Malibu Rising – Taylor Jenkins Reid

Oh dear.

I loved Daisy Jones and the Six. Loved loved it. I was convinced that Taylor Jenkins Reid and I were going to be book besties. Then I bought One True Loves. Okay, I thought, well that was one of her earlier titles – a book she wrote way before the juggernaut success of Daisy Jones. Malibu Rising came after Daisy Jones and so it was bound to offer up the same sort of fast-paced, character-driven narrative right?

Right?

The Riva siblings, Nina, Jay, Hud and Kit, come from Hollywood royalty. Their father is Mick Riva – who makes an appearance in Daisy Jones – a superstar musician. He’s also a philandering dead-beat, who leaves his wife, June, when she is pregnant for Kit. I mean, I guess he’s charming in the beginning, which is why June – a young girl who works at her parent’s Malibu take-out falls for him. But his pretty promises don’t amount to much and June turns to alcohol to numb the pain.

It’s Nina, the eldest Riva child, who steps in when her mother can no longer keep it together. It’s because of her that her younger siblings are successful. Then, someone sees her surfing and she’s so beautiful she gets some sort of contract and suddenly she’s everyone’s poster-girl. That’s how she ends up married to tennis pro Brandon Randall. One year later, she’s been dumped.

The action of Malibu Rising takes place over the course of one day – the biggest day of the year: the Riva’s annual party. If you know where it is, you’re invited. But simmering beneath all the party excitement are all these secrets and resentments and lost dreams, and you best be sure those things are all going to come to the surface and burn that fucker to the ground. Literally and figuratively because as metaphors go, the fire in this book is not subtle.

Through flashbacks, Reid unspools June and Mick’s romance and marriage and Mick’s rise to fame. We watch June’s disintegration when Mick leaves her, her renewed hope when he returns. Then, of course, he leaves her again. We learn about the children, their unbreakable bond, their surfing prowess (because that’s what you do at Malibu, you surf, right?) We learn about Nina’s struggle to keep it together, the sacrifices she makes. Her quick-fire romance. Her separation. All of this in an effort to help us understand – I dunno – the familial bonds that nothing can break?

This book is long. Like almost 400 pages long. And I didn’t give a hoot about a single character. Early on, when it was June and Mick’s story I was, like, okay. This isn’t what I thought it was going to be, but it’s readable. But like with One True Loves, Malibu Rising is all tell. And all the tell is supposed to get us to the big, I dunno, party? So that when it all comes to a head we’re going to actually care. Yeah, no.

Suddenly we’re introduced to all these new characters, who have had sweet FA to do with the Riva story: best friends out of the wood work, actors (some made up, some real names air dropped in) who show up for colour, I guess. The woman Brandon ran off with, Carrie Soto (who is apparently getting a book of her own), makes a crazy appearance on the Riva lawn, someone who might be a sibling arrives, there’s models and producers and the people who work at the family diner. It’s chaos. Cocaine is passed around like hor d’oeuvres, gun shots are fired, plates are being thrown like frisbees and people are literally swinging on chandeliers.

And what are the Riva children doing? Why, they’re down on the beach with Papa Riva, whom they haven’t seen or heard from in years, having a “come to Jesus” share session.

It’s, frankly, ridiculous.

I would say thus ends my short-lived love affair with Reid, but apparently The Seven Husbands of Evelyn Hugo is worth the read, so I may bite the bullet and give it a go.

This book, however, was a colossal waste of my precious reading time.

Our Chemical Hearts – Krystal Sutherland

“I always thought the moment you met the great love of your life would be more like the movies,” Henry Page, the protagonist of Krystal Sutherland’s YA novel Our Chemical Hearts announces. Henry, a high school senior, is a romantic at heart and when he imagines falling in love, it’s not with someone like Grace Town, the new girl at school. Grace wears boy’s clothes, walks with a cane and seems neither clean nor healthy.

When Henry and Grace are picked to co-edit the school’s newspaper and are forced to spend time together, Henry finds himself drawn to Grace’s quirks because he has some of his own. Then he discovers that before moving the Henry’s town and school, Grace was “a girl in a red dress with red lipstick and loose curls in her honey-blond hair. She was smiling brilliantly…” Henry wants to know more and the more he knows the more he falls, until Grace’s secret is revealed and his life implodes.

