Ruth Ware and I have lived parallel lives. I, too, have worked as a waitress, EAL teacher and bookseller. Okay, I may have never been an official book publicist, but I could argue that I sell books all the time by talking about them here and in my classroom and on the radio. I have not, however, written a much-lauded “instant New York Times bestseller.” Crap.
Leonora (also known as Lee and Nora and Leo) is a reclusive and slightly odd mystery
writer who lives in a small flat in London. One day she receives an email invitation to a weekend bridal shower (a “hen” night) for her once best friend, Clare. The invitation is puzzling to Nora because she hasn’t seen Clare in a decade and it seems as though they may have ended things on relatively awkward terms.
The invitation to the party starts Nora’s trip down memory lane, but it’s not a journey she takes willingly.
Clare had been my friend. My best friend, for a long time. And yet I’d run, without looking back, without even leaving a number. What kind of friend did that make me?
There’s only one other name Nora recognizes on the invite list: Nina da Souza. Nora reaches out and the two women make an “I’ll go if you go” pact. This is how they end up in the middle of the woods at a house that seems “as if it had been thrown down carelessly by a child tired of playing with some very minimalist bricks.” For someone used to living in close quarters in the middle of a huge city, Nora finds the location of Clare’s hen night “painfully exposed.” There’s a reason the place is called ‘The Glass House.’
The party’s host is Clare’s best friend from university, Flo. The other attendees are Melanie, a new mother and Tom, the token gay friend. When Nina and Nora arrive, Clare is not yet there. The whole event is awkward and fraught with tension.
Ware intersperses the hen night shenanigans with the aftermath of the weekend. Nora wakes up and “everything hurts. The light in my eyes, the pain in my head. There’s a stench of blood in my nostrils, and my hands are sticky with it.” There are police officers outside her hospital room door and someone is dead.
I enjoyed reading In a Dark, Dark Wood, but I sure wish people would stop comparing every psychological thriller/mystery to Gone Girl. This book is nothing like Gone Girl. That’s not a criticism, by the way. Ware doesn’t waste time with verbosity; this book moves along lickity split. Nora is a perfectly serviceable character, although not particularly endearing. There are plenty of creepy moments – as you’d expect in the fishbowl of a location. The book has “blockbuster movie starring Reese Witherspoon (an early fan of the novel)” written all over it.
Kelly’s novel tells the story of three very different women: New York socialite Caroline Ferriday, Polish teenager, Kasia Kuzmerick and German doctor Herta Oberheuser. It is 1939 and the one thing these women have in common is Adolf Hitler.
Enter How Not To Fall. Of course I’d seen this book at the book store, but I don’t think I even picked it up to read the blurb. Then I read a review – although I can’t remember where. The reviewer avoided comparisons with Fifty Shades, but did sing the book’s praises. Smart and hot — which is probably a pretty good combination. So, the next time I was at Indigo, I bought the book and now I’ve read it.
The Girls in the Garden is one of those books. Although it turned out to be not the book I thought it would be, it was a great read nonetheless.
Since that horrible night, Alison has flown under the radar. She lived first with her aunt in the south and then, after school, she moved to London where she worked in publishing, and where she met Paul. Paul is older, in his forties, and a professor. They had “Long, lazy conversations about books and movies and work, eating dinner at his big wooden table, or leaning against each other on his old sofa.” Alison likes him, so when he asks her to accompany him to Saltleigh to attend the wedding of a former girlfriend, she can’t seem to refuse even though she hasn’t been back since the crime.
arrested for the murder of a little girl. The problem is there’s no evidence and no witnesses and so the police can only hold him for twelve hours before they have to cut him loose. Thomas Burke, the chief of police ( a man with his own troubles) sends his two best interrogators into the room to get a confession from Smalls.


mother’s funeral that she no longer loves her husband, Rusty. Truth be told, he’s a bit of a douche, a passive aggressive clout from the right side of the tracks. What Ellie really longs for is Hutch, her “bad boy” college boyfriend. Of course, she doesn’t know that just yet. It’s not until he’s suddenly standing in front of her and