Blackwater, a YA graphic novel, by Jeannette Arroyo and Ren Graham has a lot going for it. First of all, lots of representation including POC, trans, teens with health issues, werewolves, ghosts. Yes, you read that last part right.
Tony is a high school track star with a side of delinquent. Eli is the new kid who misses a lot of time because of an autoimmune disorder. Neither of these boys has the world’s best home life (Tony’s father works a lot and doesn’t seem all that invested in Tony’s life and Eli’s mother just seems completely checked out, perhaps worn down by her son’s health issues.)
A tentative friendship begins to develop between the two boys. Eventually, Tony has to admit that his feelings towards Eli might be something more than “friends.” Then, there’s an incident in the woods and suddenly Tony is dealing with a lot more than just his feelings.
Blackwater is part ghost-story, part high school drama, part m/m romance. I did feel that it was a little top heavy-so the end felt rushed. That said, it’s an hour of your time and it delivers on themes of acceptance, family and friendship.








never read Margaret Atwood’s novel The Handmaid’s Tale. I haven’t watched the series, either. I know, I know. I figured that I could rectify that by reading Renee Nault’s stunning graphic novel of Atwood’s book.
Although I really don’t know very much about gaming (my gaming experiences consist of playing PacMan and Asteroids at the local pin ball joint, and then a few years later staying up all night to play Scorched Earth), I do understand the appeal of an on-line persona. During my years in fandom, I had a fake name for all the fanfiction I wrote, and I met loads of other people (mostly women) who wrote fic in their spare time: mothers and teachers and lawyers and even a judge. While my persona was very much me, having met some of these ladies in real life, I know that many of them were more daring, outgoing, over-the-top online compared to the way they were in their every day lives. That aspect of Cory Doctorow and Jen Wang’s graphic novel In Real Life was familiar to me.
difficult than I remember my adolescence. There was no social media back then. We hung out, gathering at someone’s house on Friday night to play Trivial Pursuits and drink Pop Shoppe soda. We had dances where you’d just pray not to be asked to slow dance with some geeky guy, especially for the last dance, which was always “Stairway to Heaven” – longest song on the planet. My locker was covered with pictures of Robby Benson. The drama happened in the girls’ bathroom and the bullying happened in person. We talked for hours on the phone…which was in the kitchen, so your end of the conversation could be heard by pesky brothers and eavesdropping moms.
Pam Smy’s lovely hybrid novel tells the story (in words) of Mary and (in pictures) Ella – two girls separated by twenty-five years. Ella and her father have moved into a house that looks out onto Thornhill Institute which was “established in the 1830s as an
orphanage for girls” and sold in 1982 “after the tragic death of one of the last residents, Mary Baines.” For the last twenty-five years, the house has remained vacant, although plans have been made to develop the site.
In the present day, Ella spends much of her time alone, too. Her father, who clearly seems to love her, is away a lot. Her mother is presumably dead. Ella is curious about the house she can see from her bedroom window and the girl she sometimes glimpses in the overgrown garden behind the walls
This One Summer by cousins Mariko and Jillian Tamaki is a Governor General’s Literary Award winner in addition to being on several Best Of…lists. I can’t claim any real expertise when it comes to graphic novels, so I don’t really know what the criteria might be for determining what makes a graphic novel superior to others. Like everyone of my generation, I used to be a big fan of Archie and horror comics, but it’s only since I returned to the classroom that I have made it a point to read graphic novels – mostly because I do have students who enjoy them and I want to be sure that I include them in my classroom library.
It’s clear, though, that the one and a half year difference between the girls is impactful this year. Rose, the elder, is contemplative and watchful and often reacts to Windy’s suggestions with a shrug and a “maybe.” At Brewster’s “the only store in all of Awago” the girls buy penny candy, rent horror movies and watch (Windy with girlish disgust and Rose with curious fascination) the overtly sexual relationship between older teens Dunc and Jenny.
Sixteen-year-old Glory Fleming is a piano prodigy. When Jessica Anthony and Rodrigo Corral’s hybrid novel – more about that in a moment – opens, Glory is missing. Then the story flashes back eighteen months to help us understand how her life has gone off the rails.