Beautiful Ruins – Jess Walter

ruinsBeautiful Ruins was our last book club read before our summer hiatus. It was also the winner of ‘Best book’ or, because we don’t want to hurt anyone’s feelings when we vote, ‘book we enjoyed reading most.’ (Thus, ‘worst’ book becomes ‘book we enjoyed reading least.’) It was a close race between Beautiful Ruins and The Children Act, but Walter’s fantastic novel won out in the end.

I think I am going to have a hard time articulating how I feel about this book because it hit a lot of my sweet spots. First of all, part of the novel is set in Italy and anyone who knows me knows that Italy is my dream place. I’ve been twice and often say that some day I will live there…even if it’s just for a few months. The other part of the novel takes place in Hollywood and, okay, I admit it – I love the movie stars. Just ask anyone who was around during the David Boreanaz days…or go further back…the Robby Benson days. Ask my students how often I work Ryan Gosling into the conversation.

Beautiful Ruins follows the fortunes of Pasquale Tursi in Porto Vergogna, a tiny village near the Cinque Terre region of Italy only “it was smaller, more remote and not as picturesque.”

Port Vergogna was a tight cluster of a dozen old whitewashed houses, an abandoned chapel, and the town’s only commercial interest – the tiny hotel and café owned by Pasquale’s family – all huddled like a herd of a sleeping goats in a crease in the sheer cliffs.

Pasquale has come back to Porto Vergogna to care for his dying mother and the Hotel Adequate View, and it is there he meets actress Dee Moray, who has come, by mistake, to the Adequate View to rest. She is in Italy to make Cleopatra, the notoriously bad film starring Richard Burton and Elizabeth Taylor.

richard and elizabeth

The title’s phony – her job’s all assisting, no developing, and she’s nobody’s chief. She tends Michael’s whims. Answers his calls and e-mails, goes for his sandwiches and coffee.

It is not the life she dreamed of when she gave up her doctoral film studies program to make movies. Now she is on the cusp of leaving her job and going to work as a curator for a private film museum.

If you’re wondering how Walter is going to dovetail these two eras, all I can say is “masterfully.” We flip back to 1960’s Italy and recent-day Hollywood and neither story (or character) gets short-shrift. In fact Claire and Pasquale aren’t the only characters who populate this story – even minor characters are fully realized including Pasquale’s elderly aunt Valeria (who provides comic relief), Shane (a screenwriter who comes to Hollywood to pitch the story of cowboy cannibals), Alvis (the failed American writer who comes to Porto Vergogna once a year to work on his novel) and even Daryl, Claire’s hunky porn-addicted boyfriend. Even Michael Deane, slimy as he is, is fun to spend time with.

And what are these Beautiful Ruins? Well, I think that’s probably the reason everyone and their dog was praising this book when it came out in 2012. This is a great story – funny and heartbreaking in equal measure – about big ideas. The people that you meet and the choices that you make are at the very center of this book. But as Alvis says to Dee, “No one gets to tell you what your life means.”

I loved this book so much.

Highly recommended.

Sharp Objects – Gillian Flynn

sharpMy son Connor recently purchased Sharp Objects and zipped through it in a couple days. I had the same reading experience and now I’ve read all three of Flynn’s novels. Of the three I liked Dark Places the best, though I know Flynn is most well-known known for Gone Girl. One thing I can say for sure, she sure does like damaged female protagonists.

Camille Preaker is a reporter for a third-rate Chicago paper, the Daily Post. Mostly she covers “slice-of-life” pieces, stuff her curmudgeonly editor Frank Curry hates. Then, when a young girl goes missing in Camille’s home town, Wind Gap, Missouri, Curry suggests Camille head home and see what’s the what. Camille isn’t all that fussy about going back to Wind Gap, a town she describes as “one of those crummy little towns prone to misery,” but she can’t say no to Curry, a man whose always looked out for and believed in her.

