vampires

Rovers – Richard Lange

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Stephen King called Richard Lange’s novel Rovers, “The best vampire novel [he’d] read since Let the Right One In.” I don’t usually go in for author endorsements except I know that King is a voracious reader and when it comes to things that go bump in the night, you could do way worse that King when he’s at the top of his game (and let’s face it, he usually is.)

Lange’s novel tells the story of brothers Jesse and Edgar (think George and Lennie from Of Mice and Men if they were bloodsuckers). They’ve been vampires–or Rovers as they’re called in Lange’s universe– for seventy-five years, Jesse first and then, at his mother’s behest, Edgar. They travel together, stay away from other people (except for that time when Jesse fell in love with Claudine) and feed only when they have to, usually about once a month. As far as vampires go, they’re relatively benign.

The Fiends, on the other hand, are not. They’re a motorcycle gang, led by bookworm Antonia and her lover, Elijah. For the right price, they’ll do a job and the job at hand involves a lot of money and a baby. When two of the gang take the baby to a remote location to feed, Jesse, Edgar, and a human woman they’ve just met– and to whom Jesse has taken a shine because she reminds him of Claudine–just happen to be nearby. Right place wrong time or wrong place right time – take your pick, but either way, now the three are on the run because the Fiends will stop at nothing to find them.

Then there’s Charles, a man who has been bouncing from city to city, hunting for the person responsible for the death of his son, Benny. When he meets Czarnecki a grizzled old man on a similar mission – to rid the world of Rovers- Charles’ understanding of the world is forever altered.

Rovers is a straightforward, action packed, novel where I found myself feeling tremendous sympathy for some of these characters, even though I clearly should not. Lange leans into some of the vampire tropes: sunlight kills, behead the vampire and they turn to dust. Other things are slightly different: no fangs, instead a nick to the jugular and it’s an all you can drink buffet and just about any injury will heal given time. These vampires eat a lot of people food, too.

This is a violent, often gory, fun novel – if vampires are your thing.

Empire of the Vampire – Jay Kristoff

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Oh, vampires. Unless you sparkle, you’re my favourite fantasy creature. It’s hard to find books about vampires with any real bite, y’know. I enjoyed Grady Hendrix’s The Southern Book Club’s Guide to Slaying Vampires and Christopher Buehlman’s The Lesser Dead, but never in my wildest dreams did I think I was going to enjoy a 700+ page high fantasy novel about vampires. The first in a series, no less! Because 700+ pages. And fantasy. Not really two things that make my very-much-still-beating bookish heart pitter pat. I was gifted a copy of Jay Kristoff’s novel Empire of the Dead last Christmas and it seemed like a good time to take a crack at it because I am now on holiday.

Gabriel de Leon is a Silversaint. What’s that you might well ask? Silversaints are palebloods (half vampire) who have taken a vow to protect the church and the realm from coldbloods, full-on vampires. At fifteen, Gabriel was whisked away from his home to San Michon, a holy place where he is trained in the art of killing vampires.

“I do here vow; Let the dark know my name and despair. So long as it burns, I am the flame. So long as it bleeds, I am the blade. So long as it sins, I am the saint. And I am silver.“

When the story begins, Gabriel is a prisoner of Margot Chastain, Undying Empress of Wolves and Men. Chastain’s historian, Marquis Jean-Francois, has joined Gabriel in his cell to “gather all knowledge of [his] order.”

The conversation between Gabriel and Jean-Francois provides the structure for the story the Silversaint tells. It bounces back and forth in time and introduces a cast of characters, many of whom readers will fall madly in love with (including a lioness, a horse and a sword. Not joking.) As for Gabriel: he’s cynical, foul-mouthed, loyal and brave. He’s the hero of the tale, but he’s imperfect, for sure. He’s also likeable.

I wouldn’t have necessarily said that I read fantasy, but according to this definition from Book Riot, I guess I do:

The basic defining tenet of high fantasy is that a fantasy story is set in an alternative fictional world, typically with magical elements. High fantasy is sometimes called epic fantasy, and some of the hallmarks of this subset of the fantasy genre include a high page count, lots of characters, usually a quest, and, most importantly, an alternative or secondary world as opposed to the real or primary world. With high fantasy, there are usual global stakes involved—you know, good versus evil, saving the world, and all that.

In any case, I read enough to understand the world building and the mention of mythical creatures. It’s easy to spot the nods to Tolkien, Martin, Malory, Christianity, Beowulf, and even Buffy the Vampire Slayer. It is clear that Kristoff is a reader, and books and their myriad joys are mentioned on more than one occasion.

