After – Francine Prose

Minutes after the shootings, everbody’s cell phone rang.

So begins Francine Prose’s topical  YA novel, After.  The novel’s narrator, 16-year-old, Tom, is in Math class when his father calls to let him know about a school shooting at Pleasant Valley, a school about 50 miles away. The killing spree at the neighbouring high school was perpetrated by three students, two boys and a girl, students who “never even registered as blips on the other kids’ radar.”

It’s almost impossible not to immediately think about Columbine. I remember exactly where I was when the entire continent was riveted to the tv screen watching the events in Littleton, Colorado unfold.  Dylan Klebold and Eric Harris had  planned to kill hundreds of their classmates and teachers that day, April 20, 1999. They’d been planning the massacre for months. In the end,  12 students and one teacher were dead and so were Klebold and Harris.

The fictional killing spree at Pleasant Valley costs five students, and  three teachers their lives. Fourteen more students are critically injured. All the shooters killed themselves. It’s a pretty dramatic opening.

But it isn’t actually what After is about.  At first, Prose’s novel seems to be about how Tom’s school reacts to the events at Pleasant Valley.  First of all, the school board hires a grief and crisis counselor, Dr. Willner. “We can no longer pretend to ourselves that it can’t happen here,” Dr. Willner says to the student body at an assembly. “And so we must change our lifestyle to keep our community safe and make sure that it won’t happen.”

Things start to go south for Tom and his friends after that. The school installs a metal detector, students aren’t allowed to wear the colour red or have cell phones. Certain books are banned for being subversive. All of these things make excellent talking points, actually. How much freedom should students have? Where is the line in the sand between safety and a police state? Then, there seems to be something even more sinister happening and for me the book veered off into territory which was less interesting to me.

Still, I liked After. It asks some compelling questions and Tom is a likeable and sympathetic hero.

One Night – Margaret Wild

The parties were Bram’s idea-

calculated,

sophisticated,

daring.

For a long time

they were the best-kept secret

in the city.

They ended one night

when Al nearly killed Raphael.

 

Margaret Wild isn’t the first writer to pen a novel written in poems, but One Night is the first poetic novel  ever read. One Night tells the story of three friends, Gabe (the beautiful one), Al (the wild partier) and Bram (the planner).  They’re in their last year of high school somewhere in Australia. Their personalities are revealed slowly, little snapshots that illuminate them, make them more than what they seem on the surface. Bram, for example “catches two buses to school,/ and never brings friends home.”  Al wears a coat summer and winter because “without it he would be/ a snail without it’s shell-/soft/exposed/defenseless.”

Into the boys’ world comes Helen. She has a damaged face and a dazzling smile. Just one night and one of the boy’s lives is forever changed.

One Night only took a couple hours to read, but that doesn’t mean that Wild’s novel is lightweight.  These characters are fully realized. In just a few short lines, Wild had me feeling tremendous sympathy for Bram, a character who appears to be – on the surface at least – all hard edges. One Night captures the daring sense of ‘anything goes’ shared by many young people; the notion that actions have no real consequences. In Helen, we have a character willing to make sacrifices and decisions far beyond her years.

One Night is also about family. It isn’t only biology that binds us; sometimes we choose our families out of need and circumstances and sometimes these families serve us better than those we came by naturally.

One Night is a terrific novel – timely and beautifully witten.

AngelMonster – Veronica Bennett

Veronica Bennett reimagines the life of Mary Shelley, author of the novel Frankenstein, in her novel AngelMonster. It is 1814 and Mary is a smart but dreamy 16 year old. She and her sister, Jane, often imagine finding true love with a poet because  as Mary remarks, “a poet is the only acceptable sort of lover these days.”

Jane and I had often discussed the possibility of falling in love with a poet. If poetry was any measure of a man, we had observed, everything we longed for in a lover – romance, desire, spirit, soul – was clearly contained in it.

