Who doesn’t love a good scare? Not Ivy Jensen. That’s not her fault, though. When she was 12, someone broke into her house and slaughtered her parents. In her recurring nightmare about that horrible night, Ivy wakes “with a gasp, covered in [her] own blood. It’s everywhere. Soaking into the bed covers, splattered against the wall, running through the cracks in the hardwood floor, and dripping over [her] fingers and hands.”
Ivy is just one of the teens in Laurie Faria Stolarz’s YA novel, Welcome to the Dark House. She decides to enter a contest sponsored by Justin Blake, director of several famous (infamous) horror films featuring the Nightmare Elf. Intrigued by the promise that her nightmares will disappear, Ivy submits an essay describing her worst fear. So do Frankie, Garth, Parker, Shayla, Natalie and Taylor.
These teens win an exclusive weekend away to meet Justin Blake and get an exclusive look at his latest project. For some of the attendees, this is the chance of a lifetime. Boy-crazy Shayla is on a mission to “”make the most of every moment” [and] have a fun and fulfilling life.” Garth, Frankie and Natalie are uber-fans. Parker is an aspiring film maker. Taylor is…well…missing. Ivy just wants her nightmares to go away.
When the group arrives at the B & B where they will be staying, they find their rooms kitted out with their most favourite things. Their hostess is Midge, “the psycho chamber-maid who collects her victims’ fingers in the pockets of her apron.” The next afternoon, the teens are taken to a nightmarish amusement park in the middle of nowhere.
It’s like something out of a dream. WELCOME, DARK HOUSE DREAMERS is lit up in Gothic lettering, hanging above an entrance gate. There’s also a Ferris wheel, a merry-go-round, and a ride called Hotel 9; with multiple pointed roofs, it looks like the hotel in the movie.
The rules are simple: the group has to leave their cell pones and recording devices behind, ride the rides and have some snacks, but each participant MUST ride the ride that has been specifically tailored to them. The prize? Well, “the camera’s already rolling” and so essentially, in a found-footage way, these guys are the stars of Blake’s latest project.
Of course, this is when things start to get a little hairy.
Welcome to the Dark House is reminiscent of teen horror movies like Friday the 13th and Nightmare on Elm Street. This isn’t necessarily a bad thing. Fans of horror movies (and horror fiction) will likely enjoy the inventive ‘rides’ and these characters – although you don’t get to know any one of them particularly well. Of course, you wouldn’t want to get too attached now, would you? There are some truly creepy moments and a cliff hanger ending, so you’ll have to read the sequel, Return to the Dark House to discover how it all turns out.
There’s no arguing with the fact that Ian McEwan is an astoundingly good writer. I have read enough of his books over the years to know that I like him, even when he’s hard work. (I have read
Seventeen-year-old Alice is a patient at Savage Isle, an institute for adolescents with mental health problems. She’s recovering after a devastating fire, set by her twin Cellie, killed her boyfriend, Jason.
Darren Jacobs isn’t having a particularly great year. He’s a slightly over-weight almost-sixteen-year-old who lives with his workaholic divorced mother (his father moved out about two years ago). His older, significantly cooler, brother Nate goes to school at the University of Michigan in Ann Arbor.
Pam Smy’s lovely hybrid novel tells the story (in words) of Mary and (in pictures) Ella – two girls separated by twenty-five years. Ella and her father have moved into a house that looks out onto Thornhill Institute which was “established in the 1830s as an
orphanage for girls” and sold in 1982 “after the tragic death of one of the last residents, Mary Baines.” For the last twenty-five years, the house has remained vacant, although plans have been made to develop the site.
In the present day, Ella spends much of her time alone, too. Her father, who clearly seems to love her, is away a lot. Her mother is presumably dead. Ella is curious about the house she can see from her bedroom window and the girl she sometimes glimpses in the overgrown garden behind the walls
Back when Stephen King was writing a column for Entertainment Weekly, he recommended Sandra Brown’s novel Hello, Darkness as a must-read book for that year. It was part of a Top Ten list and I thought, okay, I’ll give it a go. I bought it; I read it, and I was sort of ‘meh’ about the whole thing. Thus, when Brown’s newest suspense thriller Seeing Red was chosen as the first selection for my book club’s 2017-18 year I was not overly excited. Perhaps it’s unfair, but after reading only one book I sort of considered Brown a grocery store author….not that that means anything really: she’s written 68 novels, sold 80 million copies and been on the New York Times Bestseller list 30 times.
is a celebrated graphic novelist, whose series Diana: Queen of Two Worlds, tells the story of “a suburban girl who lives with her “painfully average” family which includes her high-strung easily overwhelmed mother, her ineffectual father, and her dull-witted, staring lump of a sister.”
Not a Sound is a straight-up mystery and while it was easy enough to turn the pages – I didn’t particularly enjoy reading the story because…well, mostly for a whole lot of niggly reasons.
few weeks and I’ll start with Joe Hill’s collection of short stories, 20th Century Ghosts. I bought this book eons ago and it languished on my tbr shelf forever. During the summer I thought that maybe reading some short stories would cure me of my reading lethargy. I was a big fan of Hill’s novel
Sometimes you happen upon a book with a narrator who just feels 100% authentic. That was the case with Henry Turner’s debut YA mystery Ask the Dark, a finalist for the Edgar Award for Best Young Adult Mystery.