Our Chemical Hearts is not a fluffy YA romance. It deals with some serious real-life issues and treats its characters like the almost-adults that they are. Henry, for example, has long admired the “perfect” relationship his parents have and yearns for the same sort of fairy-tale love. It’s not until his much older sister, Sadie, shares some things about his family that he may not know that he starts to understand that relationships, and the people who inhabit them, are complicated.

Grace is truly messed up. She starts to reveal herself, bit by bit, to Henry and his optimism is the seemingly perfect antidote to her pessimism – the ying to his yang.

…tell me you believe that our lives are anything more than a ridiculous cascade of random chances. A cloud of dust and gas forms our planet, a chemical reaction creates life, and then all of our cavemen ancestors live long enough to bone each other before they die awful deaths. The universe is not the magical place people like to paint it as. It’s excruciatingly beautiful, but there’s no magic there, just science.

Ouch.

Henry and Grace bond over music, literature, even their co-editing gig provides them with common ground, and their story is as true a depiction of a high school romance as you’re likely to find.

Highly recommended.

The Kiss Quotient – Helen Hoang

Stella Lane is a task-oriented, intelligent, wealthy single 30-year-old. If it weren’t for her mother badgering her about settling down, Stella might have been content to focus on her career as an econometrician. (Yeah, I’d never heard of it either. It’s a person who uses “statistics and calculus to model economic systems.”) Stella has had exactly three sexual encounters in her life, each more disappointing than the last.

Her latest sexual experience had been with one of her mother’s blind dates. He’d been good looking – she had to give him that – but his sense of humor had confused her. […] When he straight-out asked her if she wanted to have sex with him, she’d been caught completely off guard. Because she hated to say no, she’d said yes. There’d been kissing, which she didn’t enjoy. He’d tasted like the lamb he’d had for dinner. She didn’t like lamb.

Stella figures she needs practice in the sex department, and so she hires an escort, Michael Phan, a Vietnamese-Swedish hunk, to teach her the ropes – so to speak. For Stella, Michael is “by far the finest male specimen she’d ever laid eyes on.” For Michael, Stella is quite unlike anyone he’s ever met.

The hook for Helen Hoang’s The Kiss Quotient is that Stella is on the autism spectrum. She doesn’t like loud noises, strong scents, any disruption to the routine that makes her feel safe. She says what she thinks and has trouble reading social cues. Career-wise, she’s respected and successful, but as she tells Michael on their first date “I’m awful at…what you do. But I want to get better. I think I can get better if someone would teach me.”

I doubt you will ever meet two characters as sweet and wholesome as Stella and Michael and yet the sex in this book is on the face-fanning steamy side. Turns out, Michael is extremely good at his job, but more than that, he genuinely likes Stella and as their relationship morphs from a pay-for-sex gig into friendship things start to get complicated for the both of them. Suddenly, Michael is taking Stella home to meet his family and revealing his private life in a way that is very unprofessional. I’m not sure the complication at the end was necessary (after all, everyone and their dog could see these two were CRAZY for each other) but it hardly matters because at that point you’ll be all-in.

The Kiss Quotient is smut with two delightful central characters and if that’s your thing, enjoy.

You Will Know Me – Megan Abbott

Eric and Katie Knox know their daughter is special and so they spend all their energy on helping her achieve her (their) dreams of Olympic gold. That’s the premise of Megan Abbott’s 2016 novel You Will Know Me. This is my third novel by Abbott (Dare Me, The End of Everything), but I can’t say that I liked it all that much, although it was on everyone’s Best Book list when it was published.

There is nothing Devon’s parent’s won’t do for her: get a second mortgage on their house, rack up debt on their credit cards, neglect her younger brother Drew. All of this and more in an effort to fulfill Devon’s gymnastic promise.

Just after her tenth birthday, Devon’s coach, Coach T, shows her parents “The Track, which lays out the next few years of Devon’s life on her way to the Olympics. But, as Coach T tells the Knoxes, “It takes a family to make this happen. And it takes action. Devon needs to be here at least thirty hours a week, maybe more.”

The whole trajectory is remarkable since a childhood accident had left Devon with two missing toes, her foot now referred to affectionately as the Frankenfoot. Devon is as determined as her parents, though, and nothing stands in her way. That’s not something I can relate to, really. Neither of my children were ever involved in competitive sports. The closest I ever came was my daughter’s commitment to ballet; she danced 12 hours a week, sometimes more and perhaps at one time thought about pursuing it more seriously. I do understand that desire to support a child’s dreams; however, these parents are single-minded.

