Tag Archives: popular fiction

Where the Forest Meets the Stars – Glendy Vanderah

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Glendy Vanderah’s debut Where the Forest Meets the Stars has its positives and its negatives. On the plus side, the premise of this story is interesting. On the negative side, it’s almost entirely dialogue with very little character development and a denouement which doesn’t quite fit the book’s quiet tone.

Joanna Teale is recovering from a preventative double mastectomy and the death of her mother who recently died from breast cancer. Joanna carries the gene mutation which makes the disease likely for her, too. She is spending her summer doing graduate research on the nesting habits of indigo buntings in rural Illinois.

Out of the woods, a little shoeless girl appears. She tells Jo that she doesn’t have a home because she’s not from Earth. She only looks like a human because she has taken over the body of a dead girl, and she’s been sent to Earth to witness five miracles.

Jo is, rightfully, suspicious, but the little girl — who says her name is Ursa — has a clever answer for all of Jo’s questions. Too clever, really, for a nine year old. When Jo calls the local police, the deputy who shows up is reluctant to get involved suggesting that whatever has caused the girl to run away can’t be any worse than what might happen to her if she’s placed in the foster care system. Jo trolls the missing children pages of the Internet, but no one appears to be looking for Ursa.

Gabe Nash — the hunky guy who sells eggs at the edge of the property next door to where Jo is staying — soon gets involved with the situation. He’s hiding out from the world disguised as helping his mother who has been diagnosed with Parkinson’s. The trio form the beginnings of a #foundfamily.

The story is driven by the mystery of who this little girl is and how her arrival changes the lives of Gabe and Jo, both of whom have been closed off from the world — and themselves — in their own way. The story, as such, is readable and Jo and Gabe’s developing feelings for each other is believable — even if they, as people, are little more than caricatures.

That’s essentially my main problem with this book: everyone is one note. The tale is mostly told in dialogue. When the big turning point happens, it’s sort of violent and unbelievable in a book that has mostly been about toasting marshmallows and fluffy kittens. The requisite happy ending seems like a given and any loose ends are tied up with exposition.

This book was gifted to me by a student who said that this is her favourite book of all time, which makes it hard for me to say anything too harsh about it. I wouldn’t have picked it up on my own and I am not sure I would have read the whole thing if the book hadn’t been a gift.

The Little Italian Hotel – Phaedra Patrick

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Although on the surface Phaedra Patrick’s novel The Little Italian Hotel might seem like the perfect book for me — someone who adores everything about Italy — I doubt I would have picked this book up on my own. It’s only because it was chosen as this month’s book club pick that I read it.

Ginny Splinter, 49, is the host of well-known radio show called Just Ask Ginny. She offers people advice on a wide variety of problems and “Throughout her fifteen years on the air, there wasn’t a problem Ginny hadn’t tried to fix….”

It’s easy for her to look at the messy lives of other people because her life is, well, perfect. She’s soon to be celebrating her 25th wedding anniversary with her husband, Adrian. Her daughter, Phoebe, is out of the house and planning her own wedding. As a surprise, Ginny has splurged and purchased a three week stay at a fancy hotel in Bologna where she and Adrian can “renew their vows…reaffirm their love and commitment to each other and…have some fun, too.”

But things don’t quite work out that way. Adrian tells her that he can’t take three weeks off and then, worse, he tells her that he needs a break from her and their marriage.

Ginny isn’t able to cancel the trip. The best she can manage is to use the credit to move to a smaller hotel and take other people. She makes a spur of the moment decision to talk about what’s happened on the air and that’s how she ends up at Hotel Splendido with Heather, 43, a school teacher; Eric, 28, a carpenter; 80-year-old Edna; and Curtis, 38, a property developer. What do these five people have in common? Heartache.

Nico and his 18-year-old daughter, Loretta, run Hotel Splendido and the arrival of five guests for three weeks is a minor miracle. “His little Italian hotel had been struggling since the pandemic, but now his five guest rooms were going to be fully occupied for three weeks in June.” Nico is the heart and soul of Splendido and while it may not be as flashy as his friend Gianfranco’s Grand Hotel Castello Bella Vista (Ginny’s original destination), it is charming and comfortable.

