The History of Love – Nicole Krauss

historyWhen Nicole Krauss’s novel The History of Love was published in 2005 it took the literary world by storm (though not like the storm that is raging outside as I write this, cozy in bed with my cat and my tea.) Everyone loved this book: The New York Times, The Guardian, The Globe and Mail. It was also the winner of the Edward Lewis Wallant Award for Jewish fiction and BMOC’s Best Literary Fiction. The book has been on my tbr shelf forever (emphasis on the ‘ever’) and so I chose it as my pick for book club.

The History of Love is the title of the book Leo Gursky wrote for the love of his life, Alma. Alma flees Poland just before the invasion of the Nazis and when Leo finally makes his way to America, he discovers that not only does he have a son, but that Alma has married someone else.

…he stood in her living room listening to all this. He was twenty-five years old. He had changed so much since he last saw her and now part of him wanted to laugh a hard, cold laugh….She said: You stopped writing. I thought you were dead. …At last he managed three words: Come with me….Three times he asked her. She shook her head. I can’t, she said. And so he did the hardest thing he had ever done in his life: he picked up his hat and walked away.

Now Leo is at the end of his life. “When they write my obituary,” he says, “it will say LEO GURSKY IS SURVIVED BY AN APARTMENT FULL OF SHIT.” Leo just wants to be seen. “Sometimes when I’m out, I’ll buy a juice even though I’m not thirsty. If the store is crowded I’ll even go so far as dropping my change all over the floor,” he says. His voice, one part resigned, one part hopeful is one of the novel’s greatest charms.

The other charming voice belongs to fifteen-year-old Alma – not the love of Leo’s life, but that of a teenager who lives in Brooklyn, with her widowed mother (who works as a translator) and younger brother, Bird. Her name is no coincidence: she was actually named after the character in Leo’s book The History of Love. This is where things get a bit complicated and I’m not going to bother drawing the chart required to understand it all – trust me, it’ll all sort itself out.

Alma is on a mission to find her mother a boyfriend. Her father died of pancreatic cancer when Alma was just seven and Alma feels as though her mother has been sad ever since. Alma is trying to navigate adolescence, her mother’s sadness, the fact that her brother thinks he’s the Messiah and her first love, too. Then (and I’m going to say it, girls!) by a weird twist of fate, The History of Love arrives for Alma’s mother to translate and the threads of Alma and Leo’s stories start to reach towards each other.

I really enjoyed The History of Love. There were some moments in the book that literally stopped me in my tracks. For example, Leo says: “All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist.” Those of us who have lost our parents will recognize that feeling (although perhaps never articulated) all too well.

This is one of those books, I think, which needs some time to sit in your belly. It is a book about connection – lovers, siblings, friends, parent and child. Leo, at the end of his life (which some might argue he wasted by loving someone he couldn’t have and not pursuing a relationship with his son) has all the insights of a person who has made errors in judgment, but is somehow still open to the world. Ultimately, The History of Love is about the desire we all have to be seen and understood and often the smallest gesture can have the biggest impact.

Highly recommended.

The Storied Life of A. J. Fikry – Gabrielle Zevin

zevin_firky_hcThere are  winks and nudges galore in Gabrielle Zevin’s novel The Storied Life of A. J. Fikry. This was my book club’s first read in 2015 and we gathered last night to discuss its merits. Okay, mostly everyone discussed its merits; I acted like Mr. Fikry himself before the magical arrival of Maya: grouchy.  I didn’t like the book. It was easy to read and I wanted to like it and I should have liked it, given the subject matter – bookstores and the importance of reading…but, nope, just fell flat for me.

A. J. owns a bookstore on the fictional island of Alice which is located somewhere off the coast of Hyannis. He’s a cranky guy, but I guess it’s understandable because his wife, Nic, was killed in a car accident just under two years ago and A.J. hasn’t recovered. The book store was a joint venture, dreamed up when he and Nic were in grad school. They took her trust fund money and opened Island Books, but A.J. is sort of the antithesis of everything you’d expect in a book store owner.