Wind Gap truly is a backwater, though, and it’s been eight years since Camille has visited. Her mother, Adora, and step-father, Alan, still live there. So does, Amma, her half-sister who is just thirteen. Then there’s the ghost of Marian, Camille’s baby sister who died many years ago.  Camille’s arrival back at the family home, “an elaborate Victorian replete with a widow’s walk, a wraparound veranda, a summer porch jutting toward the back, and a cupola arrowing out of the top” is fraught with polite tension. When Camille rings the doorbell and her mother answers, Adora actually asks if everything okay and “didn’t offer a hug at all.”

Small towns don’t change and secrets are hard to keep, but as Camille works the few connections she has in Wind Gap, another girl goes missing and Camille struggles to keep her equilibrium. Wind Gap, it seems, is filled with old ghosts, ghosts she has worked extra hard (including a stint in a psychiatric hospital) to keep at bay.

Camille is not dissimilar to the main character in Dark Places, Libby. Both are women with troubled pasts. Both are prickly and anti-social. Both are smart and resilient.  I think, ultimately, I liked the mystery in Dark Places better than the one in Sharp Objects but if you are looking for a well-written psychological page-turner, Flynn won’t disappoint, no matter which book you read.

Roomies by Sara Zarr & Tara Altebrando

roomiesMaybe it’s because my daughter is graduating from high school in a few weeks and heading off to university or maybe it’s because, just lately, I have been feeling unsettled and nostalgic, but whatever the reason: I LOVED Roomies. Co-written by Sara Zarr (Story of a Girl) and Tara Altebrando, Roomies‘ narrative is comprised of the back and forth e-mail communication between Elizabeth (EB) and Lauren (Lo), who have been assigned a room together at UC Berkley, as well as their first person narrative of events during that pivotal summer between high school and what comes next.

EB lives with her single mother in a condo on the Jersey Shore (but she doesn’t sound like a character from the reality show of the same name.) Her first e-mail to Lauren is a rant of epic proportions: she’s just had a fight with her mother and she’s already counting the days until she can leave the nest and fly across country.

Lauren has five younger siblings. They are so much younger, in fact, that she’s more like another mother than an older sister. She loves her family, but she has been dreaming about a single room for a while and so the first note from EB comes as something of a disappointment. She imagines writing a reply to EB that says:

I requested a single. All I’ve wanted for the last decade is a room of my own. Some privacy. A place to be alone with my thoughts where they are not constantly interrupted by someone else making some kind of racket, or even just someone else just quietly trying to exist in the same space as me…A “roomie” is really not what I had in mind. Really not what I had in mind at all.

Of course, this is not the note Lauren sends. Her actual reply is much less personal and honest. Nevertheless, despite the awkward beginning, the email exchange between EB and Lauren slowly morphs into something special as each girl tries to navigate that tricky period between “childhood” and “adulthood”.

I remember that summer between high school and university as a very transitional time. I wasn’t actually going away to school; my parents couldn’t afford it. Most of my best friends did go away, though. And so did the boy I fell in love with that summer. I wanted to be someone different – desperately. (Funny, that – almost forty years later, I still often want to be someone different.) Zarr and Altebrando capture that yearning ache so perfectly that I felt myself magically transported back to that long ago summer. Everything was funnier or sadder or profoundly important then.

When you go off to university (which I did the following year) you get to reinvent yourself. The person you were in high school can be magically shed like an old skin; there is no one around who “knew you when” and there’s something pretty amazing (albeit terrifying) in that. But there is also something pretty amazing about being with the people who have known you through all those formative years – people who know your flaws and love you anyway.  I appreciated the way Zarr and Altebrando handled those high school relationships – the push and pull that comes from preparing to make the break and also desperately holding on to something that is important.

Lauren writes:  “There’s this party on Saturday with kids from our high school and she (Lauren’s best friend, Zoe) wants to go and wants me to go with her. I don’t know. I just feel like high school is over…”

EB writes: “Lately my friends don’t talk about anything I find interesting. I’m not sure when that started.”