As an English teacher, I could easily identify the hero’s journey and so I was able to anticipate some of the twists. I probably don’t read enough fantasy to know whether Kristoff’s novel is cream of the crop or not though, but by my metric it’s great.

I’ve read some reviews that complained about the novel’s pacing. That wasn’t a problem for me. I read this book in a week and I very much looked forward to picking it up whenever I had the chance. There was lots of gory action and well-written fight scenes. There were lots of funny moments and also some truly heart-breaking moments.

I would suspect that when you are creating a world, lots of exposition is necessary – but I never felt as though Kristoff wasted time with backstory. Readers were dropped into a fully-realized world and I wasn’t too concerned with who everyone was beyond who is good and who is most definitely not. I have no clue how Kristoff managed to keep all the characters and the rules of this world straight, but it felt like a real enough place to me.

Books need stakes and Empire of the Vampire has them. The world has been dark for almost three decades, and part of this story is when Gabriel runs into someone from San Michon who claims they have found something that can finally bring an end to the darkness. Gabriel is on a vengeance mission, but he agrees to accompany the group. Cue the bloodshed.

If I have one niggle about the story, it’s the expletive-heavy insults like “you fuck-eyed little pig dick” and “fuck you, you little shitgrubber.” There’s a lot of swearing in this book. A lot a lot. I swear a fair bit myself, so when I notice it in fiction it’s past the annoying phase.

Still, I have to say that I had fun reading Empire of the Vampire far more than I expected I would. It’s the first book in a series and while I am generally pretty lazy about keeping up with series, I will definitely be spending more time with Gabriel de Leon.

The Southern Book Club’s Guide to Slaying Vampires – Grady Hendrix

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I was introduced to vampires at an early age. My mom used to take my younger brothers and me to the community centre where they offered Saturday matinees of movies like Count Dracula and Taste the Blood of Dracula starring Christopher Lee. I mean, they’re campy now, but back when I was a kid of 11 and 12, they were scary. Although I probably didn’t understand the sexual component of the thrall as a kid, I knew that vampires were powerful opponents and you wouldn’t want to be running into them in a dark alley. So, I have always loved vampires, but I guess I love the romantic version of them, the beautiful, tortured versus the ugly creepy. David Boreanaz as Angel rather than Gary Oldman as Dracula, if you know what I mean.

The vampire in Grady Hendrix’s novel The Southern Book Club’s Guide to Slaying Vampires lands somewhere between Angel and Dracula. He’s charming, handsome and a skilled predator. When he arrives in Old Village, an enclave of Charleston, South Carolina, he causes a stir amongst the women who live there. These are women who are expected to look after the children, the house, the pets, their appearance and not much more.

The novel opens with a funny scene. Patricia, the protagonist, is getting ready to host book club. There are very strict rules about this book club: Marjorie Fretwell chooses thirteen “appropriate” titles from the Western canon, and the members of the book club vote for the eleven they would like to read. Tonight, Patricia is supposed to lead a discussion about Cry, the Beloved Country and that’s a problem because she didn’t manage to read it. Turns out, Patricia is just in the wrong book club and when she and some other women band together to read things like Helter Skelter and Psycho, things turn around for her.

When James Harris shows up in Old Village, though, things become decidedly weird. First, Patricia discovers Mrs. Savage, an old woman from down the street (and James Harris’s aunt), in her alley eating a raccoon, “one gory hand [in] its open belly [scooping] up a fistful of translucent guts.” This scene is an early reminder that this is indeed a horror novel. There are many other totally squicky scenes: rats and bugs and all manner of yuck – which is, gross, yes, but also awesome. Then, Miss Mary, her mother-in-law, who now lives with Patricia and her family, claims she knows James Harris from decades before – although surely that can’t be, and besides, Miss Mary has dementia. Fans of vampire lore will have fun spotting the tropes, and seeing the ways Hendrix has upended them, too.

It takes a while for Patricia to figure out what’s going on and even then it’s unbelievable and impossible and, by then, James Harris has made himself a part of the community. When children start disappearing, though, Patricia is determined to do something about it.

Patricia is a wonderful character. At the beginning, she’s a southern housewife who is unable to assert herself. She gave up her nursing career to marry her psychiatrist husband, who is a jackass, and raise her children, Korey and Blue, and her life is now monotonous; she is a shadow of who she was. James Harris shakes her out of her stupor.

I loved The Southern Book Club’s Guide to Slaying Vampires. It’s funny, horrifying, nostalgic and smart. If you like horror novels, I can highly recommend this one. I have also read My Best Friend’s Exorcism, which is also excellent.