As the five strangers get to know each other, they start to reveal their personal struggles to each other and form a sort of de facto family, offering each other support, encouragement and solace. I mean, it sounds awesome, right?

A little too awesome, really, which I guess is my main issue with the story. Look, there is nothing wrong with this book if you like fairy tales. Like the self-help book about repairing relationships Ginny buys at the airport, The Little Italian Hotel offers trite remedies for its characters. Even Ginny realizes those easy soundbites are hokum in the end.

You Made a Fool of Death with Your Beauty – Akwaeke Emezi

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Akwaeke Emezi’s novel You Made a Fool of Death with Your Beauty is not the book I thought it was going to be. What did I think it was going to be? Hmmm. Good question. Given the accolades (NYT Notable Book, NCAACP Image Award for Outstanding Literary Work) and positive reviews, I thought I was going to get a relatively serious story about overcoming grief…with a side of romance. What I got was a straight-up romance novel ripped from the Erotica 101 handbook. And there’s nothing wrong with that, if that’s your thing…but it’s not really the sort of book I am interested in reading anymore. That’s on me, not on Emezi.

Twenty-nine year old Brooklyn-based visual artist Feyi Adekola is still grieving the tragic death of her husband, Jonah. It’s not something she likes to talk about; it was “an easy secret for Feyi to keep,” but she’s been stuck in this endless cycle of grief for the last five years. Her BFF Joy thinks it’s time she got back out there, and that’s how she meets Milan and then his friend, Nasir.

There’s an immediate connection between between Feyi and Nasir, and Feyi “felt like she was in the path of something, but she wasn’t sure what.” Still, she’s reluctant to move too quickly, and Nasir suggests that they be friends first, which suits her fine. A few weeks into the relationship, Nasir invites Feyi to fly to his family home in the Caribbean. Through his connections, he’s secured her a spot in a gallery show and besides, his father and sister live there and she could get to know them. It isn’t until they are on the plane that Nasir reveals that his father is Alim Blake, a celebrity chef with two Michelin stars.

As soon as Feyi sees Alim she feels, “a twinge of attraction unfurling in her stomach.” She can barely meet his eyes, let alone be in the same room with him. She and Nasir are not sleeping together, and it’s clear once she meets Alim that they never will.

You Made a Fool of Death with Your Beauty leans into familiar romance conventions. Releasing breaths characters didn’t know they were holding and men commenting on how tight the women are — that sort of thing. There was one scene that actually made me burst out laughing. Feyi apparently didn’t know what julienning meant and…this is where my 24-year-old son said, “No, tell me he didn’t stand behind her and put his hands over hers to guide them!” He’s definitely not a romance reader, but he saw that one coming a mile away. So, yeah, this book is filled with the requisite romance writing quirks. Beautiful people in a beautiful setting eventually having beautiful, mind-blowing sex.

Perhaps I am cynical about romance now, but I am not sure that’s it. Alim and Feyi have a connection because Alim is also widowed, although his wife died 20 years ago. And sure, they talk about their loss and the impact it’s had on their lives, but mostly this is a book about Feyi wondering whether this thing she feels is real. Nasir soon becomes a bit player in the story because the heart wants what it wants.

I guess I like my romances to be a little less ripped from the Romance 101 playbook. More The Paper Palace than well….most of the spicy romance book on BookTok these days. That said, I suspect that loads of people will love this book. It wasn’t my cup of romantic tea, but I doubt I’m the book’s intended audience.

Romantic Comedy – Curtis Sittenfeld

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Someone once told me that I was the most romantic person they’d ever met. That was a long time ago; life has chipped away at my notion of “romance”. Not that I ever consumed a lot of romance in literature, but I really don’t read that much straight-up romance at all now. If I do read it, I prefer a little angst (or, a lot of angst, tbh) and I like my main characters to be a little scuffed up by life. Still, the hype for Curtis Sittenfeld’s Romantic Comedy was irresistible and so I picked up a copy.