When someone with ties to the gym is killed, Katie’s world starts to implode. She discovers that the people closest to her have been keeping secrets and she understands that her capacity to prevent anyone from getting in Devon’s way is full-on mama bear. So, I guess, You Will Know Me is meant to be, among other things, a thriller. Except – not so much with the thrilling.

I just didn’t like or care about any of these people. Everyone just seems so single-minded and shrill and, frankly, Eric and Katie are bad parents. Poor little Drew. He’s an after thought at all times.

Just meh for me.

Saint X – Alexis Schaitkin

When the Thomas family, eighteen-year-old Alison and her seven-year-old sister, Claire, visit Saint X with their parents, they have no idea how this Caribbean holiday will irrevocably alter their lives. On the last night of their vacation, Alison disappears, and then turns up dead on a nearby cay.

This event sets Alexis Schaitkin’s debut novel Saint X in motion.

Looking back, the things I remember most clearly from the days after Alison went missing and before she was found are strangely inconsequential. For example, I remember the hunger I experienced on that first day when my parents forgot about breakfast and lunch, and how I felt sorry for myself in that banal way any child feels sorry for herself when she finds herself overlooked in a flurry of attention devoted to her older sibling.

Although Clive and Edwin, two men who work on the resort, are questioned about Alison’s disappearance, they are never charged and the circumstances of Alison’s death remain a mystery. Many years later, Alison is working at a publishing house in NYC when she gets into a cab driven by Clive and that chance encounter sends her spiraling into the past, desperate to connect to the sister she didn’t really know.

While not a thriller, Saint X does read like one in many ways. Alison contrives a way to meet up with Clive again and then essentially starts stalking him until she orchestrates yet another chance encounter. She is convinced Clive can answer all her questions about Alison. Her obsession with her sister’s death and with Clive himself takes over her life. She cuts herself off from her friends, loses focus at work and spends her time listening to the audio diaries her sister kept as a teenager.

Schaitkin layers Claire’s journey with Clive’s story – one of abandonment and longing. We learn of his early life on Saint X, and his childhood friendship with Edwin, who grows into a gregarious man who knows how to flatter the tourists at the resort and make double the amount in tips. We see Alison through Clive’s eyes, a skewed portrait of a teenager on the cusp of understanding her tremendous power.

While the novel is certainly about Claire’s quest for understanding, this is also a book about privilege, fate, grief and family. When Clive finally reveals what he knows (or doesn’t know) about Alison, Claire realizes that the details “had very little to do with me.” That’s one of the brilliant observations in Schaitkin’s novel. You can’t possibly know everyone’s story – not even the people closest to you.

This is a beautifully written book, one to savor, and I highly recommend it.

Consent – Nancy Ohlin

When Nancy Ohlin’s YA novel Consent opens, seventeen-year-old Bea is in an interrogation room at the local police station. Her goal is to “Stay as close to the truth as possible.”

The truth is a grey area, though.

Bea and her best friend Plum attend Andrew Jackson High School, a “Campus for Baccalaureate and Performing Arts”. The two girls are over-achievers with “the two highest GPAs in school.” They have their lives mapped out: graduation and then Harvard. That is, until Bea meets Dane Rossi, the new AP Music History teacher.

Mr. Rossi turns from the blackboard and scans the class. Oh my Godi, he’s cute. Chiseled features and sexy stubble…Are teachers allowed to be that good looking?

Mr. Rossi is more than cute, though. He sees Bea, and recognizes her talent, a talent she has kept hidden from everyone. For reasons. He encourages her to join two other students in an ensemble; he hooks her up with an audition at Julliard; he deflowers her. Because, of course he does.

Consent is problematic, but not for the reasons that you might think. Yes – it’s all sorts of wrong that a teacher enters into a sexual relationship with a student, but it’s more the way that. None of the characters feel fully fleshed out. Bea’s father, a lawyer, is basically absent – until he isn’t. Her older brother is a non-entity. Dane is too good to be true, and their insta-attraction to each other just doesn’t seem realistic. Before you can Schumann they are planning their lives together. Just, y’know, after she turns eighteen. When they get caught, Bea convinces Plum and another boy to lie for her.

