Hmmm…yet another book about a therapist whose life is in shambles. This time it’s
Jessica Mayhew in Charlotte Williams’ novel The House on the Cliff.
Jessica is married to Bob and they live in Wales with their two young daughters. Their marriage isn’t rock-solid: Bob has recently admitted to a one-night stand, and Jessica is having a difficult time forgiving him. Understandably.
Enter Gwydion Morgan.
I noticed immediately when he walked into the room that he was a remarkably handsome man, tall and broad-shouldered, with a natural grace in the way he carried himself. I judged him to be in his late twenties, or thereabouts.
…
Up close I could see that his eyes were green, fringed with thick, black lashes. I looked away. It seemed indecent to do anything else.
That instant attraction is bound to cause some professional conflict, just sayin’. Anyway, Gwydion has come to Jessica with a fear of buttons. Apparently it’s a thing: Koumpounphobia.
Gwydion is an actor on the cusp of his big break. He has a certain theatrical pedigree, too, because his father, Evan, is a brilliant but volatile theatre director. His mother, Arianrhod, is worried about her son’s mental health. Their relationship seems, to the casual observer, a tad co-dependent. When she calls Jessica concerned that Gwydion is suicidal – even though Jessica had seen no signs of this in their therapy – Jessica drives out to their house on the – you guessed it – cliff.
From the minute Jessica steps into the Morgan house, her life becomes entangled with theirs. There is definitely something going on in the house and with the family and Jessica is drawn to them, particularly Gwydion who is both erratic and impossibly attractive. The more time she tries to figure out what is going on, the more she drops the ball in her own life.
There is a Morgan family scandal at the centre of Gwydion’s story. Jessica begins behaving more like a detective and less like a therapist, but whether or not you actually believe someone would make some of the choices she makes or not is actually beside the point. It’s all page-turning fun.
Grace Sachs, the protagonist in Jean Hanff Korelitz’s compelling domestic thriller You Should Have Known, is an outspoken marriage counsellor who believes that women know from the very beginning if their partners are duds.
I thought if I waited a few days after finishing Courtney Summers’ latest book Sadie, I would have a better chance of articulating my feelings coherently. Sadly, I don’t think I am actually going to be able to adequately express all the ways I loved (and hated) this book.
different worlds. Claudia lives with her stable and loving parents; Monday lives with her single mom and three siblings in Washington’s Ed Borough Complex, a part of town Claudia isn’t allowed to visit without an adult.
Kat Rosenfield’s YA novel Amelia Ann is Dead and Gone is lush and languid, a coming-of-age story and a mystery that sends ripples through the small, insular community of Bridgeton.
Holy unreliable narrator, Batman! There seems to be a whole slew of books of this type post
I was a big fan of Erin Kelly’s novel
I have a feeling that I am going to be in the minority here, but I didn’t really groove to Emily Winslow’s Look For Her. This is the fourth book in a series featuring British detectives Morris Keene and Chloe Frohmann, but I didn’t know that going in and I don’t think it really matters in terms of your enjoyment (or in my case lack of) when reading the novel.
Just when I thought my reading slump was never going to end, I read M.O. Walsh’s compelling debut novel My Sunshine Away. I can’t even begin to tell you how much I loved this book – start to finish.
Jocelyn’s twin brother Jack is dead. At least that’s what she thinks until she receives a letter from him that sends her on a wild chase. First stop: Noah Collier.