Over the course of the summer, the correspondence between EB and Lauren becomes more personal as they share details about their last summer at home. I loved each girl’s voice and story. I loved the secondary characters: parents and boyfriends. I loved how EB in particular comes to a deeper understanding of her mother. Perhaps some day my own daughter will understand me a little bit better, too.

Although I would love to follow EB and Lauren through their first year as roomies, I am glad that Zarr and Altebrando decided to end their story where they did. I haven’t read a YA book I have loved as much as this one in a long time.

As my daughter prepares to embark on her own journey I am both elated and terrified. I hope she makes friends like EB and Lauren. I hope she becomes the person she wants to be.

Highly recommended.

Pushing the Limits – Katie McGarry

pushingThe only limit Katie McGarry’s YA novel Pushing the Limits pushed was my patience. It took me forever to get through this brick of a novel which was, by my estimation, about 200 pages too long. And it pains me to say this because if there’s one thing I love it’s a bad boy/good girl.

Pushing the Limits is told in the alternating voices of high school seniors Noah and Echo (and oh, how her name grated). We meet them (separately) in the office of Mrs Collins, “Eastwood High’s new clinical social worker.” We meet Echo first. She’s in the office with her father and pregnant stepmother (slash former babysitter, that’s right, the dad married the babysitter). She’s there because “after the incident, Child Protective Services had “strongly encouraged” therapy.” Echo is reluctant to talk and desperate to know more about “the incident”, an event that left her with horrible scars on her arms.

Noah doesn’t want to spend any time with Mrs. Collins, either. “Look,” he tells her at their first meeting, “I already have a social worker and she’s enough of a pain in my ass. Tell your bosses you don’t need to waste your time on me.” Of course, Mrs. Collins sees straight through the tough-guy façade to the cream puff that lives underneath. No question, Noah is a “bad boy” but he’s been dealt a crap hand: his parents were killed in a house fire and his two younger brothers are in foster care, but not in the same foster home as he is. He’s barely allowed to see them because of his “anger” issues.

Mrs. Collins figures that Echo and Noah would make good study partners and it doesn’t take long before the two of them are concentrating more on each other than on calculus.

And seriously, this exchange (before they are even ‘dating’) just made me cringe:

I smacked my lips like a cartoon character and bit into the succulent burger. When the juicy meat touched my tongue, I closed my eyes and moaned.

“I thought girls only looked like that when they orgasmed.”

Trust me, there’s more where that came from.

I can’t quite decide why Pushing the Limits didn’t work for me.  I started to get irritated by the number of times Noah called Echo “baby” or reminded me of her silken red curls and cinnamon smell. The central mystery (if you can even call it that) of what happened to Echo is revealed ever…so…slowly and when the truth finally makes its way into the light, it’s a bit of a bummer. There was something shrill about these characters and the way they fumbled through their story towards their happily ever after.

Aristotle and Dante Discover the Secrets of the Universe – Benjamin Alire Sáenz

aristotle_and_dante Aristotle (Ari for short) is a 15-year-old Mexican American living in Texas in 1987. He’s bored and miserable and pretty much hates his life.

Dante is also 15, and also Mexican-American, but he’s “funny and focused and fierce.” Ari says “there wasn’t anything mean about him. I didn’t understand how you could live in a mean world and not have any of that meanness rub off on you. How could a guy live without some meanness?”

Aristotle and Dante meet at the local pool where Dante offers to teach Ari how to swim. “All that summer, we swam and read comics and read books and argued about them.” It’s the beginning of beautiful friendship, something that Ari seems to desperately need.

Feeling sorry for myself was an art. I think a part of me liked doing that. Maybe it had something to do with my birth order. You know, I think that was part of it. I didn’t like the fact that I was a pseudo only child. I didn’t know how else to think of myself. I was an only child without actually being one. That sucked.

Ari has older twin sisters and an older brother who is in prison. He was born after his father returned from serving in Vietnam.

Sometimes I think my father has all these scars. On his heart. In his head. All over. It’s not such an easy thing to be the son of a man who’s been to war.