Into Mary’s life (well, her father’s bookshop) walks Percy Shelley. Not yet the super-star poet he was to become he is nevertheless known as someone to watch and certainly meets Mary’s criteria for a lover. And lovers they become, even though Shelley is already (at the tender age of 20) married with children.

AngelMonster is a thoroughly modern tale. It’s kind of like reading a memoir from a current celebrity. It drops names ( Lord Byron and Polidori are companions of Shelley’s) and is full of dalliances and intrigues and twisted love triangles. Young readers, especially those who dismiss poetry and classic fiction as boring, might be intrigued by the flesh and blood people who actually lived and wrote these works that have endured.

Mary herself is an interesting character.  Her mother, Mary Wollstonecraft, was one of the first feminists and author of A Vindication of the Rights of Women. (Wollstonecraft died a few days after Mary was born.)  Her father  was the writer and political journalist,  William Godwin. Mary herself is clearly intelligent, but youth makes her romantic and dreamy. Still, she wrote Frankenstein when she was just 21. As Bennett writes her, she is young but determined. Her affair with Percy is ill-advised, but she loves him and sticks with him even when he doesn’t deserve it. She is a thoroughly modern creation.

I think AngelMonster would be a great companion to a  young adult’s study  of the works of Byron,  and both Percy and Mary Shelley.

Bad Girls Don’t Die – Katie Alender

So, there’s nothing wrong with Katie Alender’s novel Bad Girls Don’t Die. It’s the story of Alexis, a high school student who takes photos, thinks her doll-loving twelve year old sister, Kasey, is kind of annoying and goes out of her way to distance herself from just about everyone at her school. Alexis is smart and Alender does a terrific job of capturing her voice from the very beginning of the novel. Although like many teens, Alexis takes herself a tad too seriously sometimes, she’s also self-deprecating and intelligent.

Alexis has a lot on her plate. Her parents are generally absent from her life and she is often left in charge of the household and her sister, who starts acting weirder and weirder. Added to all this, Alexis finds herself drawn to a new student at her school.

Bad Girls Don’t Die is a ghost story (think Jane-Emily rather than Stephen King).  It’s not particularly scary, although there’s enough of a  creep-factor to get younger teens huddling together with the lights on. 

I think my reading of it suffered from having recently finished The Hunger Games – which is a kick-ass book. Bad Girls Don’t Die pales by comparison.

The Hunger Games by Suzanne Collins

There’s been a lot of excitement in the house over Suzanne Collins’ book, The Hunger Games.  Both of my kids have read it and have been harassing me to read it, which I finally did. I have to say – I loved it as much as they did. So we thought we’d talk about the book a little.

Mallory: This book takes place in post-apocalyptic North America. The people of North America had attempted a rebellion against the government, but weren’t successful. So, the government split them into 13 Districts, and each year as a punishment,  every child ages 12-18 in every District has their name put into the Hunger Games. They draw two names from each District and those people must compete against kids from other Districts in an arena. It’s a fight to the death; last one standing wins. Basically, the main character, Katniss Everdeen from poor District 12 takes her sister’s place to go into the Games.

Christie: That’s a great summary, Mallory. It’s a terrific premise for a book, not altogether dissimilar from the 1987 film The Running Man.  Of course the stakes are a little higher in the book especially since the players are just kids.

Mallory: Katniss is 16 when she went to into the Hunger Games, so she was one of the older kids competing. Imagine how hard it would be if you were just 12, trying to kill 17 and 18 year olds. Katniss is such a great character, and Collins did an incredible job building her up. Every moment of the book I was so scared because I loved Katniss and didn’t want her to get hurt.

Christie: I agree, Mallory. I loved Katniss from the very start of the novel. She’s resourceful, mature, and brave. When we first meet her, she demonstrates her willingness to break the rules to provide for her family. She’s a good hunter, she wastes nothing, and you get the sense that she could handle herself in just about any situation. But she’s not the only admirable character in the novel. Who else did you like, Mallory?