In fact, we meet first meet him when Amelia Loman arrives at his store to discuss Knightley Press’s winter catalogue. A.J. tells her:

I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magical realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where there shouldn’t be – basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful  – non-fiction only please. I do not like genre mash-ups a la the literary detective novel or the literary fantasy. Literary should be literary and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and – I imagine this goes without saying – vampires. I rarely stock debuts, chick lit, poetry or translations.

Island Books sounds like an inviting place, eh? Luckily for A.J. it’s the only game in town and Alice Island is a popular summer destination, so he makes a decent living off the tourists. He’s not popular with the locals, but no wonder; he has the personality of a prickly pear.

Then, someone leaves a baby in the bookstore and A.J.’s paternal instincts kick in. In short order, much like the Grinch, A.J.’s heart grows in size and everything in his life changes. Of course it does.

The Storied Life of A.J. Fikry should have been right up my alley. Island Books inhabit a purple Victorian cottage. Be still my heart. A.J. has my dream job in my dream building. The novel is peppered with references to short stories and plays and novels, most of which I am intimately familiar (thus the nudging and winking). It celebrates the value and power of books.

Yet.

I just didn’t believe it. There was something hokey and almost to-good-to-be-true about the book, about the characters and their journeys. I won’t go so far as to say that it was a waste of time, but I have to admit to being disappointed when I finished.

The Children Act – Ian McEwan

children's actYou can always count on Ian McEwan to bring on the controversy. This is the fourth of the prolific British novelist’s books we’ve read in my book club and it prompted a loud and lively discussion.

The main character in The Children Act is Fiona Maye, a High Court judge in London. She’s about to turn 60 when her husband, Jack, a professor, announces that he wants to have an affair (this is not a spoiler, really; the revelation comes pretty much on page one). She’s been married for thirty years and until the moment her husband tells her that he needs this because it is his “last shot” and he’s “yet to hear evidence of an afterlife” she’s been pretty smug about her life. While it is true that they don’t have children, they have had a good life together: enough money, a nice home, friendship and, Fiona admits ” she had always loved him.”  To say that Jack’s confession throws Fiona for a loop is an understatement, but she does not intend to “manage the rest of her life alone.”

Into Fiona’s fractured world comes the Henry family. Adam Henry is seventeen and he and his family are refusing the blood transfusion that may save his life because they are Jehovah’s Witnesses. According to their beliefs, “Mixing your own blood with the blood of an animal or another human being is pollution, contamination. It’s a rejection of the Creator’s wonderful gift. That’s why God specifically forbids it in Genesis and Leviticus and Acts.”

Fiona’s actually quite adept at sorting through these complicated and potentially incendiary cases, but even she is not quite sure what compels her to reserve judgment so she can visit Adam in the hospital. She calls the decision “a sentimental error,” but she goes anyway and discovers that seventeen – year – old Adam is , despite his illness, “beautiful.” It’ll be obvious to careful readers that Fiona is smitten. In fact, during the first few moments of their meeting she “caught nothing.” The visit that follows is charged – not sexually, really, although there is an element of that, too – with the kind of energy that happens when two people discover a shared passion. For Adam and Fiona it is music and poetry. Ultimately, Fiona’s decision sets Adam on a path that has profound consequences for them both.

I really liked The Children Act. McEwan is a smart writer and he’s adept at spinning a narrative that is tightly focused. Fiona isn’t a particularly likeable character, but that doesn’t mean it’s impossible to relate to her. This is a great book to get people talking.

 

 

 

Gentlemen & Players – Joanne Harris

gentlemenGentlemen & Players is an intricate mystery by Joanne Harris, an author probably best known for her best-selling novel, Chocolat. Before she made it big in the publishing world, Harris was a school teacher which probably came in handy while writing this story of a public (in Britain this is the equivalent of our private, thus you pay a tuition)  school in England. For readers unfamiliar with the British school system, the story will likely seem extra exotic. I grew up reading Enid Blyton books and dreaming about going to boarding school in the UK, so I was all over the notion of the tuck shop (the place to buy sweets) and copious gallons of tea consumed by the teachers.

The novel gets its name from cricket, another very British enterprise. A first class cricket match pitting a team of amateurs (the Gentlemen) against the professionals (the Players) is a throw back to the class system in the 19th and 20th centuries. The Players were the working class guys and the Gentlemen from the middle and upper classes.

