Joyce Carol Oates wastes no time cutting to the chase in her novella, Rape: A Love Story.
After she was gang – raped, kicked and beaten and left to die on the floor of the filthy boathouse at Rocky Point Park. After she was dragged into the boathouse by the five drunken guys – unless there were six, or seven – and her twelve-year-old daughter with her screaming Let us go! Don’t hurt us! Please don’t hurt us!
Teena Maguire and her 12 – year – old daughter, Bethie, leave a July 4th party after midnight and cut through Rocky Point Park. They take a short-cut through the woods and encounter the group of drunken men – many of whom are known to Teena from around her Niagara Falls neighbourhood.
Although Bethie is beaten, she manages to escape and hide under a boat. She listens as her mother is raped and savagely beaten and left for dead. The reader is not spared from the horror of this crime, but Oates – skillful writer that she is – never crosses the line into gratuitous.
Bethie manages to attract the attention of a police officer and it happens to be Officer Dromoor, a man who knows Teena because of an encounter they’d had one night at a local bar. Dromoor is a good man – a married father-to-be with a finely attuned sense of justice.
Teena survives the attack, but her life is forever altered. Rape: A Love Story sets about examining the ways in which this horrific incident changes her and Bethie and Dromoor and even three of the perpetrators and their families. It asks questions like was Teena dressed inappropriately and thus ‘asking for it’? Oates doesn’t offer any answers, though.
I have a love/hate relationship with Oates. There’s no denying her considerable talent, but sometimes I find her hard work. It’s not style over substance – although, no question she has some stylistic tics which take some getting used to. In Rape, she employs second person narrative (always a risky choice, imho, although clearly well-handled here), choppy sentences, and a narrative that jumps around. But, let’s face it, she’s Joyce Carol Oates.
I always want to like her more than I actually do.