It’s probably every parent’s worst nightmare: your child just doesn’t come home one day. That’s the premise of Jane Shemilt’s debut The Daughter.
Jenny is a successful family doctor in Bristol. She’s married to Ted, also a physician. Together they parent twins, Ed and Theo, 17, and Naomi, 15. Life is busy for the family, which means that sometimes things slip through the cracks. Pretty much every parent can relate to that. Things are particularly hectic right now because Naomi is starring in her school’s production of West Side Story, and she is always dashing off.
But on the night before the last performance, Naomi doesn’t come home. She doesn’t respond to her mother’s frantic phone calls. She’s not at the theatre or the place she’d told her mother she’d be. She’s not with her friends.
The Daughter is a page-turner, for sure, but it is also a meditation on modern marriage, parenting, and the fine balancing act of having a career and a family. Jenny is so convinced that she understands her daughter, her sons, her marriage, but it turns out there are cracks everywhere. Jenny feels blindsided by her daughter’s disappearance and by the fissures which suddenly appear in her domestic life.
If I was asked, I would say she was happy, that Ted and I were as well. I would say we were all perfectly happy.
The novel’s narrative isn’t straight forward. We are given glimpses into Jenny’s life just before Naomi leaves, and then several months later when she has taken herself to Dorset, to the family’s cottage. In these passages, we see how Naomi’s disappearance has affected Jenny and those around her. It’s not that Jenny’s life has come to a complete standstill, but certain aspects of her life have been derailed. She has not given up all hope that Naomi will be found and her grief is palpable.
But it not only Jenny’s grief that drives the narrative. Her husband also suffers. “I look for her everywhere I go,” he tells Jenny months after Naomi’s disappearance. “Don’t give up,” he tells her. “Don’t ever give up. I still think we’ll find her.” Jenny’s sons also suffer under the horrible weight of this loss.
Shemilt handles all their grief and a plot that might have proved unwieldy with a great deal of finesse. I raced to the end, which was both heartbreaking and unexpected.
seventeen-year-olds, but that doesn’t mean that they’ve given up on living. Their singular voices will likely strike a nerve with many young readers.
Danya Kukafka’s debut novel, Girl in Snow, earned copious praise from anybody who’s anybody in the book world and it’s easy to see why everyone was hyped up.
coffee table book Orchestra in My Garden back in the spring, which is when I purchased my copy. But spring is always a busy time at school, and then I went away, and then school started again…you know how it goes. Now that the days are getting darker and colder, I feel like Linda’s book is the perfect antidote. Plus, Orchestra in My Garden would make a fabulous gift for the gardeners, wannabe gardeners and musicians on your list this holiday season.
The characters in Joanne Proulx’s second novel We All Love the Beautiful Girls are so perfectly imperfect that you can’t help but fall in love with them.
Eleanor Oliphant, the titular character of Gail Honeyman’s debut novel Eleanor Oliphant is Completely Fine, is not like anyone else you have likely met before. She has worked in the same office for the last nine years, she has no friends and she lives on a diet of vodka and pizza or pasta and pesto. Her life is structured and predictable, right down to her weekly calls from “Mummy.”
I don’t think I have ever read a book quite like Frances Hardinge’s YA novel Cuckoo Song. I am not much of a fantasy fan, you know – word building and that sort of thing, but I was totally enchanted by Hardinge’s story, which is as much about grief and loss, as it is a creepy story about…well, I can’t really tell you.
Although I didn’t lead the life of debauchery that Tess, the first-person narrator of Stephanie Danler’s novel Sweetbitter lives, I did spend most of my twenties working in the service industry. Those were the best of times and the worst of times. For Tess, too.
Greene is dead.