Sally Milz, 36, writes sketches for a late-night comedy show The Night Owls (picture Saturday Night Live). When the novel opens, Sally is getting ready for the crazy week ahead which includes writing sketch outlines, pitching them, fine-tuning them, taking them to rehearsal and then the live show. This week’s guest is Noah Brewster, “a cheesily handsome, extremely successful singer-songwriter who specialized in cloying pop music and was known for dating models in their early twenties.”

Noah is doing double duty this week acting as musical guest and host, a gig he claims “has been a lifelong dream, ever since [he] was a middle school misfit sneaking down to the basement to watch [the show] after [his] parents went to bed.” When he asks Sally for some help with a sketch he wants to pitch, Sally obliges and in doing so discovers that there is more to Noah than his piercing blue eyes, surfer hair and chiseled body. This is the meet cute.

While not necessarily a romantic cynic, Sally is also aware of how these things go – romantic relationships in an industry filled with beautiful people. She has written a sketch called “The Danny Horst Rule”. Danny is another writer on the show and even though he is “like a little brother” to Sally, the fact that he recently started dating Annabel Lily, “a gorgeous, talented, world-famous movie star” has sent Sally into a bit tizzy. Danny is, according to Sally, a “schlub.”

He was pasty skinned and sleep-deprived and sarcastic. And, perhaps because he was male or perhaps because he was a decade younger than I was, he was a lot less self-consciously people-pleasing and a lot more recklessly crass.

How come a guy like that ends up with a woman like Annabelle? This “was the essence of [her] fury: that such couples would never exist with the genders switched, that a gorgeous male celebrity would never fall in love with an ordinary, dorky, unkempt woman. Never. No matter how clever she was.”

There seems to be chemistry between Sally and Noah – or is he just turning on the high-wattage charisma big stars seem to have? Sally can’t tell. They definitely have banter, but it’s not vacuous banter. Then, at the after-after party there is a moment when – and Sally knows exactly when it happens – that things change.

The Covid lock-down two years later puts Noah back in Sally’s orbit and their email exchange is one of my favourite parts of the book – and that’s saying something considering I loved all the parts of the book.

Romantic Comedy is often laugh-out-loud funny, but it is also a book that examines notions of celebrity, beauty, gender and the perils of social media. I loved Sally’s insecurities and interior monologue – at one point she tells Noah that she “feel[s] like [she’s] writing dialogue for the character of [her]self.” And I loved Noah. He was self-aware and smart and patient with Sally. They are kind of perfect together.

Even if, like me, you wouldn’t necessarily consider yourself a romance reader, I can whole-heartedly recommend this book.

The Family Remains – Lisa Jewell

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Lisa Jewell has always been a dependable writer for me. I know I am going to get a well-written, page-turning, thrill of a book, usually with multiple narratives that somehow all dovetail together in a satisfying way.

The Family Remains is a stand-alone sequel to The Family Upstairs, a book that I absolutely flew through when I read it during the height of Covid. I honestly do not think that you could read this one without having read its predecessor, though, and truthfully I don’t think this one is necessary.

Siblings Henry and Lucy Lamb are the adult survivors of a traumatic childhood — their parents, Henry and Martina, fell under the spell of a con man, David Thomsen and a woman called Birdie Dunlop-Evers. I won’t say much more about that because that’s the story you really want to read. Lucy is the mother of three children, Libby, whom she had when she was a kid, Marco and Stella. Currently they live with Henry until they can move into the huge new house she’s recently purchased with her share of a giant windfall. Libby is about to head to Botswana to meet, for the first time, her father Phin (who just happens to be David Thomsen’s son and also lived in the house when all the shit went down in the first book.) Henry has always been obsessed with Phin, but hasn’t seen him in years, so he decides to tag along. Except Phin leaves Botswana and heads stateside, so Henry drops everything to chase after him. Honestly, it’s all sort of unbelievable and ridiculous. (And I hate to say that because I really do love this author.)

Seemingly unconnected to that narrative is another character called Rachel, a struggling jewelry designer who meets, randomly, Michael. After a whirlwind romance, the two marry and then that all goes to hell in a handbasket. Could not have cared less about her.

