Into Every Generation A Slayer is Born: How Buffy Slayed Our Hearts – Evan Ross Katz

Almost twenty-five years ago, I happened upon the tail end of a television show where two people were staring at each other across a smoke-filled parking lot. There was so much longing in their eyes, I was immediately captivated. I didn’t know what the show was; I didn’t know who these actors were. I knew nothing but that fraught moment – and it changed my life.

Buffy the Vampire Slayer (1997-2003) and its spin-off series, Angel (1999-2004) sucked me into a world I did not know existed: fandom. First of all, I had to rent all of the episodes of the show I hadn’t seen – three seasons’ worth. That was back in the days of Blockbuster, way before dvds and streaming. I am not sure what sent me down the internet rabbit hole, but down it I went. That’s where I discovered websites devoted to Buffy and fanfiction and then LiveJournal. It was a slippery slope, people. When I finally decided to try my hand at fanfiction – because I have always been a writer – well, that was so much fun. Then I decided to build my own (now defunct) website, which I coded from scratch. I attended two Buffy fanfiction writers’ conventions, one in Las Vegas and one in Atlanta. I met so many talented writers and made so many amazing friends. It was a a lot of fun.

The pinnacle of my time in fandom was when David Boreanaz (who played Angel) came to New Brunswick to shoot the movie These Girls and I got to go to set and meet him. I was not okay.

Fandom was a huge part of my life for about a decade, and then life just got busier, the shows ended and I gradually stepped away. All my fanfic lives at Archive of Our Own and there are still people reading, which is lovely, but for the most part fandom is in the rearview mirror. My love for these shows, however, is not.

So, when Evan Ross Katz’s book Into Every Generation A Slayer is Born: How Buffy Staked Our Hearts came out, there was no question that I was going to read it. The book examines Buffy‘s place in pop culture – and it has a place and I will fight anyone who says otherwise. People who dismiss the show because of the movie (which even though Joss Whedon wrote the screenplay was not ultimately his vision of what it could be) or because of the show’s name, don’t have a clue. The show is profoundly moving, often laugh-out-loud funny, creepy, witty, and layered. You can watch it a million times and always see something new.

Katz is clearly a fan of the show. He says “to love Buffy is to both contextualize and reexamine it.” It is a show the has spawned legions of rabid fans (see above), dissertations, volumes of analysis, billions of words of fanfiction, university courses. It’s a show that keeps on giving. A couple of years ago I rewatched all seven seasons with my son and I was amazed by how well it has held up, and how many new things I spotted. Still made me laugh. Still made me cry.

But it is also a show that, ultimately, unmasked Joss Whedon as a misogynist – which was crushing for those of us who thought he had our backs. This is one of those instances where I have to be willing to separate the art from the artist. Trust me, I don’t wear my “Joss Whedon is my master now” shirt anymore.

Katz examines Sarah Michelle Gellar’s glorious portrayal of the titular character. Gellar shares her memories of the show, her working relationship with other castmates and her thoughts about playing the “one girl in all the world.”

“As an actor, you want to do something that leaves a mark, that makes a difference, that stands the test of time […] So the fact that twenty-five years later, we’re still talking about it means that I did something right. And I think that with time comes appreciation.

The book also shares the thoughts of Nicholas Brendan (Xander), Charisma Carpenter (Cordelia), Seth Green (Oz), Anthony Stewart Head (Giles), and James Marsters (Spike) as well as many other recurring cast members (but not a single mention of Wesley Wyndam-Pryce (Alexis Denisof; it was like he didn’t even exist in the Buffyverse! and a planned interview with Alyson Hannigan (Willow) fell through.) Other major actors, David Boreanaz, for example, spoke through quotes taken from previously published interviews – so nothing new. Bummer.

The book looks at story arcs, queer and BIPOC representation, the writers’ room, and Joss Whedon himself, especially his toxicity on the set and his mistreatment of female actresses, particularly Charisma Carpenter. It also talks about Buffy’s relationships with Angel, Spike and Riley; it seems pretty obvious that Katz is team Angel and so we agree on that at least.

I had a lot of fun reading this book. It wasn’t groundbreaking or anything, but that didn’t diminish my enjoyment of revisiting this show or these characters who occupied so much space in my life and introduced me to people from all over the world. I will always love these characters and this world.

Buffy and Angel 4eva!

The Thousand Dollar Tan Line & Mr. Kiss and Tell by Rob Thomas and Jennifer Graham

I have a confession to make. I am a fangirl.