Aristotle and Dante Discover the Secrets of the Universe is a coming of age story. It’s a story about fathers and sons and mothers and sons. It’s about sacrifice and loyalty. It’s a story about friendship.

I wanted to tell them that I’d never had a friend, not ever, not a real one. Until Dante. I wanted to tell them that I never knew that people like Dante existed in the world, people who looked at the stars, and knew the mysteries of water, and knew enough to know that birds belonged to the heavens and weren’t meant to be shot down from their graceful flights by mean and stupid boys. I wanted to tell them that he had changed my life and that I would never be the same, not ever. And that somehow it felt like it was Dante who had saved my life and not the other way around. I wanted to tell them that he was the first human being aside from my mother who had ever made me want to talk about the things that scared me. I wanted to tell them so many things and yet I didn’t have the words. So I just stupidly repeated myself. “Dante’s my friend.

It’s a love story.

I was the age of these characters somewhere around 1976. I didn’t know anyone who was gay. Okay, looking back – of course I did, but we didn’t talk about it. It wasn’t acknowledged. As far as I know, they weren’t out. I am profoundly grateful as a teacher and a parent, just as a human being, that books like this exist. Alire Sáenz has written a story about boys who are smart and fragile and flawed. I admit it – I got teary a few times reading this book.

What are the secrets of the universe? As Ari discovers “we all fight our own private wars.”

This is a beautiful book and I highly recommend it.

Bird Box – Josh Malerman

birdboxIt seemed like everyone was talking about Josh Malerman’s debut novel, Bird Box, but it was still a surprise when it was chosen as our April read for book club. In the 15 years we’ve been together we’ve never read anything even resembling a horror story. I was really looking forward to this one because I love a scary book.

Malorie lives alone in a house in a Detroit suburb with two children she calls Boy and Girl. The house used to be nice but now she notices the “rusted utensils and cracked dishes. The cardboard box used as a garbage can. The chairs, some held together by twine.” Clearly, it’s not situation normal and Malorie’s musings allude to “older stains,”  for which there are “no chemicals in the house to help clean.”

Malerman doesn’t waste any time with preamble. That’s probably a good thing because Bird Box relies on a heavy dose of the unknown to make it tick. Something has happened to the world. The “Internet has blown up with a story people are calling ‘the Russia Report.'” People are behaving monstrously, attacking strangers and family members in gruesome ways (a mother buries her children alive) before ending their own lives. It’s a “the whole world’s going crazy” scenario, but it spreads from Russia to North America (and who knows where else) like wildfire. The only way to prevent doing harm to others and yourself is to prevent yourself from seeing whatever is out there. People hole up in their houses, windows covered, and if they must venture outside, they wear a blindfold.

Bird Box bounces between Malorie’s perilous journey down the river in a boat (she’s heard that there is a safe community and after four years alone, she longs for something more for herself and her children who she laments “have never seen the sky. Have never looked out a window.” ) and her time in the house with a group of strangers she discovered through an advertisement in the paper.

I can’t say I was fussy about the beginning or the ending of Bird Box, but I was seriously creeped out in the middle. There’s a scene when members of the house have to go out into the backyard to get water from the well. They have to be blindfolded, of course, and a rope is tied around their waist. The person whose job it is to go to the well must make the journey three times. On this occasion, it’s Felix’s turn. On the third and final trip from the house to the well he hears a sound.

But now he can tell where it is coming from.

It is coming from inside the well.

He releases the crank and steps back. The bucket falls, crashing against the stone, before splashing below.

Something moved. Something moved in the water.

It’s moments like these when Bird Box is at its best. Like Malerman’s characters, we are blind and we realize that the scariest thing in the world is what we can’t see.

 

 

 

Monument 14: Sky on Fire – Emmy Laybourne

monumentskyOkay, Ms. Laybourne, you should totally take it as a compliment that I bought the second book in your Monument 14 series before I had even finished the first book. And then, without delay, I read the second book. Geesh, I haven’t even read Catching Fire yet. I should also point out that I don’t traditionally like post apocalyptic  fiction and sequels almost always irritate me. (Patrick Ness, you are totally excluded from this; you know how much I loved The Knife of Never Letting Go and the other books in the Chaos Walking trilogy.)