Mallory: Well, I must say that I love Gale, Katniss’ best friend, and Prim, her sister (who were introduced at the very beginning of the novel). But as the novel progresses, we meet many more amazing characters, some that we love, and others that we hate. Like, Rue, a contestant in the Games who I adored. What about you?

Christie: I’m with you, Mal. All the characters were really well drawn – even characters you don’t get to know very much about, like Cinna and Thresh. As you get to know some of the other Tributes (contestants), it’s impossible not to get attached and what’s remarkable is that Katniss feels admiration for some of these people too, even though she knows she might have to kill them to stay alive. The Games themselves were very exciting, didn’t you think?

Mallory: Well yeah! They were amazing! What an incredible concept for a book. I wish I had thought of it first, because it’s just so clever. Everything about the Games seems so real, so legitimate. She doesn’t make them seem like a board game, or something you play. Collins really gets it across to you that the Hunger Games are about fear, and death, and despair. The Games are so scary, that you just feel really sad for the Tributes, even if they are merely characters that came out of Collins’ mind.

Christie: Beyond the suspenseful plot and characters, Collins has created an interesting and scary future-world and, for me, the writing was crisp and readable – a nice change from a lot of the Young Adult fiction out there. How does this book compare to other books you’re reading, Mallory?

Mallory: Honestly, The Hunger Games isn’t really comparable to the books I’ve been reading because it’s just so different, and that’s what I love about it. Most YA Fiction out there at the moment is either about vampires or rich girls with dirty secrets. Sure, I like Twilight, and books like Pretty Little Liars, but The Hunger Games sets itself apart from all the generic and boring books.

Christie: A lot of kids I teach are reading it (or have read it) and I’d say 99% of them have loved it. And for my money – this book is heads and tails better than the Twilight series.

Mallory: My school is having the same Hunger Games craze too! Most of my friends (I’d say 85%) hate to read, and will only force themselves to open a book if it’s absolutely necessary. But surprisingly, a ton of them have read The Hunger Games (girls and boys) and they loved it! The book has been passed around the entire grade 8 French immersion population, and instead of gossiping at lunch time, we all discuss our favourite parts. It’s a nice change.

Christie: Well, I guess that makes it unanimous, then. The Hunger Games: loved by boys, girls and moms!

A Gathering Light by Jennifer Donnelly

So, while my copy of Donnelly’s novel is called A Gathering Light, apparently the novel is called A Northern Light in the USA. I don’t understand why they have to change book titles. Does anyone know the rationale?

Whatever the book is called – I loved it. I didn’t even realize it fell into the category of teen fiction until I finished it and started reading about Donnelly.

A Gathering Light is the story of 16 year old Mattie who lives with her widowed father and three younger sisters on a farm in Adirondacks in 1906. Her older brother, Lawton, has left home after a fight with their father and the family doesn’t even know where he is. Life on the farm isn’t easy. Mattie’s family doesn’t have much money and Mattie isn’t the homemaker her mother was. Her father – since the loss of his wife – is stern and angry. Mattie has to juggle her responsibilities at home with her secret desire to go off to college and study to be a writer.

Donnelly’s novel does a number of things remarkably well. First of all, it captures a time and place beautifully. After a particularly disastrous start to her day Mattie recalls that her mother could “make breakfast for seven people, hear our lessons, patch Pa’s trousers, pack our dinner pails, start the milk to clabbering and roll out a piecrust. All at the same time and without ever raising her voice.”

Mattie is a wonderful character. I fell in love with her from the start – her kindness (when she feeds a couple kids from down the road, even though there’s barely enough food for her own siblings and father)  and her determination and even her dreams – to leave her home and go off to New York City.