Harris’s novel has two narratives taking place over two different time periods. In one we follow Roy Straitley, a Classics teacher at St. Oswald’s Grammar School. He’s been in the business for over three decades and is soon to be turning 65. (I was relieved to see that Mr. Straitley still enjoys teaching since I’ll be at least that old before I will be able to afford to retire.) Straitley has dedicated his adult  life to teaching at the school and prides himself on his ability to control his class and remember all the boys he’s taught over the years.

In the other narrative, an unnamed narrator watches St Oswald’s from the gatehouse where they live with their father, the school’s porter (aka custodian).

I understood at once that they were a different race to myself; gilded not only by sunlight and their proximity to that lovely building but by something less tangible; a slick of assurance; a mysterious shine.

Later, of course, I saw it as it really was. The genteel decay behind the graceful lines. The rot.

Fifteen years later, the narrator shows up at St. Oswald’s with forged credentials and begins to teach and all hell breaks loose. At first the pranks are minor, missing registers and pens, but before long things get serious and lives are ruined and lost.

Gentlemen & Players was an easy read (despite all the wacky names I had to keep straight). Does it have something to say about the haves and the have-nots? Not really, since the second narrator just seems jealous and, quite frankly, crazy. Will I be thinking about these characters in a week? Not likely. Was I shocked by the surprise? No, I figured it out. Careful readers will. Still, I passed a pleasant few hours reading the book and if you like suspense thrillers, this is well-written (except for the over-the-top use of semi-colons!) and fun – if you don’t think too long on all the novel’s implausibilities.

The Blessings – Elise Juska

blessingsWe welcomed a new member into our book club last year and she hosted the first meeting after our summer hiatus. Elise Juska’s novel The Blessings was Margo’s selection and our discussion of the book – which I didn’t particularly enjoy while I was reading it – was certainly elevated by her superior hostessing skills. Oh, and okay, listening to the other women in my group talk about the book did soften me towards it. A bit.

The Blessings is the story of a large Irish-Catholic family in Philadelphia. You’d need a chart to untangle the siblings and cousins, the spouses and parents. There’s Gran and Pop; their children, John, Margie, Ann and Patrick and then the kids. Their story – played out over twenty years – isn’t really follow a linear narrative. Instead, Juska unfolds the story, or parts of the story, by allowing us to ‘visit’ with some of the family members.

For example, when the novel opens, eighteen-year-old Abby (daughter of Ann and Dave) is home from college for Thanksgiving. Through her eyes we see her aunts and uncles and grandparents and cousins. She reflects that “most people did not have families like hers.”  I would counter that everyone has a variation on a family like hers. Nevertheless,

If every family has a certain kind of music, Abby’s is the murmur of sympathy around a dining room table. It starts in the pause after dinner and before dessert, when the men migrate to the living room and turn on sports, and the women surround the wreckage, spilled crumbs and crumpled napkins and stained wineglasses. They pinch lids from sugar bowls and dip teabags in hot water, break cookies in half and chew slowly. They trade stories of other people’s hardships. This is the melody, the measure , of her family: the response to sad things.

The novel moves in and out of people’s lives, allowing us glimpses of failed relationships, eating disorders, love affairs, and deaths. For me, the narrative was too broken up to allow me to feel connected to any one of the characters. Just when I settled into the rhythm of their story, the chapter would end and we’d be on to the next person. Sometimes what had been happening would be alluded to later on, but we’d be hearing about the event from a completely different perspective. The Blessings was like reading a series of connected short stories.

Matriarch Helen (Gran) sums it up best:

The truth is that life in the end – even a long life – amounts to a handful of a very few things. The longer you live, the shorter the story.

The Blessings is a quiet story about family and if you’ve got one, you can probably relate to this book in some way.

Life After Life – Kate Atkinson

life-after-life-“What if we had the chance to do it again and again, until we finally did get it right? Wouldn’t that be wonderful,” says Teddy to his big sister, Ursula, the unusual main character of Kate Atkinson’s even more unusual novel Life After Life.

