I have a soft spot for books that take place on college campuses. Maybe it’s the nostalgia. Maybe it’s a hangover from Donna Tartt’s masterpiece The Secret History. I don’t know. Laura Kasischke’s novel The Raising ticks a lot of those college campus narrative boxes for me, but I can’t say that it was a thoroughly satisfying read despite the fact that it is well-written and intriguing.
“The scene of the accident was bloodless, and beautiful” is how Kasischke begins this
story of students and faculty on a small (unnamed) campus. The accident in question kills Nicole Werner: beautiful, intelligent, desired-by-all freshman. Her boyfriend, Craig Clements-Rabbitts, was driving the car and he walks away from the accident unharmed, which makes him a sort of campus pariah.
The details of the accident are sketchy. First on the scene is Shelly Lockes. After the accident is reported in the paper, she calls the paper to tell them that the story is “full of inaccuracies […] and although the reporter to whom her call was forwarded assured her that he would “set the record straight on the details of the accident as reported in our paper right away,” no corrections ever appeared.”
Craig returns to college for his sophomore year and moves into an apartment with Perry, his first-year roomie, who also happens to be from Nicole’s hometown, Bad Axe. Everyone on the campus still seems to be shell shocked about Nicole’s death. And then people start seeing her around campus.
Perry decides to take matters into his own hands, seeking out Professor Mira Polson, who teaches a seminar called “Death, Dying and the Undead.” Although her personal life is spinning out of control (two-year-old twins at home; a bitter, unemployed husband) Mira is fascinated with Perry’s story and the two start looking into the rumours.
College is a time for trying to figure out who you are. I remember that, and I remember — almost fondly now — all the mistakes I made on my path to adulthood. In some ways The Raising is this story, the one about how young adults stumble along trying to figure their stuff out, as much as it is a ‘ghost’ story. (And whether it’s even a ghost story is up for debate.)
I was definitely invested in the story. I liked Perry a lot and felt sorry for other characters who had their own dramas (Mira’s flailing marriage; Shelly’s entanglement with a student). Perhaps the reason I wasn’t wholly satisfied is because …well, I was going to say that it’s because the mystery aspect of the story isn’t resolved, but that isn’t true. Maybe it’s just right book, wrong time, because truthfully it has everything I like in a novel.
It’s certainly worth your time.
her. The money she’s saved for a trip to Paris will instead pay for her funeral. She’s already booked cleaners to come in the day after. This is the scenario in Erica M. Chapman’s YA novel Teach Me To Forget.
Emily Chenoweth’s debut novel Hello Goodbye was inspired by the author’s life. Her mother was diagnosed with a brain tumour when Chenoweth was in her first year of college. Instead of writing a memoir, though, the author decided to use her experiences as fodder for a work of fiction because she could “explore the feelings and experiences that I did remember, but I could also craft a story that had a different arc than my own.”
a horrible tragedy. Now he lives with his grandparents who are “Kind people. They didn’t have to take you in. Or did they? Love? Is it love? Charity.”
Seventeen-year-old Eddie and her mother have recently suffered a tremendous loss. Eddie’s father, a once-renowned photographer, has taken his own life and neither of the Reeves women are coping very well. Eddie’s mother drifts, ghost-like, around the house wearing her father’s housecoat being fussed over by her best friend, Beth, who drives Eddie “fucking crazy.” Eddie avoids her house as much as possible, choosing instead to hang with her best friend, Milo.
Oxford. That’s where they meet Severine, the girl next door.
There’s no nuance in Karen Hamilton’s debut novel The Perfect Girlfriend. The narrator, Juliette (aka Lily. aka Elizabeth) is crazy. For reasons. She’s on a mission: to reclaim Nate, the man who dumped her seven months ago, unceremoniously kicking her out of his swanky Richmond (near London) flat.
trying to control the scene, aka control the top (dominant person). That’s exactly what Nora Tibbs is attempting when she pursues a relationship with Michael (referred to as M.) the music professor she’s convinced murdered her younger sister, Franny, in Laura Reese’s novel Topping From Below.
I don’t know how much readers actually care about the awards books win, but Elizabeth Strout’s novel Olive Kitteridge won the Pulitzer in 2009 and the book has been languishing on my tbr shelf since about then. It was June’s #bookspin choice on