Meet Quinn Perkins, a seventeen-year-old American exchange student spending a semester in the small French town of St. Roch.
Meet the Blavettes, Quinn’s host family. Sixteen-year-old Noemie, her nineteen-year-old brother, Raphael, and their mom, Emilie.
Meet Molly Swift, an American reporter for American Confessional, an podcast series that takes on “stories of police incompetence or just general incompetence, and find[s] the real story.”
When Quinn wanders out of the woods “barefoot and bloodied” only to be hit by a car (the driver of which doesn’t stop) and left in a coma, Molly and her journalistic muse, Bill, think Quinn would make a perfect story, something about “a young American girl coming of age, going into the world on her own only to encounter the unkindness of a stranger.”
Quinn’s story is slightly more complicated than that, though. Through a series of flashbacks, readers are introduced to the toxic Blavette household: father Marc has left the family after an incident at the local school (which is attached to the house the family lives in and has subsequently been closed). Madame Blavette now takes exchange students as a way of making ends meet.
First thought to be away on a holiday, it is soon revealed that the Blavette family has disappeared without a trace. When Quinn wakes up in the hospital after her accident, she has no memory. Good thing, too, since Molly feels like the best way to get close to Quinn is to pretend to be her aunt. (Quinn’s father back home in America, is too busy with his much-younger pregnant wife to make the trip to France after Quinn’s accident.)
Kate Horsley’s The American Girl would make a terrific Netflix mini series. It’s populated with a cast of characters who all seem to have ulterior motives making it impossible to decide who is telling the truth. There are subplots galore including threatening Snapchat messages, sinister caves, locked doors and menacing strangers.
If this seems like a lot – it’s really not. The book was a lot of fun to read.
In present day, Lily Monrose’s husband is missing. Newly married, Lily is frantic to find the man she loves, the man who came “home with gifts, with ‘two-week anniversary’ cards, with flowers.” Her husband, Carl, is “certainly never more than a minute late,” but he’s seemingly just vanished.
Pam Smy’s lovely hybrid novel tells the story (in words) of Mary and (in pictures) Ella – two girls separated by twenty-five years. Ella and her father have moved into a house that looks out onto Thornhill Institute which was “established in the 1830s as an
orphanage for girls” and sold in 1982 “after the tragic death of one of the last residents, Mary Baines.” For the last twenty-five years, the house has remained vacant, although plans have been made to develop the site.
In the present day, Ella spends much of her time alone, too. Her father, who clearly seems to love her, is away a lot. Her mother is presumably dead. Ella is curious about the house she can see from her bedroom window and the girl she sometimes glimpses in the overgrown garden behind the walls
Not a Sound is a straight-up mystery and while it was easy enough to turn the pages – I didn’t particularly enjoy reading the story because…well, mostly for a whole lot of niggly reasons.
Sometimes you happen upon a book with a narrator who just feels 100% authentic. That was the case with Henry Turner’s debut YA mystery Ask the Dark, a finalist for the Edgar Award for Best Young Adult Mystery.
John Burley’s novel The Quiet Child asks some compelling questions: ‘How far would you go to protect the people you love?’ chief among them.
based psychotherapist Frieda Klein. Although I was at a (slight) disadvantage having not read any of the previous novels in this series, I have read (and enjoyed) several other novels by French (actually the husband/wife writing team of Sean French and Nicci Gerrard) so I knew what I was in for.
Tara Altebrando’s YA novel, The Leaving, will give readers lots to chew on. It’s the story of six kindergarten-aged kids who disappear from their small Florida town only to turn up – minus one – eleven years later. The kids are dropped off at a playground with maps tucked into their pockets to help them find their way home. They have no memory of where they were and their arrival back home sends ripples through their lives, the lives of their families and the community.
Morgan lives in River’s End, a small town in central Massachusetts. While once prosperous, “the town’s only major employer, Stell Pharmaceutical’s, went under [and] several other businesses that relied on Stell soon followed.” That meant that both of Morgan’s parents (and almost everyone else in town) lost their jobs as biochemists and River’s End is a bit of a ghost town.
What would you get if you mixed Enid Blyton with Stephen King? I think you’d probably get Monsters by Emerald Fennell.