Ursula is born  in February, 1910. She dies and is born again. And again. Attempting to piece these multiple lives into any sort of coherent order is damn near impossible so I suggest you don’t even try. It’s far easier to just be with Ursula as she is born, grows up and then grows up again, each time encountering different possibilities based on life’s many variables. The reader is dropped into Ursula’s life at different points, just as she seems to be. Ursula hits the ground running, and eventually – with a little bit of attention paid –  so does the reader.

Ursula is a fine character with which to spend your time. She was “born with winter already in her bones” and when winter comes around again she “recognized it from the first time around.” It is through her eyes we see her parents: her perfect and beloved father, Hugh and her slightly snippy mother, Sylvie. When she is born she already has two older siblings, Maurice and Pamela, and then her arrival is followed by Teddy and James. The siblings and their parents live at Fox Corner, an English estate. Her lives and deaths flow almost seamlessly together, darkness falls and she is no more until she is again – still with the same family, still Ursula.

I don’t pretend to understand the novel’s finer points (it would take at least another reading), but I can say this: Life After Life clocks in at almost 500 pages and it was a joy to read. Sometimes Ursula makes choices which are ultimately detrimental to her well-being. One bad decision tips the balance and causes her life to spin out of control.  It’s only human to wonder how things might have been different if only… Other times her life is better, but not perfect. People suffer and die. World War I and then II upset the status quo.

There is a part of Ursula’s conscious that recognizes that her life seems to be on repeat. Her mother tells her it’s déjà vu, “a trick of the mind.” Dr. Kellet introduces her to the word “reincarnation” when she is just ten. But explanations are not necessary for Ursula or the reader. And although not every version of her life is a joy to read about, each one is as compelling as the next. Perhaps Ursula knows instinctively that ” If there’s no great glorious end to all this, if nothing we do matters… , then all that matters is what we do. ‘Cause that’s all there is. What we do. Now. Today. ” (Thanks for that quote, Joss Whedon! From the Angel episode “Epiphany.”)

It might be interesting to consider that Atkinson is also playing with the notion of novelist as God. Of course a novelist really does have the opportunity to make anything they want to happen to their characters happen. They don’t however, under normal circumstances, make every scenario occur in the same novel. If this was an experiment for Atkinson, it paid off in spades. The writing is beautiful. Ursula is everything you’d want in a protagonist; the minor characters are compelling and each and every one of Ursula’s lives offers something of value to careful readers.

Highly recommended.

The Rosie Project – Graeme Simsion

rosieIt’s easy to see why Graeme Simsion’s debut novel The Rosie Project was such a huge hit with readers all over the world. It’s one of those books with easy to like characters, a straightforward story and just enough quirk to make it stand out from the pack.

Don Tillman is a scientist in the Genetics department at an unnamed university in Melbourne, Australia. It’s clear from the book’s opening pages that while Don clearly has a super-sized brain, he also has some issues which have prevented him, thus far, from finding a suitable partner. Thus, the Wife Project.

Don’s two friends Gene and Claudia try to help with Don’s project, but Don felt their assistance was lacking. Their approach “was based on the traditional dating paradigm, which I had previously abandoned on the basis that the probability of success did not justify the effort and negative experiences.”  He eventually writes a sixteen-page questionnaire that he hopes will sort the wheat from the chaff.

Don describes everyone he meets by telling us their Body Mass Index and by the time he tells us that he is “thirty-nine years old, tall, fit and intelligent, with a relatively high status and above-average income” and that he should be “attractive to a wide variety of women. In the animal kingdom, I would succeed in reproducing” we know for sure that Don is somewhere on the Autism spectrum.

According to Autism Canada

Autism Spectrum Disorder (ASD) is a complex neurobiological condition that can affect the normal function of the gastrointestinal, immune, hepatic, endocrine and nervous systems. It impacts normal brain development leaving most individuals with communication problems, difficulty with typical social interactions and a tendency to repeat specific patterns of behaviour. There is also a markedly restricted repertoire of activity and interests. Individuals on the autism spectrum tend to have varying degrees and combinations of symptoms

All things considered, Don does pretty well in the world. Where he struggles is with human interaction. So when Rosie blows into his life, ostensibly looking for someone to help her discover the identity of her biological father, Don’s ordered world is thrown completely off-kilter. That’s when the fun really starts.

