We Could Be Beautiful – Swan Huntley

beautifulCatherine West wants a family – which is sort of funny once you get to know her. The narrator of Swan Huntley’s novel We Could Be Beautiful  is vain, spoiled and selfish. It’s hard to imagine  she’d ever be selfless enough to have kids. Plus, she’s pushing the biological envelope: Catherine’s 43.

She thinks she has everything it would take to be a mother, but when she categorizes her success, it feels like having a baby would be just one more accessory.

I was rich, I owned a small business,  I had a wardrobe I replaced all the time. I was tones enough and pretty enough. I moisturized,  I worked out. I looked younger than my age. I had been to all the countries I wanted to see. I collected art and filled my West  Village apartment with it. My home was bright and tastefully bare and worthy of a spread in a magazine.

The only problem is that Catherine’s single. She’s had lots of boyfriends (and a girlfriend), and two broken engagements, but now she’s alone. Her most significant relationship is with Dan, the massage therapist who comes to her house to rub her neurosis away.

Then she meets William Stockton, a “stunning, square-jawed man with gentle eyes and elegant gray hair, full and parted to the side.” There’s something familiar about him, and as it turns out William’s parents and Catherine’s parents used to be great friends. Catherine is several years younger than William, so her memories of him are vague.

Almost immediately, Catherine is smitten and too-good-to-be-true William is moving in. On paper, he seems like a great guy (he’s educated, has a good job in banking, he’s charming and attentive), but readers will clue in that there’s something not quite right. Catherine isn’t so swift on the uptake.

We Could Be Beautiful is billed as a thriller, and it certainly reads like one.  I mean, you’ll certainly figure out pretty quickly that William is up to something, even if you’re not sure what it is. When Catherine mentions William to her mother, who is suffering from dementia, Mrs. West’s reaction is visceral. Then Catherine finds a box of old ephemera, including a letter from a long-ago nanny which alludes to some event that she hadn’t protected Catherine from.

Probably the more interesting aspect of this book, though,  is Catherine’s journey. I found her vapid at the beginning of the book. She doesn’t need to work because her father left her and her sister a pile of money. She owns the West Village house she lives in. She owns a little store called Leaf, which sells – tellingly – beautiful art cards, with nothing printed inside. Her one friend, Susan, is as superficial as she is. She has a strained relationship with her only sibling, Caroline. On the surface it’s a beautiful life, sure, but it’s style over substance. Her relationship with William forces Catherine to do some recalibrating, and that’s interesting to watch.

I enjoyed this book. It’s well-written, the pages turn themselves, and even if it’s less ‘thriller’ and more ‘drama’, it’s still entertaining.

The Visitors – Catherine Burns

Marion Zetland lives with her older brother, John, in a house that’s seen better days in a visitorscoastal town in Northern England. The siblings, now in their 50s,  have never been especially close, but now that both their parents have died, they have to rely on each other and their relationship is a sort of co-dependent nightmare. There is something very odd going on in their house, a house filled with the bric-a-brac of a childhood spent in some luxury (the Zetlands owned a textile mill), and now the domain of a couple hoarders.

Catherine Burns’s debut novel The Visitors focuses the story on Marion. She is mostly friendless, surrounds herself with stuffed animals, and spends her days watching sappy television movies, remembering events from her past, and imagining a future which she surely never had access to. She’d learned at a young age that she was plain, and spent most of her life living in John’s considerable shadow. He, after all, had gone off the Oxford, and she had limped through school, barely able to understand the most basic things.

When the novel opens, Marion has just been awakened by a scream, a sound that “flapped its wings against the inside of her skull.” She knows where the scream is coming from, and she even knows, although perhaps only subconsciously, why someone might be screaming inside her house, but she tamps down the feeling by calling forth her mother’s voice, which she knows would tell her that “John is doing the very best for them; you have to trust him – he is your brother and a very clever person.”