During the summer, Mattie goes off to work at the Glenmore, the finest hotel on Big Moose Lake.  While there she meets a guest, a young woman, who hands her a bundle of letters and tells Mattie to burn them. Later that day, the woman is found drowned; her companion, a young man, is missing. It is these letters and the fact of the woman’s death that propel Mattie on her journey towards freedom and adulthood. Of course, it’s all much more complicated than that. The most handsome boy around, Royal, has his eye on Mattie. She can’t forget the promise she made to her dying mother that she’d look after her sisters and father and her teacher, the outrageously independent Miss Wilcox, is hell-bent on getting Mattie off the farm.

A Gathering Light draws some of its inspiration from a real life murder, but ultimately this is Mattie’s story. It’s impossible not to root for her.

The Adoration of Jenna Fox by Mary E. Pearson

Well, we’re back with another mother/daughter review.  This time we’re going to talk about The Adoration of Jenna Fox. It tells the story of a young girl, Jenna, who wakes up after having been in a coma for a year. Her parents tell her she’s been in a terrible car accident and it’s taken this long to recover.  The thing is, Jenna doesn’t remember very much about her life before the accident.

There were all sorts of clues  about what this book was going to be about. I had it figured out pretty early on, but that doesn’t mean I didn’t enjoy the book. How quickly did you figure out Jenna’s story, Mallory?

Mallory: Well, I was pretty clueless at the start. I thought she was just a girl who’d woken up from a coma — and everything was normal. But near the middle of the story, I started to put things together and by the end, I’d already figured it out.

Christie: Pearson does an excellent job, though, of stringing the reader along. Under normal circumstances, waking up from a long coma would be disorienting. Jenna doesn’t even live in the same state as she had before the accident. Her friends aren’t there. Nothing is familiar. Strangely, her grandmother (who is living with them) is almost hostile. Plus, Jenna is also trying to cope with being a teenager and that’s all complicated by this 12 month hiatus from her own body.

Pearson does something else in this novel which seems to be popping up more regularly in fiction – she’s included some poetry which has been written by Jenna. What did you think of that, Mal?

Mallory: To be honest, I didn’t like the poetry. I’ve never been a massive fan of poetry and I didn’t really look forward to the regular poetry pieces that were scattered throughout the whole book. They were interesting, but I think the book could have done without it. All the pieces in the book were more or less the same. They were either about Jenna not remembering words or her being confused. It bored me; I’m sorry.

Christie: No need to be sorry. LOL

The Adoration of Jenna Fox reads like a mystery/thriller. You really race along trying to get at the novel’s center because even if you think you’ve figured Jenna’s story out, there are all sorts of little pieces that have to be fit together.

Mallory: Yeah, I agree. The whole book (like the cover art) is like a puzzle. You need to take all the little events and clues and piece them together. Some pieces may not fit, and then you have to start over. Because I have no patience at all for puzzles, I didn’t try to figure out the book at the start because I just ended up angry and frustrated. But everything makes perfect sense in the end.

Christie: I’m not sure how Mallory feels about this, but I liked how this book made me think about what makes us human. I liked the way it echoed  Kazuo Ishiguro’s Never Let Me Go, which is obviously a much more sophisticated novel, but Pearson’s book is a terrific book for its intended audience. I think it would be a great novel to teach. What was your overall feeling about it, Mal? Would you recommend it to your friends?

Mallory: Unfortunately, barely any of my friends care about reading, and they absolutely hate reading in class. But, if more of my friends read, I’d recommend this. I don’t know if this matters to you, Mom, but a huge part of a book– to me at least– is the characters. I need to fall completely in love with the characters and that makes the whole reading experience so much better. An example would be Meg Rosoff’s How I Live Now. I probably mention this book wayyy too much,  but I’m obsessed. The first time I read this book I felt like I was a sister to all the characters. I loved them all, and my heart was bursting out of me whenever they were in danger. This is how I want to feel about a book, and I honestly didn’t feel that for Jenna Fox. If I had, I would’ve liked the book a lot more, but during the read I didn’t really care what happened to her. This disappointed me because it wasn’t me who was making the decision to not care for Jenna; it was just the way Pearson developed her main character.  Rosoff took nearly half the book to develop all of her characters, and it took me three words to become attached to Daisy. I wish every book could be like How I Live Now, but overall this book was good. Not amazing. But good.