There are several laugh-out-loud moments in The Rosie Project, and it is fun to watch socially challenged Don and prickly Rosie work their way towards each other. It’ll make a great movie.

 

Me Before You – Jojo Moyes

mebeforeyouLast night, my book club met to discuss Jojo Moyes’ novel Me Before You.  I was the only member of the group that didn’t love the book. I liked the book a lot, but it won’t go down in my personal annals as one of the most amazing, romantic, beautiful, (insert other appropriate adjective here) books ever. Trust me, I am the gushiest romantic on the planet so it came as just as much of a shock to me when I didn’t get all weepy and heartbroken at the end.

Me Before You is the story of  26-year-old Louisa Clark, an ordinary girl from an ordinary family. Until recently, she’d been working at the local cafe in the little market village she lives in in England. She lives at home with her parents and her younger sister, Treena and Treena’s young son, Thomas. Their house is too small; they don’t have much money and so when Louisa loses her job at the cafe she is desperate to find new employment so she can continue to contribute to the family coffers.

Enter the Traynors.  They live in Granta House which is on the other side of Stortfold Castle – I presume that’s the posh side. Camilla Traynor hires Louisa as a companion to her son Will who, two years ago, had been in a serious motorcycle-meets-pedestrian accident that has left him as a quadriplegic. He’s a bit of a git.

Circumstances being what they are, Louisa doesn’t feel like she’s in a position to quit, even when Will is arrogant and unkind. Instead, Louisa is determined to make friends with Will and so, of course, that is what happens. Will softens because of Louisa’s friendship; she  flourishes because of his. They are both irrevocably changed.

Me Before You was an easy book to read. I motored through 200 pages on Saturday night. I liked Louisa and I liked Will and I liked their story. Although I didn’t agree with the stylistic choice Moyes made to interrupt the story’s predominantly first person narrative to give readers a glimpse into the heads of a few other characters, I did appreciate this observation by Will’s mother:

It’s just that the one thing you never understand about being a mother, until you are one, is that it is not the grown man – the galumphing. unshaven, stinking, opinionated offspring – you see before you, with his parking tickets and his unpolished shoes and complicated love life. You see all the people he has ever been rolled into one.

I am a mom and so I knew what she was talking about. Could I have lived without her insights?  Absolutely.

I also took issue with the epilogue. It felt cheap to me. Way, way too tidy. But no matter.

One of the questions  posed last night was whether or not Me Before You was a great book. Define great. That’s the cool thing about reading. Everyone’s definition of what makes a great book is going to be different. I am going to have to figure out how to articulate what makes a book great for me and get back to you.

As for Me Before You – it was a very enjoyable book to read. Could I niggle over a bunch of little things? Sure, but none of them really detracted from my reading experience which was totally pleasant. I didn’t shed any tears, but I did well up once or twice. So, almost, Ms. Moyes.

 

 

 

Bellman & Black – Diane Setterfield

bellmanWe were all pretty excited when Marianne chose Bellman & Black as this month’s book club selection. We all loved Diane Setterfield’s first novel The Thirteenth Tale when we read it a few years back. Sadly, this novel lacked that book’s  – well, everything.

As I pointed out when we met last night: “Did you notice that all the praise on the back of the book was for The Thirteenth Tale.”  And true enough – there isn’t a single endorsement for this novel on its cover or inside its pages. Okay, maybe that doesn’t mean much in the whole scheme of things and I know I’m making it sound as though Bellman & Black is horrible and I guess I wouldn’t go so far as to say that, but it isn’t very good, either.

William Bellman is just a kid playing somewhere in the English countryside  when he decides to show off in front of his friends and uses a catapult to shoot a rook (similar to a crow) out of a tree.

It took a long time for the stone to fly along its preordained trajectory. Or so it seemed. Time enough for William to hope that the bird, flapping into life, would rise upwards from the branch. The stone would fall harmlessly to earth and the rook’s granite laughter would taunt them from the sky.

Instead, William hits and kills the bird and thus leaves innocence and childhood behind him and begins  the downward slope towards death. And yes, it’s really this heavy-handed.