It was easy to read, but I never truly felt invested in these characters. It was hard to see Bea as a victim or Dane as a predator and although there was certainly potential for something a bit more dramatic, it never really happened.

Breathless – Jennifer Niven

Oh, young love.

Jennifer Niven’s (All the Bright Places ) novel Breathless took me back, way back, to a very particular time in my life. You know, that time when you fall in love and you’re filled with both dread and delight.

Claudine Henry’s life is pretty sweet. She lives with her mother (an acclaimed writer) and her father (works at the local college) in small-town Ohio. She and her best friend, Saz, are about to graduate from high school and embark on a post-graduation road-trip before they head off to their respective colleges. Then her father drops a bombshell: “…your mom and I are separating, and she asked me to tell you because it’s not her idea; it’s my idea.”

Claude is devastated by the news, and it upends her plans and her life. Instead of heading off with Saz, she and her mother make their way to an island off the coast of Georgia. The island has ties to their family and Claude’s mom is going to use the time to do some research and some writing. Claude is going to spend her time being miserable.

That is until she meets Jeremiah Crew. He has a “resting wiseass face” and an easy charm that is almost irresistible. The island is small and it’s impossible for Miah and Claude to avoid each other and it’s clear pretty ear they don’t want to anyway. He’s always around, barefoot and ready with some witty or caustic remark. I think I fell in love with him almost as quickly as Claude did.

As Miah and Claude start to spend more time together, Claude also starts to come to terms with her own life. Being away from Saz (there’s limited WiFi/cell service on the island) causes some tension, and miscommunication. And how is she supposed to navigate this new family dynamic? Her father was her person, the parent she shared morning rituals with, her protector, and now she doesn’t know who he is or how she’s supposed to feel about him. We forget at that age, that our parents are just trying to figure it out, too. Sometimes we get caught up in our own feelings and we forget that our parents have their own stuff to get through. Both Claude’s parents seemed like real people – which is often not the case in YA fiction. I loved Claude’s coming-of-age journey.

Ultimately, though, this is Claude and Miah’s story – and it is swoon worthy. They are eighteen, so this is slightly more NA than YA (and while the sex scenes aren’t particularly graphic, there are some in the book). Their banter is ::chef’s kiss:: awesome. I loved Miah so much.

“Here’s the thing,” Miah tells Claude. “I don’t want you getting too crazy about me, because I’m only here for the next few weeks.”

Trust me, resistance is futile.

Migrations – Charlotte McConaghy

In the not-too-distant-future Charlotte McConaghy imagines in her novel Migrations, “The animals are dying. Soon we will be all alone.”

When the novel opens, Franny Stone is in Greenland tagging Arctic terns. Now she needs a way to follow them. Enter Ennis Malone, captain of the fishing vessel Saghani. Franny just needs a way to convince him to let her come along. She tells him that the terns will lead him to the fish; all they have to do is follow them, and they can do that because of her electronic tags. This is a big deal because fish are scarce, but it’s a risk for Ennis because the birds are likely going further south than he normally sails and Franny has zero experience on a boat.

Franny is an enigma. Born in Australia to an Irish mother, Franny spends the first ten years of her life in Galway before her mother disappears and she is sent back to Australia to live with her paternal grandmother. Her father’s whereabouts are unknown. She spends much of her young adulthood trying to figure out what happened to her mother.

Then she meets Niall, a lecturer at the National University of Ireland, where Franny works as a cleaner.

My heart is beating too fast and I will myself to be calm, to breathe more slowly, to really take this in. To savor it and remember every detail because too soon I will be gone from the circle of his perfect words.

Their attraction is immediate and deep, and while Franny is on the Saghani, she writes letters to Niall to tell him of her progress. He is, she knows, as invested in her results as she is.

There is a lot going on in McConaghy’s novel: tracking the terns, Franny’s hunt for her mother, the complicated relationships which develop on the Saghani and, of course, Niall. Some might argue that there is too much going on and that the multiple, shifting timelines are unnecessary. But those shifting timelines unspool Franny’s complete story and keep you turning the pages. Franny is a complicated character. She is the sum total of all her experiences, plus also a victim of her own restless nature and readers must parse the information she provides.

I found Migrations almost unbearably beautiful. Although the Epilogue was a tad contrived, it didn’t spoil my overall reading experience. And sure, you could argue that McConaghy has never actually been to Newfoundland, but niggles like that are a waste of energy. This is a novel that asks some big questions: what are we doing to our climate? what does any of this mean? what will we take when we go?