Christie: Wordy much? That’s my kid- talking about character. It makes the book nerd (and English teacher) in me  swoon with delight.

I guess I liked this book a little more than you because I could see it from a couple different points of view. I understood Jenna’s mom, for example, and her motivations. I understood the grandmother…and as I have a daughter who is minutes away from being a teenager, I sort of got that perspective, too. It’s a great book for discussion…but it’s hard to discuss without giving stuff away…and we don’t want to do that.

Just Listen by Sarah Dessen

Just Listen is my first Young Adult novel by Sarah Dessen, although I was certainly aware of her name. She’s always on Best Books for Young Adults lists and so I figured that, as a teacher of young adults, I should at least see what all the fuss was about.

It also gave Mallory and I another opportunity to share a book. She read this one a couple weeks ago, but I was in the middle of something else which I had to finish first.

I’ll let Mallory start by telling you a little bit about the novel.

Mallory: This book is about a model named Annabel Greene.  She’s the youngest of three girls and both of her older sisters are models, too. Even though on the outside it would seem as though Annabel’s got it all (the looks, the best friend, the beautiful house, basically a charmed life) she’s actually going through some pretty serious things. For one thing, her middle sister, Whitney, has an eating disorder that weighs down the whole family. Secondly, Annabel’s best friend is no longer speaking to her. In fact, no one is speaking to her. This is a book about how Annabel learns how to express her true feelings about things.

Christie: That’s a good summary of what the book’s about.  One of the book’s main points is about how appearances can be deceiving. Annabel often comments about the glass house her architect father has built and how people slow down when they drive by. What they might see is a family sitting down together to dinner, but Annabel knows that it’s much more complicated than that.

Did you like the book?

Mallory: Yes, I liked the book. I’ve read a couple of books before this one about eating disorders. They’re pretty scary, but this one seemed easier to read. Instead of describing everything Whitney does to deprive herself of food, it explains how even though she’s beautiful, she’s still struggling with her appearance. I really liked that part of the book. What about you?

Christie: Well, what I liked was that Whitney’s struggles were only one part of the book. What I liked was how Annabel struggled to make her own voice heard. Something horrible has happened to her (something I found sort of easy to guess at), but she isn’t able to say anything. Instead, she lets her former best friend, Sophie, treat her badly.  It isn’t until Owen, the school’s misunderstood ‘thug’ (by reputation only) befriends her, that she allows herself to be more assertive.

Mallory: I agree. Owen seemed to open up something that Annabel didn’t even know was inside of her. Even though she and Owen only talked about music, she was allowed to express her opinion (mostly about her hate of techno) without any repercussions. And I also predicted the reason for the fallout  between Annabel and Sophie, but I knew all along that Annabel was the real victim, not Sophie. She just didn’t know how to explain the truth.

Christie: There are lots of novels out there that deal with these subjects: eating disorders, failed friendship, parents who don’t understand their kids (although I have to say that the adults in this novel were decent)…what do you think Dessen did well in Just Listen?

Mallory: The main thing that I loved about Just Listen is the way Dessen built up her characters’ personalities. By the end of the book I knew that Annabel was a complicated person on the inside, Owen was extremely misunderstood, and Sophie was crazy — basically a wildchid. She made it so clear who each one of these people were. It makes a book so much more enjoyable when you feel like you know the characters. Like they’re your friends.

Christie: I agree. I think Annabel’s voice was well done here. And I have to admit that I fell in love with Owen from the very beginning. I guess I have a soft spot for big, hulking, slightly off-center guys.