Slipping easily between the past and the present, we learn about the extremely dysfunctional Zetland family, about how Marion was bullied by her peers, and John’s own perverse personality, which is alluded to many times.  The only time we aren’t closely watching Marion, we are reading emails to someone called Adrian. The first time they appeared, I thought there’d been some sort of printing error, but it’ll all make sense in the end.

I really enjoyed The Visitors. I found Marion to be quite a sympathetic character, someone who clearly had been dealt a crappy hand in the family department, but was also dealing with some mental illness, too. Turns out, though, the lens through which the story is told is just a tad unreliable. Although this story is not told in the first person, we are really only privy to Marion’s thoughts, and there’s no question – she’s an odd duck.

Although I wasn’t 100% sold on the ending, I still recommend giving this one a go. It’s well written and you’ll totally keep turning the pages.

 

 

 

CBC’s Harbour Lights City Market Show

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Thanks to Patrick MacDonald, HVHS student and CBC intern, for taking this picture.

I was invited to talk about books at this year’s Harbour Lights show held in the Saint John City Market. Five minutes goes super fast, so I thought that I would put links to the full reviews for all the books I spoke about here. Please consider making a donation to the cause. You can do that here

Now that it’s all said and done – I have to say that was a nerve-wracking experience. When you’re in the studio, it’s quiet and there’s just you. Not so much at the City Market. Still, I love talking about books, so it was fun!

FICTION
saturdaynight
dutch
The Dutch Houseby Ann Patchett
NON FICTION
educated
Educated by Tara Westover
velocity of being
YOUNG ADULT
We Were Liars by E Lockhart
They Both Die at The End– Adam Silvera
Long Way Down – Jason Reynolds
UNDER-THE-RADAR
The Current  & Descent  by Tim Johnston
myabsolutedarling
My Absolute Darling by Gabriel Tallent
What books will you be giving to your loved ones this year?
Instead of telling you that – because what if they’re listening – I think everyone should follow Iceland’s terrific tradition of giving books on Christmas Eve.  This is known as the “Christmas Book Flood” or Jolabokaflod (yo-la-bok-a-flot), and Iceland, if you don’t know, has more writers, more books published and more books read than anywhere else in the world.  I think they’re on to something.
Happy holidays!

Emergency Contact – Mary H.K. Choi

Penny Lee can’t wait to get away from her mom, Celeste. Not because she’s overbearing, emergencybut because Penny has always felt like she’s the parent and her mom’s the kid. Sometimes Penny wanted to “shake Celeste until her fillings came loose.” Now it’s time for Penny to go off to college –  University of Texas in Austin, only an hour or so away, but away nonetheless.

Her dorm mate Jude, and Jude’s bestie, Mallory, seem like every mean girl Penny has ever encountered, but like everyone else in Mary H.K. Choi’s debut novel Emergency Contact appearances can be deceiving. Penny isn’t anything like them, she’s like the “tiny Asian girl from the Japanese horror movie The Grudge.” (Penny is, in fact, Korean.) Although her friendship with Jude and Mallory isn’t immediate, it turns out, once she lets them in, they’re tremendous allies.

Then there’s Sam. Sam is related (sort of) to Jude through some complicated family tree consisting of defunct marriages. At twenty-one, he works at a local coffee shop where he cooks scrumptious pastries, and lives in a room overhead. He’s skinny, floppy-haired and tattooed, and Penny is almost immediately smitten when she joins Jude and Mallory  for iced coffees. Sam is “different. Sleek. Brooding and angular.”

A chance encounter one afternoon, causes Sam and Penny to become each other’s emergency contacts,  and thus begins a series of light-hearted, and then increasingly more personal texts. Such is romance in the 21st century, I guess. The thing is, Penny has a boyfriend back home and Sam is still in love with his ex, the obnoxiously self-centered Lorraine. But since Penny and Sam never meet in person and only rarely speak on the phone, they manage to keep their relationship superficial, even if neither of them actually feels that way about each other.

