Foe is my second novel by Canadian writer Iain Reid. I read I’m Thinking of Ending Things a couple of summers ago. I found that book deeply unsettling. And clever. Foe is well… deeply unsettling and clever.
Junior and his wife, Henrietta, Hen for short, live a sort of isolated existence out in the country. It’s just the two of them, so the arrival of a man, Terrance, is strange because as Junior remarks: “We don’t get visitors. Never have. Not out here.”
Terrance has come to tell Junior that he’s made OuterMore’s long list.
We’re an organization formed more than six decades ago. We started in the driverless automobile sector. Our fleet of self-driving cars was the most efficient and safest in the world. Our mandate changed over the years, and today it is very specific. We’ve moved out of the auto sector and into aerospace, exploration, and development. We’re working toward the next phase of transition.
Junior has been selected to go to space as part of The Installation, “the first wave of temporary resettlement.” Junior isn’t all that chuffed, but Terrance is pretty excited on his behalf. It’s not a done deal yet, of course, and Terrance will have to make several visits over the coming months because if he is chosen, Hen will be provided with a companion — someone who looks and talks and acts just like Junior; someone who is 3D printed just for her — to stay with her while her husband is gone.
When Terrance actually moves into their house to collect data (although even that is vague enough to cause Junior unease), Junior starts to feel his marriage unraveling. Hen is distant and secretive. The structure of their very ordered lives starts to crumble. Junior becomes more paranoid. It won’t be long before you, too, will be wondering just what in the heck is going on.
You’ll be swept along by Reid’s unfussy prose and metaphysical questions. Junior tries to remember his life before Hen, but his life “was unremarkable, unmemorable.”
We only get so much mental space in which to store our memories, and there’s no reason for me to waste it on what came before.
Reid builds on these questions of identity and memory, while also creating an ominous atmosphere. I love unreliable narrators, and Reid is especially good at writing them. Reid is definitely an author to keep your eye on.
difficult than I remember my adolescence. There was no social media back then. We hung out, gathering at someone’s house on Friday night to play Trivial Pursuits and drink Pop Shoppe soda. We had dances where you’d just pray not to be asked to slow dance with some geeky guy, especially for the last dance, which was always “Stairway to Heaven” – longest song on the planet. My locker was covered with pictures of Robby Benson. The drama happened in the girls’ bathroom and the bullying happened in person. We talked for hours on the phone…which was in the kitchen, so your end of the conversation could be heard by pesky brothers and eavesdropping moms.
write about – not only because the subject matter is contentious, but because I don’t have an adequate vocabulary to express just how truly astounding this novel is. (I guess he gets the extra ‘l’ in his last name because when they were handing out talent, he got more than his share. Seriously.)
I discovered Debbie Tung’s Book Love while looking for something else…and so, of course, I had to buy it. Tung is a writer-illustrator based out of Birmingham, England, and Book Love captures, in black and white, her love for all things bookish which includes books, book stores, libraries, cozy places to curl up and tea.
thriller
Our first book club pick for 2019 was Tara Westover’s compelling memoir Educated. Born and raised in southern Idaho, Westover tells the remarkable story of living in the shadow of Buck’s Peak, the youngest of seven children. Like virtually everyone else in the nearby town, Tara was raised as a Mormon, but as she says in the author’s notes “This is not a book about Mormonism.”
adults…although the distinction hardly matters, really. Rooms is the story of the Walker family, alcoholic mother Charlotte; twenty-something Minna, her single-mother daughter, and Amy, her granddaughter; and Trenton, her awkward teenage son. They’ve returned to the house they once called home to pack things up. Richard, Charlotte’s ex and the children’s father, has died and now it’s been left to them to pick up the pieces. They aren’t alone. The house is inhabited by two ghosts: Sandra and Alice.