Finally, there’s Detective Inspector Samuel Owusu, the man tasked with finding the identity of a human skeleton which washes up onto the banks of the Thames. This discovery is the catalyst that is meant to kickstart this new chapter in the lives of these characters.

This story depends, I think, on an understanding of what came first because without it, this all feels like telling. In her acknowledgments, Jewell thanks the readers who begged her to write a sequel to The Family Upstairs. Perhaps some people felt like they needed to know what happened after the final pages of that book, but I was not one of them. I mean, I never feel like I waste my time when I read this author because I do really like her, but this book just didn’t work for me.

Try these ones instead: The Night She Disappeared, Invisible Girl, Watching You, I Found You, The Girls in the Garden

Yellowface – R.F. Kuang

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R. F. Kuang’s novel Yellowface — a book about as buzzy as its possible to be right now — is the story of June Hayward, a struggling writer with one mediocre published novel under her belt. June is “friends” with Athena Liu, a celebrated Chinese-American novelist, who shot to fame after her debut novel was published and has since gone on to further acclaim and a Netflix deal. (Here’s how readers will know that this book is very much of the moment; it’s not enough to be published — you want to be nominated for awards, Internet famous, and optioned for a streaming service adaptation.)

The truth of the matter is, June doesn’t really like Athena all that much. Athena doesn’t have any friends and June is convinced that people find her as “unbearable” as she does.

She’s unbelievable. She’s literally unbelievable.

So of course Athena gets every good thing, because that’s how this industry works. Publishing picks a winner – someone attractive enough, someone cool and young and, oh, we’re all thinking it, let’s just say it, “diverse” enough – and lavishes all its money and resources on them.

June is not without some talent, but she’s just “brown-eyed, brown-haired June Hayward, from Philly.” No one is interested in stories by white female writers. When Athena dies accidentally (not a spoiler — the novel’s first line tells us this happens), June does the unthinkable: she steals an unfinished manuscript from Athena’s desk. The manuscript needs some work, but June can see that it is a “masterpiece.” The problem is that it’s the story of the “unsung contributions and experiences of the Chinese Labor Corps”, a subject about which June knows nothing. It’s barely even a draft, but June acknowledges that she can “see where it’s all going and it’s gorgeous.” It’s so gorgeous, that June feels that she should finish it.

I know you won’t believe me, but there was never a moment when I thought to myself, I’m going to take this and make it mine. It’s not like I sat down and hatched up some evil plan to profit off my dear friend’s work. No, seriously – it felt natural, like this was my calling, like it was divinely ordained.

This is a novel that is tuned into the publishing world, the social-media-famous landscape, and online bullies. When June/Athena’s novel is published to critical acclaim, June feels validated and deserving. There’s no imposter syndrome here because she feels as though she worked every bit as hard on the novel as Athena did. So what if she’s not Chinese (as some of the critics says). She did her research. When there is any criticism of the book, June can chalk it up to Athena’s contribution: she always knew Athena was a fraud. The only thing she had going for her was the fact that she wasn’t white.

This novel seems very timely given the trouble other writers have faced because they were writing from a point of view that was clearly not part of their experience. (American Dirt springs to mind.) If you are a voracious reader and pay attention to things that happen on social media, you’ll certainly get some of the references Kuang makes.

June isn’t a particularly likeable character– neither is Athena for that matter. June isn’t trying to hide her theft from herself or the reader, but she does spend a lot of time justifying it. I ripped through this book waiting for the other shoe to drop and loved every minute of it.

Lessons in Chemistry – Bonnie Garmus

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I don’t know what it is about hyped books, but I rarely like them as much as everyone else does. It probably says more about me than it does about the book, really. Everyone and their dog loved Bonnie Garmus’s novel Lessons in Chemistry and I was actually looking forward to reading it when it was chosen for my RL book club. Sadly, it just wasn’t for me.

The novel is about Elizabeth Zott, a brilliant woman who is a chemist without the credentials because she was forced to leave her program after being sexually assaulted by a lecherous professor. It’s the sixties and there is no recourse for her. When she files a complaint, the cops ask her if she would “like to make a statement of regret” for defending herself. It’s the 60s and that’s the world Elizabeth is living in.