Will’s life is marked with great successes and tremendous tragedies. We watch him turn his uncle’s mill into a financial success. We watch him fall in love and have a family. And we watch things start to fall apart. But the thing is – and it is a thing that we talked about last night – none of it mattered all that much because Will was a character we knew or cared little about. He was driven, surely and haunted, certainly, but not by the rooks which made strange appearances (sort of like encyclopedia entries) throughout the book.

When William suffers a tragic personal loss, he makes a deal with a mysterious stranger, Mr. Black, and he suddenly finds himself building a one-stop funeral emporium. We’re talking Victorian England here, when people mourned for years and spent money (apparently) on all manner of funereal accoutrements. So, just as we watched him build Bellman Mill, we learn all the nooks and crannies of Bellman & Black, but none of it is interesting enough to sustain a 300 plus page narrative. And trust me, the stuff about the rooks doesn’t help.

At the end of the day, Setterfield’s book is a less schmaltzy take on, say, a book like Tuesday’s With Morrie. We’re meant to understand that life must have checks and balances, and that when we care too much about things that don’t matter (wealth, success) we miss out on those things that truly do.

Bellman & Black wasn’t hard to read, but I won’t be recommending it to anyone else.

The Cuckoo’s Calling – Robert Galbraith

cuckooDespite the fact that my children, my daughter in particular, are over-the-top Harry Potter fans, I have only ever read the first book, Harry Potter and the Philosopher’s Stone. When my daughter was really little, say four or five, I had tried to read the book to her and I just couldn’t do it.  I did end up reading it out loud to a grade nine class a couple of years ago and they loved it; so did I.

That said, I wasn’t really looking forward to tackling J.K. Rowling’s massive post Potter novel, The Casual Vacancy, when it was one of last year’s book club selections. That book ended up being a really pleasant surprise, however,  and proved once and for all (as if being one of  the best-selling authors of all time wasn’t proof enough) that Ms. Rowling can write the hell out of a story.

My book club recently met to discuss Rowling’s mystery novel The Cuckoo’s Calling, which Rowling wrote using the pseudonym, Robert Galbraith. (There’s an interesting article about her decision to do so here. ) By the time we got to the book, though, the gig was up and we already knew Rowling had penned the book.

Cormoran Strike, the novel’s protagonist, is a former soldier who lost a leg below the knee to a land mine in Afghanistan. Now he lives in London where he works – although not very successfully – as a private investigator.  His relationship with Charlotte has just ended badly – again. He’s broke and living in his office. And then John Bristow arrives with a case for him.

Bristow is the brother of Strike’s childhood friend, Charlie, who had died when they were kids. He’s also the brother of Lula Landry, the most famous model on the planet. Landry recently committed suicide, but John believes something more sinister happened and wants Strike to investigate.

Of course, it’s really impossible to say much more about the story without giving away important plot points. Suffice it to say that as far as the ‘detective’ part of the novel goes – there’s lots to keep mystery-lovers in the game.

Rowling’s real strength as a writer is characterization. And as I tell the students in my writing class – character is the most important thing anyway; they are what drives your plot.

The Cuckoo’s Calling is chock-a-block with characters of all sorts, the most important of which is Cormoran Strike himself.

The reflection staring back at him was not handsome. Strike had the high, bulging forehead, broad nose and thick brows of a young Beethoven who had taken to boxing, an impression only heightened by the swelling and blackening eye. His thick curly hair, springy as carpet, had ensured that his many youthful nicknames had included “Pubehead.” He looked older than his thirty-five years.

Although the women at book club couldn’t agree on whether we found Strike attractive or not (trying to cast him in a movie version was hysterical), we all agreed that he was super-smart and that’s always the sexiest thing anyway.

Strike and his office temp, Robin (who is pretty smart herself) work their way through the list of Lula Landry associates, turning over rocks in an effort to understand the model and the world she inhabited. It makes for a pretty compelling tale.

The best endorsement I can offer for The Cuckoo’s Calling is this: I bet we’ll be seeing Cormoran again and since he’s a character I can’t seem to stop thinking about, I welcome the opportunity to join him on his next case.