If only the first 300 pages had been as riveting as the last 86; that’s my review of Scottish writer Lexie Elliott’s novel The Missing Years in a nutshell.
Ailsa Calder inherits her childhood home after the death of her mother. She and her mother weren’t particularly close; in fact, after her father disappeared, her mother had married another man, Pete, and had another daughter, Ailsa’s half-sister, Carrie. Now these siblings have moved out to this manor house in the Scottish Highlands, Carrie in an effort to save her per diem from her latest acting gig, and Ailsa with a view to sprucing the place up and selling it.
The Manse is not the place of Ailsa’s childhood memories, though. Ailsa feels that “The Manse has been waiting a long time for me – a quarter of a century, give or take”.
It’s strange, isolated building and things start to go wrong almost immediately. Dead animals turn up on her doorstep, doors thud, and one night Ailsa finds a strange man standing on the landing. His name is Jamie and he claims to be looking for his sister, Fi, who sometimes comes into the house. That’s creepy, right?
So are the inhabitants of the nearby village, some of whom remember Ailsa as a child or knew her parents. There’s Ben, the handsome man who works at the local hotel and who might be interested in buying the Manse; there’s his friend, Ali, whose family was ruined when Ailsa’s father disappeared with absconded with their property; there’s Fi herself, who has a hard time keeping track of time. The only person who isn’t weird is Callum, Fi’s seven-year-old son, who says that the animals won’t come onto Manse property because they sense something is not quite right, including the fact that time folds there.
All of these things should make for an interesting story…and they did, in the last 86 pages – before that, not so much. The story was slow-moving, the relationship between Carrie and Ailsa was awkward and shrill and sometimes the conversations between people was cringe-y and I just felt like everyone was shrieking.
Too bad, because I loved Elliott’s novel The French Girl.