That said, I read Monument 14  in one breathless gulp and I read Sky on Fire just as quickly. I mean, come on, I couldn’t NOT find out what happened. But it’s going to be difficult to talk about any of it because – hello, spoilers.

Let’s just say this.

Dean goes from zero (he’s not really a zero, he just doesn’t have any confidence) to hero. His little brother, Alex, continues to act far older than his years. Niko is braver than any sixteen-year-old should have to be. Astrid turns out to be a lot more than a pretty face.  Oh, yeah, and the world has gone to hell in a hand basket.

The world outside the Greenway proves to be a lot more dangerous than any of the kids imagined and their mettle is tested on more than one occasion. Often the dangers aren’t environmental and there are plenty of creepy encounters with people who prove to be willing to kill to get what they want.

Kids in peril. A toxic wasteland. Crazy people on the loose. What’s not to love? And because Laybourne wisely decides to leave the confines of the Greenway, the reader gets to follow one group of kids as they try to make their way to the Denver Airport (and potential help) and one group who decides to stay in the superstore (and hope help finds them). It’s all pretty exciting stuff.

Okay, but then….the ending. (Which is not an ending because there’s a third book, Savage Drift) Can’t say I was a fan for a whole variety of reasons. Still, my issues are minor and even though I wasn’t as in love with Sky on Fire, I am totally in love with these kids and I will no doubt be joining them on the next leg of their journey.

Monument 14 – Emmy Laybourne

monumentEmmy Laybourne doesn’t waste any time dumping her characters (or the reader) into the middle of it in her post-apocalyptic YA novel, Monument 14. Sixteen-year-old Dean and his thirteen-year-old brother, Alex are going to miss their respective school buses and they’re so frantic not to be late, they don’t even bother  to “stop and hug [their mother] and tell her [they] love her.” Of course, neither of them realizes that it might be the last time they will ever see their mother.

Dean’s ride to school is pretty much the same every day. He hopes that Jake, the high school football captain, and Braydon, the school bully, won’t notice him and he hopes, Astrid, Jake’s girlfriend, champion diver, scornful goddess, and girl of Dean’s dreams, will.  As he slinks down in his seat, Dean tunes into his minitab (I’m thinking like an iPod shuffle) and tries to make himself as inconspicuous as possible.

That’s when things go from the ordinary to the extraordinary. It starts to hail. Hard.

…suddenly the roof of the bus started denting – BAM, BAM, BAM – and a cobweb crack spread over the windshield. …Hail in all different sizes from little to that-can’t-be-hail was pelting the street.

Dean’s bus ends up on its side. He can see that his brother’s bus is still going and in fact the driver, Mrs. Woolly, has smashed right through the entrance of Greenway, a huge superstore. Dean is relieved that his brother is safe, but he’s also aware that things aren’t so good on his bus. His driver, Mr. Reed, “was pinned behind the wheel and blood was spilling out of his head like milk out of a carton.”

The students on Dean’s bus make it into the Greenway. In total, there are fourteen students who take shelter there, some as young as five. Mrs. Wooly sets out to find help, leaving the kids to fend for themselves, which they do by barricading themselves into the superstore.

At first it seems like fun. Astrid used to work in the superstore’s pizza place and she knows how to use the equipment. The kids can have any flavor of slushie they want. Then they watch the news. Seems like the hailstorm in Monument, Colorado is actually just a byproduct of a much more serious natural event. And to make matters worse, that event had caused a problem at the nearby NORAD facility which has leaked toxic chemical warfare compounds into the atmosphere. Scary things can happen if you breathe in the air.