Mallory:  I must say that I also knew that Owen wasn’t a ‘thug’ or anything that people had said at the start. I always try to see the character in a couple different ways before really deciding if they’re the good guy or the bad guy in a book. I didn’t really have to do this with Owen. He was the quiet, music-lover that was stereotyped for his height and tough persona. Just by Dessen’s description I could tell that Owen was protective, but gentle. And I loved his little sister from the very moment her name was mentioned. Mallory. That says it all.

Christie: So – overall…would you recommend this book?

 Mallory: One of my friends is a Sarah Dessen fan and she raved about this book when she saw me reading it at school. She pulled out Dessen’s novel Someone Like You and said “You must read this when you’re done.” I think she basically recommended it for me. But I would like to add that if you can sympathize with the characters in this book, and the situations that they’re in, you’ll love it. It has a moral, it teaches a lesson, and it’s a great read for young adults. I’d definitely say that if you’ve never heard of Sarah Dessen you need to read this book– and check out her other books as well. They look very promising. 

Christie: I don’t disagree. I think she’s topical. The writing is generally crisp. The characters are well drawn. Young adults could do far worse. 

The Book Thief by Markus Zusak

I still remember the feeling I had the first time I read The Diary of Anne Frank. I was probably about 11 or 12. No teacher could have explained the horrors of Nazi Germany to me as well as Anne did. She was speaking to me. Many years later, I visited her attic annex and it was a profound experience.

Reading The Book Thief was also a profound experience for me.

I don’t even know how to begin to talk about The Book Thief. The New York Times said it was “the kind of book that can be life changing.” I mean, you start a book like that with a little trepidation: can it really live up to all the hype? For the first 30 pages or so I thought, “no.” Last night, as I closed the book and wiped the tears away I thought, “every person alive should read this book. I want to teach this book.”

The Book Thief has so many things going for it, I’m not sure where to start singing its praises.

The Book Thief is the story of Liesel Meminger.  Liesel is almost ten when she ends up in Molching with Hans and Rosa Hubermann, her new foster parents. It is 1939. In Nazi Germany.

Readers are either going to be totally enchanted or annoyed by the story’s central conceit: the novel is narrated by Death. “Here is a small fact, ” Death tells us. “You are going to die.” For the next 500-plus pages, Death is our constant companion. Sometimes the action unfolds without commentary, other times he weighs in.  Although I found the first 30 pages or so a bit of a slog, I soon settled into the book’s rhythms.

Then I fell in love with Liesel. And Hans. And Rudy. And Rosa.

Liesel is extraordinary. She and Hans bond late at night, when Liesel’s nightmares wake her, and Hans teaches her to read. Books and words are central to Liesel’s story. So is her friendship with Rudy, the boy next door. Through their eyes we see Hitler and Nazi Germany; we experience the atrocities and the small kindnesses. Zusak’s story is mostly about everyday things: hunger, pettiness, laughter, hope, cruelty and kindness.

Liesel is sustained by the books she steals and anyone who loves words will appreciate and understand their ability to comfort Liesel. But she is also intelligent enough to understand how words can be used to hurt and coerce.

Where is Death in all this? He carts the souls of the dead off and is, in this story at least, a loving and benign figure.

Death gets the last word. He always does.

Over to you…great books for teens

“When I only begin to read, I forget I’m on this world. It lifts me on wings with high thoughts.” – Anzia Yezierska

So, we’re in a deep freeze here in Eastern Canada. That’s what happens when you get complacent about winter, I guess. Until the last few days we’ve had a perfectly respectable winter…but minus 30 with the wind chill, come on!

In the real world I teach high school. I don’t have a long career behind me because I started teaching, got frustrated, abandoned it and did other stuff and have only recently returned. It’s shocking how many kids today don’t read. Shocking. What I would like to do is compile a list of great books for teens and I am looking for suggestions. I would also like to make a list of books/poems/plays that every teen should read before they leave high school. Yes, we have a curriculum, but I am shocked at the gaps in their reading.

Great books for teens.

A comprehensive reading list for teens.

Any thoughts?