen in Anton DiSclafani’s debut novel The Yonahlossee Riding Camp for Girls. It is only with this hindsight that Thea is able to make sense of the events which led up to her parents banishing her to North Carolina. She has only ever known her home in rural Florida, where her father is the only doctor for miles and the family’s wealth is buoyed by citrus. There, she and her twin brother Sam spend their days doing exactly what they want: for Thea this means riding her horse, Sasi; for Sam it means examining the natural world. The outside world consists of her aunt and uncle and her two-years-older cousin, Georgie, but they live in Gainesville.

Thea hints at the reasons why she has been sent away. She says early on that her parents were sending her to Yonahlossee so they “wouldn’t have to see me.” When she thinks of home she “wanted to weep, but I would not let myself. I had wept enough for a lifetime. Two lifetimes. Three.”

It doesn’t take her long to settle in to life at Yonahlossee, partly because one of the camp’s more popular girls, Sissy, befriends her and partly because Thea is an exceptional horsewoman. Life here is so different from life back home and the people back home seem to have forgotten her; her parents take turns writing and she hears nothing from Sam, once her closest companion.

The novel moves seamlessly between days at Yonahlossee and the days leading up to the “event” which caused her exile. In the meantime, she begins to understand her power when begins a relationship with an adult at the camp.

One of the students in my Young Adult Literature class read this book and called it “disgusting.” I wholeheartedly disagree. This is a coming-of-age story featuring a young woman trying to figure out what society and her parents expect from her and what she wants for herself. The fact that the novel is set in 1930 makes this all the more problematic. Thea has been sheltered by her parents’ money, but out in the world she comes to understand that everyone has not lived as she has. She is often selfish and petty, but she is also smart and free-spirited. Does she make some bad choices? Certainly. Are her choices “disgusting”? Certainly not.

At Yonahlossee I learned the lesson I had started to teach myself at home: my life was mine. And I had to lay claim to it.

This is a fabulous debut.