Monument 14 steams along without wasting too much time. I don’t mean to imply that you don’t get to know or care for the characters, you do, but Laybourne doesn’t let the prose slow down the plot. This novel is driven by the kids’ and their need to survive. They’ve got it slightly easier than most, as they have supplies at their disposal – but they are also just kids. They are cut off from the outside world with no real idea what is going on or what has happened to their parents.

I couldn’t put the book down and I started the sequel, Monument 14: Sky on Fire  this morning.

The Watcher – James Howe

watcherThe Watcher was published in 1999 to much critical acclaim. James Howe is the well-known author of the over 90 juvenile and YA books including Bunnicula and The Misfits series. ( I read Totally Joe and was a big fan.)

There are three main characters in The Watcher: Chris, the golden-boy lifeguard, Evan, the fourteen-year-old on vacation with his younger sister and parents, and the girl who sits at the top of the steps leading down to the beach, watching.

The truth is, though, that they are all watching each other. For example, Chris notes that “he didn’t know how he knew she was watching only him and not them. He could just feel it.” She’s watching him; he’s watching her.  Evan thought Chris was “the coolest guy on the beach” and secretly wished he could be just like him. The girl watched the families, “not pieces of families with only a mother or a nanny, but what she thought of as complete families with two parents and at least two children, preferably a girl and a boy.”

All three of these characters are on Fire Island, a popular beach resort near New York City. There is no reason to think they will ever cross paths, but they eventually do.

Howe is a straightforward wordsmith, and he creates compelling back stories for Chris and Evan. We know that Chris is at a crossroads, unsure of what to do now that he has graduated from high school. He feels the weight of his parents’ expectations, although we don’t understand exactly how much pressure he feels until much later in the book. As for Evan, he adores his little sister Callie and is doing his best to be a good big brother because he senses that there are things going on behind the scenes which might spell the end of his happy family.

As for the girl, we know nothing at all about her except that as she sits on the steps surveying the beach. She is imagining a much different life for herself, one where she is a princess who has been separated from her true family.

I read The Watcher in one sitting. I can only imagine that when it was first published it would have caused quite a sensation. It’s easy to see why. Each of these characters is called upon to do something brave and Howe handles their stories without sensationalism or preaching. Young readers would certainly recognize themselves in these pages.

Leftovers – Laura Wiess

leftovers-coverBy the time you hit fifteen, there are certain survival lessons you’d better have learned.

That’s the world-weary voice of Blair Brost. She’s one of the two teenage narrators of Laura Wiess’s compelling YA novel, Leftovers. Blair’s co-narrator is Ardith. Although they are fifteen when they begin to tell their story, Ardith says they must “go back to eighth grade, which is when it all began.”

Blair is an only child. Her parents are lawyers; her mother is particularly ambitious and when she makes partner “she decides it’s time to buy  one of the big new, McMansions across town.” Blair isn’t interested in moving. She also doesn’t understand why her dog, Wendy, isn’t allowed to come. The dog is old and incontinent and Mrs. Brost says they’ve found her a new home, which isn’t exactly true.

Ardith lives with her alcoholic parents and older brother, a good-looking, charming snake.

You call your parents Connie and Gil, because they hate the heavy tags of Mom and Dad, and buy baggy, boring clothing so your mother won’t borrow them. Your hair is short because the guys like it long…

Blair and Ardith are trying to navigate the slippery terrain between childhood and adulthood and they don’t really have any positive role models. In fact, the only adult who takes any real interest in them is Officer Dave Finderne, a cop who finds them wandering home after a night at the pool.

Leftovers has elements of suspense. There are questions that need to be answered and readers will turn the pages quickly to find them. But this novel also cracks open the lives of adolescent girls, where the only way to survive is to know the rules:

Never bow before your tormentors.

Never let them know you’re vulnerable, especially when you are.

Never trust someone else to protect you, and never forget that every choice you make is on you.

Ardith and Blair are compelling narrators and their story is both heart-breaking and authentic. As both a mom and a high school teacher, I found Leftovers difficult to read (I just wanted to bring these girls home with me), but I think it has important things to say and it says them beautifully.

Highly recommended.