I read my fair share of YA romance, and I have to say that Emergency Contact  is definitely one of the better ones I’ve read. Both Sam and Penny are delightfully drawn. Penny is closed off, but clearly as smart as a whip. Sam, too, has had his problems, and things get more complicated for him as he tries to navigate his feelings for Lorraine and his growing feelings for Penny. The thing about these two people is that they are genuinely nice and Choi doesn’t resort to any ridiculous tactics to keep them apart…or push them together, either. There’s certainly lots of potential for misunderstandings and crossed wires, but the little snags in their journey seem realistic rather than ridiculous.

And even though you know where all this is headed and you’ll want these guys to get together, too, it’s the journey, not the destination.

 

 

The Dutch House – Ann Patchett

dutchI think some authors could write about paint drying and it would be worth reading. Ann Patchett is one of those authors. The Dutch House  is the third book I’ve read by Patchett (Bel Canto, Commonwealth),  and it did not disappoint.

Danny and Maeve grow up in the Dutch House, a gorgeous jewel-box of a house in Elkins Park, a suburb of Philadelphia. The house seems to “float several inches above the hill it sat on.”  Danny and Maeve’s father, Cyril,  had bought the house as a surprise for their mother, Elna, but she didn’t like the house – or so the story goes – and left the family for parts unknown. When the novel opens, Danny and Maeve are 8 and 15 respectively, and being introduced to their father’s ‘friend’, Andrea and her two young daughters Norma and Bright. The arrival of Andrea into their lives changes everything for the siblings.

The Dutch House is not a linear story. It bounces back and forth through time, covering roughly fifty years. Not every writer could manage this sort of narrative as easily as Patchett does. Although the perspective is Danny’s, readers will come to know and love (or hate) many other characters, most notably Maeve, who is the centre of Danny’s world.

She taught me the proper way to hold a fork. She attended my basketball games and knew all my friends and oversaw my homework  and kissed me every morning before we went our separate  ways to school and again at night  before I went to bed regardless of whether or not I wanted to be kissed. She told me repeatedly, relentlessly, that I was kind and smart and fast, that I could be as great a man as I made up my mind to be. She was so good at all that, despite the fact that no one had done it for her.

When Andrea turfs them from their house, their lives are thrown into chaos. They find themselves parking in front of the Dutch House over the years, reminiscing about and redacting their past, never quite able to let go. In some ways, their lives are halted by this connection to a place.

Not much happens in the novel, but at the same time everything happens. Danny and Maeve’s  lives and relationship are the story,  which makes sense, really. As we’re waiting for our own plots to unfold, life is actually happening all around us. The bitter feelings Maeve clings to derail her life, but we don’t really understand that until her mother turns up out of the blue. Or we see what ends up happening to Andrea.

Patchett has written characters you will absolutely come to care about and given them lives which should remind us to care more deeply about our own, and the people we share them with.

Highly recommended.

A Lite Too Bright – Samuel Miller

A Lite Too Bright  is a crazy good debut YA novel by Samuel Miller.  I bought the book alitetoobrightbecause I loved the cover and it had lots of praise from media outlets, not other YA writers (I never trust those, really). I wish that I had read the novel in one or two sittings because it deserves that kind of attention, but I enjoyed the book anyway.

Arthur Louis Pullman III is the grandson of legendary author Arthur Louis Pullman I, whose novel A World Away, is a literary classic and required reading in most high schools, even though Arthur III never got around to finishing it.

Arthur has recently suffered some sort of crisis which requires him to come stay with his Uncle Tim and Aunt Karen in Truckee, “one of those places you go when you’ve thrown in the towel on doing anything extraordinary in your life.”  Arthur’s life has fallen apart, the details of which are only alluded too in visions of him crashing his Camaro into a body of water and feeling himself “floating, untethered by gravity.” Whatever has happened, he’s been removed from the scene of the crime in Palo Alto, perhaps in the hope that he can get himself sorted out.