Highly recommended.

The Lying Room – Nicci French

What starts as an interesting premise quickly devolves into oh no she didn’t territory in husband and wife team Nicci French’s 2019 thriller The Lying Room. I have a read a few of French’s novels (Catch Me When I Fall, Until It’s Over, Dark Saturday, and a handful of others that predate this blog) and for the most part I have enjoyed them, particularly Killing Me Softly.

In this story, married mother of three Neve gets a text from her boss and lover, Saul, to meet her at their Covent Garden love nest, but when she arrives she discovers him dead – his head bashed in with a hammer. I mean, the sensible thing to do is call the police, but Neve doesn’t do that. Instead she imagines the fallout if her betrayal is discovered, especially for her teenage daughter Mabel.

What would happen when she discovered that her mother had been having an affair, that her beloved father had been betrayed? Would everything unravel, the life that had been so painstakingly stitched back together?

In that instance, Never makes a decision. She decides to erase all trace of herself from the apartment and spends the next while scrubbing and cleaning and collecting any evidence that Saul was anything other than her boss. Yeah, that’ll end well.

It isn’t until later that she discovers that she left a piece of recognizable jewelry behind and when she returns to the scene of the crime…

There are a lot of characters in French’s book. There’s Neve and her immediate family, including her stay-at-home husband, Fletcher. There’s her three college besties (with whom she started a business called Sans Serif, which was purchased by Saul’s company); there’s the detective investigating Saul’s murder and Saul’s wife, Bernice, who comes to Neve – Lord knows why – to confide that she thinks Saul was having an affair. It’s not hard to keep track of them, but Neve (and presumably the reader) finds it increasingly difficult to know who to trust. People keep secrets, that’s a fact, and as Neve continues to lie about her involvement with Saul in an effort to protect – or, at least that’s what she tells herself she’s doing – her family, her life starts to unravel.

I mean, people love this book. Sure, pages were turned and I read it to the end. But – I didn’t care about any of these people, least of all Neve. It was, for me, a wholly unsatisfying read.

All the Things We Do in the Dark – Saundra Mitchell

One hot summer when nine-year-old Ava is outside riding her bike around the apartment complex where she lives, a man tells her “I have something that will keep you cool…” He leads Ava down a lane between the apartments and the trees and assaults her. This is the beginning of Saundra Mitchell’s YA novel All the Things We Do in the Dark.

Flash forward and Ava is now seventeen. Her parents are divorced. She has one best friend, Syd. She tries to be as invisible as possible, although she lives in small-town Maine where everyone knows who she is and what happened to her and if they didn’t, the scar the man left down the side of her face would certainly be cause for curiosity.

Ava has never really dealt with the trauma of her assault. Her mother keeps close tabs on her, but even she doesn’t know everything and Ava is prone to keeping secrets. This becomes evident when one day, walking home through the woods, she stumbles upon the body of a young girl.

She’s twisted like a Barbie doll at the waist. Her top half points forward, baring her face, her chest, those Vs. It takes me a minute to realize they’re stab wounds. Her bottom half faces down. Somehow both her breasts and her butt are exposed at the same time.

Human people, alive people, they don’t make that shape.

Ava makes a decision: she doesn’t tell anyone about the body. Chalk it up to shock or her own bad experience post-assault, but she decides to protect her. It’s a ridiculous decision to make – readers will know that – but Ava hasn’t ever really recovered from her own post-assault experience.

When Ava returns to the scene of the crime, she discovers someone else there, and convinced that she has stumbled upon the murderer, she gives chase. That’s where Mitchell’s book morphs from an examination of the trauma of assault to a straight-up mystery. I think I found this part of the book a little less successful, mostly because some of the decisions Ava makes (even though I could sort of understand why she was making them) seemed a little unrealistic.

Mitchell does do a wonderful job of crafting a character who has been through something horrific, something she still struggles with many years later as she tries to navigate relationships (with her bestie and a new friend, Hailey) and her own complicated feelings about her body and sexuality.

While I found the writing a bit choppy, a students in my class (who recommended the book) said that she liked the writing, that it felt like a conversation with her friends and that she related to some of the relationships in the book. That’s the true test of a YA book, I think: does it speak to its intended audience?