DavidCassidy-shaghaircutAt first it was just me and my Tigerbeat magazines. Posters on my bedroom wall. The usual suspects – given my age: David Cassidy. Robby Benson. Richard Gere. Around the time my son was born, I discovered Buffy the Vampire Slayer and that was a game changer. I just happened to catch the end of season three, that moment when Buffy and Angel stare at each other across the smoking ruins of Sunnydale High and I was all Who is that?  This was before PVRs. I rented the previous seasons of Buffy at Blockbuster and when the new season started I was ready. Then I discovered fanfiction. Well, fandom in general. I met amazing people. I attended conventions in Las Vegas and Atlanta. For about a decade I was all-in. Then, of course, life gets busier and the shows ended and I sort of drifted away from fandom.

veronica mars1Flash forward a decade or so and at the encouragement of one of my friends from the Buffy fandom, I started watching Veronica Mars. Veronica Mars (2004 – 2007) is of roughly the same vintage as Buffy (1997- 2004) and in fact several Buffy actors appear on Veronica Mars including Allison Hannigan, Charisma Carpenter and Buffy creator Joss Whedon. I watched the first three seasons of Veronica Mars in about ten days. Then I rented the movie, which I watched three times. I knew season 4 was due to be released tomorrow, and my intention was to watch the series straight through again before then, but the new series dropped a week early. I am two episodes away from finishing season 4 and managed to remain spoiler free until I inadvertently saw something which literally made me feel ill. I am sick with anticipation. (I have now seen the entire eight episodes and I am shaking my fist at you Rob Thomas!)

So, what’s a fangirl to do? First stop Archive of Our Own. That’s really the premiere site for all your fanfiction needs. It used to be Fanfiction. net before they got all uptight about smut. I’ve been out of the fic game for so long and so in order to expedite the process (aka avoid reading junk) I asked my Buffy friends for some names. Someone recommended giving the Veronica Mars books a go. Wait? There are books? And sure enough, there are.

Veronica Mars, when the series opens, is a seventeen-year-old high school student who lives with her dad, Keith, in Neptune, California, a sort of seedy beach town near San Diego. The town is divided by wealth. There’s the very, very rich, those who live in the ’09 zip code (known as 09ers) and then there’s everyone else. When the series opens, Veronica is on the outside looking in. Once, she’d been part of the rich crowd because she was dating Duncan Kane, son of the richest guy in Neptune. Veronica’s best friend was Lilly Kane, Duncan’s sister. She had a little extra cache because her father was the town sheriff. When the series begins, though, Lilly has been murdered. Keith, for accusing Mr. Kane of playing a part in his daughter’s death, has been run out of office, and no one is speaking to Veronica.  The series is populated with fantastic characters. There’s Eli ‘Weevil’ Navarro, leader of Neptune’s notorious PCH  bike gang; Wallace Fennel, a new kid who becomes Veronica’s bestie; Cindy “Mac” Mackenzie, a computer whiz, Dick Casablancas, a rich, entitled surf rat and Logan Echolls, son of movie star Aaron Echolls and Lilly’s boyfriend.

Over the course of three seasons, friendships are tested, alliances made and broken, and mysteries solved because that’s what Veronica does. Like her vampire-slaying contemporary, Buffy, Veronica is smart and fearless and tenacious. Like Buffy, she has to juggle her own personal life with her driving need to get to the truth of things, even if the truth often puts her in harm’s way. Like Buffy, she’s just a girl.

The show was created by Rob Thomas (not Matchbox 20‘s Rob Thomas) and it is whip-smart, filled with witty writing, heartache, laugh-out-loud zingers and clever mysteries. The acting is stellar, particularly Kristen Bell as Veronica. I loved the show. Well, loved might be an understatement.

The movie, funded by a kickstarter project  came out in 2014 and takes place about nine years after the series ended. I won’t spoil anything, but it’s a must-watch if you are going to watch season 4.

veronica marsThe two Veronica Mars novels take place after the end of the movie and so while they probably aren’t necessary I loved them. Rob Thomas considers them 98% canon and as he wrote them, along with Jennifer Graham, I think they are really must-reads for any fan of the show.

The first, The Thousand Dollar Tan Line, is the story of a girl who goes missing during Neptune’s notorious spring break. Veronica is called upon to investigate and she is soon plunged into a dangerous world of drug cartels and organized crime. When a second girl goes missing, things become even more complicated because it brings someone from Veronica’s past back into her life.

The second book, Mr. Kiss and Tell, is the story of a girl, the younger sister of one of Veronica’s high school classmates, who is found badly beaten in a field. She identifies someone who worked at the Neptune Grand as the assailant, but that man has fled the country because he was in the US illegally. The victim is trying to sue the hotel for damages and Veronica has been hired by the hotel to disprove the victim’s claims. Of course, like with every single Mars investigation, things are not as they seem.

If you had no prior knowledge of the show, I think you could still enjoy these two books as straight up mysteries. There are the requisite red herrings, clues, action – all the stuff mystery fans would like. But for fans of the show there’s going to be a little extra something something.

And really, if you haven’t watched Veronica Mars you are in for a real treat. I haven’t fangirl squee’d like this in years. (But I am still shaking my fist, Rob!)