When the novel opens, Emily Zott is working as the host of a cooking show called Supper at Six. She is not a natural in front of the camera and she certainly won’t play the games demanded of her by the studio execs including smiling a lot and wearing tight fitting clothes. She does, however, tap into something women seem to want: someone who sees them and understands them.

You’d never find Elizabeth Zott explaining how to make tiny cucumber sandwiches or delicate souffles. Her recipes were hearty: stews, casseroles, things made in big metal pans. She stressed the four food groups. She believed in decent portions. And she insisted that any dish worth making was worth making in under an hour.

The novel unravels Elizabeth’s story backwards from this point. We learn how she ended up, a single mother, in front of the camera. We watch as her relationship with Calvin Evans, a brilliant and award-winning chemist unfolds, from its antagonistic meet cute to its tragic ending. We watch as she struggles to be taken seriously in the man’s world of science. We watch her teach her dog, Six-Thirty, to understand human words.

Lessons in Chemistry is a book crammed with characters and ideas and lessons about chemistry equality, but none of it is subtle. The narrative isn’t just Elizabeth’s, either. We get to hear about Calvin and his personal tragedies. We even get to hear from the dog. Yep. This book tried so hard to be funny, but mostly I just rolled my eyes at how unbelievable these characters were. The ideas are sound; the delivery not so much.

I wanted to like it, but I just didn’t.

Meet Me at the Lake – Carley Fortune

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Canadian writer Carley Fortune’s second novel, Meet Me at the Lake, doesn’t stray too far from the plot of her first book Every Summer After. In that book, childhood besties become more and are then separated by a bad decision, only to reunite many years later.

In this iteration, Fern Brookbanks meets Will Baker in Toronto just after she’s graduated with her BBA. He’s an artist who has been hired to paint a mural at the coffee shop where Fern works.

Guys this hot were the worst. Cocky, self-absorbed, dull. Plus, he was tall. Hot plus tall meant he’d be completely insufferable.

Except, Will is not insufferable; he’s actually pretty great. He suggests a tour of Toronto before he heads back to Vancouver and she heads home to Hunstville, where she’s about to start working at the family business, a resort on the lake. The problem is, Fern is at a crossroad. She is pretty sure that’s not what she wants to do, even though that’s where her boyfriend of four years, Jamie, is. She has different dreams.

There is definitely a spark between Fern and Will, and they agree to meet in Muskoka in one year – except Will doesn’t show. Well, he does show, actually: nine years late.

Fortune offers readers two timelines: the day Will and Fern spend together and then their reunion in present day. Will is nothing like Fern remembers him, except that he’s still tall and hot. Instead of being an artist, he’s some sort of consultant who was apparently hired by Fern’s mother Maggie, to help breathe new life into the resort. He is both Will and not Will, but Fern still feels the crazy chemistry she felt all those years ago. What’s a girl to do?

The things I liked about the book are the same things I liked about Every Summer After. Canadian settings (I have friends in Huntsville, though I have never been), and references just make me happy. There are some fun characters in the book; I particularly liked the Roses, a couple who have been coming to the resort Fern’s whole life and “have hosted a Sunday cocktail hour at Cabin 15” since Fern was born and Peter, the pastry chef and Fern’s surrogate father.

The story itself, vague details of running a lodge and lots of food talk, is mildly diverting. But that’s not why you read this sort of book anyway. We’re here for the romance and I am guessing, based on the book’s massive popularity — shooting to the top of the NYT’s best sellers list when it was released — that most everyone loves that aspect of it. Like with her first book, it just didn’t quite work for me.

But maybe that’s just me. I like angst. Will and Fern had a day, a really special day from all accounts, but then ten years later Fern is almost immediately ready to put that in the past because Will is there to work with her and she needs him to do that to save a business she didn’t even want anything to do with ten years ago –and yes, I get it people/circumstances change. And he’s tall. And hot. Their reunion just felt a little too easy and the bumps, when they arrive, come out of nowhere, and are all resolved with a little bit of familial exposition.