There’s clearly some family dysfunction. Aunt Karen wants to send him off to some Christian wilderness camp. His father and brother are trying to figure out out to handle what is left of their father’s estate –  which has sustained the brothers but is now beginning to run out.

Arthur Louis Pullman III was something of a literary legend, a sort of Harper Lee-like character who only ever wrote one book, albeit a famous one. At the end of his life, he suffered from Alzheimer’s and he died a week after he disappeared from his home.  A Lite Too Bright follows Arthur I as he attempts to recreate his grandfather’s final week after he discovers what he believes is a clue left specifically for him.

Miller’s novel is an ode to writing, to family, and to living a full and complete life. It’s also a road trip novel, with a complex mystery at its core. Young Arthur is an engaging narrator, desperate to find his grandfather, not in the literal sense, of course, but to understand him, and as he embarks on this journey he discovers that other people are intent on getting close to Pullman Sr., too. As Arthur retraces his grandfather’s last steps, he also comes to terms with his own trauma.

Arthur’s  journey is well worth taking.

The Current – Tim Johnston

the currentI was so excited to get my hands on Tim Johnston’s novel The Current. I gazed longingly at the hardcover every time I went to the book store, but I rarely spring for a hardcover unless they’re on sale. Then one day: paperback. I dropped everything that I was reading to deep dive into it.

I read Johnston’s novel Descent three years ago and I loved it. I often recommend it to others because it is the perfect combination of page-turning-thriller and thoughtful family drama. The Current examines some of the same themes but is, in some ways, even more ambitious.

College students Caroline and Audrey are on their way to Audrey’s hometown in Minnesota. Audrey’s father, former sheriff,  is dying of cancer and Audrey wants to spend some time with him. They are almost there when they have an ‘accident’ and their vehicle is plunged into the icy river. Only Audrey survives. That seems spoiler-y. I know, but that much information is provided for the reader on the back of the book.

As Audrey recovers, her father, Tom,  sets out to discover just what happened to the girls because, well, this wasn’t quite an accident. And this wasn’t the only time the river had claimed a life. Ten years ago, Holly Burke, 19, had turned up dead in the river. Her father, Gordon, shows up at the hospital to remind Audrey’s father about the fact that his daughter’s murder was never solved.

…I just kept asking myself: What would Sheriff Sutter do differently now, if it was his girl instead of that other one who didn’t make it? What would he do for himself that he didn’t do for me?

Holly’s murder has haunted Tom Sutter and as Audrey recovers, it begins to haunt her as well, although she was only a child when Holly was killed. Their stories, though, begin to twine around each other, and many other people are swept along in that current.

Unlike Descent, which is very tightly focused on the Courtland family, The Current, drifts in and out of the lives of other characters, specifically Rachel Young and her sons Mark and Danny. Danny was a prime suspect in Holly’s murder, but there’d never been enough evidence to convict him. Gordon and Rachel had been close, but of course that friendship had ended.

Danny and Mark are characters that will really stay with me. Danny’s whole life is changed by the accusations made against him and even when he returns to visit his mother, the past is always nipping at his heels. Mark is somewhere on the spectrum and is tasked with filling in for his brother when he leaves. I worried about these guys. A lot. That’s saying something since in some ways they are peripheral to Audrey’s story. Still, I loved them.

Johnston is gifted when it comes to characterization. These people seem wholly human: frail and foolish, damaged and determined. The whole town seems stuck, somehow; no one has recovered from Holly’s murder. The novel is filled with moments of heartbreaking kindness, bravery and selflessness. And the town they live in: secrets galore.

And yes, you’ll want to know whodunit, but that’s actually the least interesting part of this masterful book.

If Tim Johnston is not yet on your reading radar, he should be. Highly recommended.