I didn’t hate this book. It was 50 pages too long, but it was easy to read. I didn’t feel annoyed when I was done reading, but I also didn’t feel that post-romance swoon. If you’re not going to break my heart — which is actually what I’d prefer — at least I don’t want to read Erotica 101. That’s mean: this book is definitely better than that, really, but it didn’t 100% scratch my romance itch even though I liked both main characters just fine. Still, a great book for your beach bag.

The Hunted – Roz Nay

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I was hooked from the very start of Canadian writer Roz Nay’s novel The Hunted.

A hand over my mouth wakes me, the skin of it tinny with metal and salt.

…

“Stevie,” he whispers, his voice hoarse. “It’s not safe here. You’re not safe.”

Stevie and Jacob are high school sweethearts who have left their small-town Maine home in search of adventure and respite from the death of Stevie’s grandmother, a loss that meant that she is out of a job and a place to live. Now, at twenty-four, they’ve landed in Africa, where Jacob has taken a job as a dive instructor at GoEco, which is located on an island south of Zanzibar.

Stevie is clearly on tenterhooks and her first few days in Africa do nothing to settle her nerves. Nothing is like it is back home. On her first night at a hostel, another traveler tells her that “You can’t trust anyone.”

Then they meet Leo and Tasmin, a beautiful British couple. We know Leo isn’t to be trusted because he is the other narrator.

They seemed new. Vulnerable. I have to admit, I felt an almost immediate fondness for them both.

It’s interesting to read a cat and mouse thriller when the cat is identified so early on; you’re always waiting for the other shoe to drop. As the novel moves on, we get to learn a little bit about both Leo and Stevie — seems they both have some carefully guarded secrets.

Although things sort of fell apart for me once the foursome arrived in Rafiki and the machinations seemed a little over-the-top, I still enjoyed the read.

This is my second novel (Our Little Secret) by Nay. I will definitely continue to read what she writes.

Highly Suspicious and Unfairly Cute – Talia Hibbert

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I am not really a straight-up romance reader and if I do read them, I tend to like them angsty rather than sunny and sweet. Talia Hibbert’s first YA novel Highly Suspicious and Unfairly Cute definitely falls in the sweet category, but I am okay with that because this book is as charming as heck.

Seventeen-year-olds Celine Bangura and Bradley Graeme can barely stand the sight of each other. The two are classmates at Rosewood Academy, a school somewhere near Nottingham, England. Celine makes TikTok videos about UFOs and vaccines and has amassed a bit of a following. Brad is a football (aka soccer) player who hangs with the cool kids. Celine makes her disdain for Brad well known from the start.

People like them — “popular” people who think sports and looks and external approval are a valid replacement for actual personality — ironically don’t have the social skills to deal with anyone outside their golden circle. I should know.

Celine has “always believed he is fake and false and entirely made of earth-destroying plastic“.

Brad’s feelings regarding Celine are equally disdainful. She’s a “terrible, horrible person who I absolutely can’t stand.”

It wasn’t always been this way, though. Their mothers are besties and so were they until they were fourteen. Then something happened and now the two give each other the evil eye and if they do have to talk it’s only to trade pointed barbs.

An accident puts them in each other’s orbit again and then they both end up going for the same scholarship, which requires them to participate in a two-part survival course. Neither of them is particularly interested in the great outdoors, but both of them would benefit from the money for different reasons.

Celine is competitive and driven, especially by her need to shame her father who “ditched [her] for his second family ten years ago and [she hasn’t] seen him since.” Brad’s family could afford the tuition, but the scholarship means that he could afford single accommodations, which is something Brad desperately wants for reasons I won’t spoil here. Suffice to say, these teenagers — besides being really smart and funny — have baggage and secrets they are keeping from themselves, their families and even each other. They have built walls around themselves in order to protect themselves from the rough weather known as adolescence.

Highly Suspicious and Unfairly Cute is definitely tropey. There’s enemies-to-lovers, and close proximity, for sure. But in every other way, this is a refreshing, funny and sweet story of two teenagers trying to figure out what they want their lives to look like. I absolutely adored both of the main characters. Their banter was often laugh-out-loud funny and even though I knew what the outcome of this whole thing was going to be right from the very start I was delighted to go along for their swoony ride.

Highly recommended.

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