Paper Towns – John Green (with a shout out to John Hughes)

If you are a person of a certain age, you probably have fond memories of John Hughes’ films. Even though I was already in my early 20’s when he started producing arguably the best teen movies ever – I was still young enough to see myself in the characters he committed to celluloid.

Sixteen Candles is my all-time favourite Hughes film, for reasons which will be apparent to anyone who has ever seen the film. I still watch it occasionally and it still makes me laugh and it breaks my heart a little now that Hughes has died.

Yes, you can argue that Jake Ryan isn’t perfect – he did let an underage, unlicensed driver take his very drunk girlfriend home in his father’s Mercedes, but it was the 80’s and, come on,  Jake Ryan is pretty damn dreamy. Also, who didn’t see some part of themselves in the other characters on the screen: Molly Ringwald’s slightly awkward Samantha Baker, Anthony Michael Hall’s loveable dork. Everyone you ever went to high school with is lovingly represented in this flick and in Hughes’ other teen masterpieces, Pretty in Pink, The Breakfast Club,  and Ferris Bueller’s Day Off. 

I would posit that John Green is this generation’s John Hughes and I hope Mr. Green will consider that a compliment because it is certainly meant as one.

Last year because everyone and their dog was reading The Fault in Our Stars I did, too. That was a reading experience I will never forget – curled in the fetal position on my bed at 2 a.m., laughing then crying, then laughing again. That is the experience I want my students to have.

PaperTowns2009_6AThe only other John Green book I have in my classroom library is Paper Towns and I just finished it yesterday. (Trust me, I’ll be rectifying the lack of Green books post-haste.) Paper Towns received rave reviews and the Edgar Award (a prize awarded by the Mystery Writers of America) and it’s totally deserving of both.

Quentin Jacobsen is just weeks away from graduating from high school when his next door neighbour Margo Roth Spiegelman shows up at his window in the middle of the night. Although Quentin and Margo had been childhood friends, they’d drifted apart as they’d gotten older and now, in Quentin’s eyes at least, Margo is this exotic and beautiful creature, but not necessarily his friend.

Margo Roth Spiegelman, whose six-syllable name was often spoken in its entirety with a kind of quiet reverence. Margo Roth Spiegelman, whose stories of epic adventures would blow through school like a summer storm: an old guy living in a broken-down house in Hot Coffee, Mississippi, taught Margo how to play guitar. Margo Roth Spiegelman, who spent three days traveling with the circus – they thought she had potential on the trapeze.

…

The stories, when they were shared, inevitably ended with, I mean, can you believe it? We often could not, but they always proved true.

Quentin’s best friend, Ben, describes Margo as “the kind of person who either dies tragically at twenty-seven, like Jimi Hendrix and Janis Joplin, or else grows up to win, like, the first-ever Nobel Prize for Awesome.”

Anyway, Margo needs Quentin’s help. She also assures him that this will be the best night of his life. Quentin is a guy who generally plays by the rules, so his decision to help Margo is slightly out of character for him. Nevertheless, he helps Margo carry out a list of tasks, some of them vengeful and some of them contemplative and he is indeed changed by the experience. Which is why when Margo suddenly disappears, he is compelled to follow the breadcrumb trail of clues she’s left behind.

Paper Towns is a clever mystery for sure, but that’s not the only reason to admire the heck out of it. What I love about John Green is the way he writes dialogue. His characters are smart and funny and honest-to-goodness people. In the same way that John Hughes made his characters painfully awkward or awesome or self-deprecating or ironic, Green’s teens are whole and fragile and super smart and laugh-out-loud funny.

And they think thinky-thoughts. The fact that Paper Towns is set in Orlando, Florida (John Green’s hometown) is significant. Margo says “you can see how fake it is…It’s a paper town. I mean, look at it Q: look at all those cul-de-sacs, those streets that turn in on themselves, all the houses that were built to fall apart.”

Quentin’s journey to find Margo makes him question not only everything he thought he knew about her, but also everything he believes about himself and Green does a great service to his characters (and the young adults who will be reading this book) by not giving us pat answers.

So – read John Green. Watch John Hughes. Through their eyes you’ll see teenagers at their worst…and their best. And it’s all beautiful.

Story of a Girl – Sara Zarr

storyofagirlSara Zarr’s debut novel Story of a Girl kept me turning the pages far past my bedtime – a sure indicator of its quality. I read before bed and most nights I’m lucky if I manage a couple dozen pages, but last night I settled in early and once I started, I couldn’t stop.

Story of a Girl begins with sixteen-year-old Deanna Lambert’s admission that she “was thirteen when my dad caught me with Tommy Webber in the back of Tommy’s Buick, parked next to the old Chart House down in Montara at eleven o’clock on a Tuesday night. Tommy was seventeen and the supposed friend of my brother, Darren. I didn’t love him. I’m not even sure I liked him.”

Deanna had been parking with Tommy for a year before she’s finally caught, but her dad’s discovery of her in a compromising position casts the reality of her life in a harsh light. Now her dad can barely look at her. And when the novel opens, at the end of sophomore year (that’s grade ten here in Canada), it’s clear that the story of her tryst with Tommy is still the topic du jour in her small hometown of Pacifica, a sea-side suburb of San Francisco. At least pretty much everyone at Deanna’s high school knows about it – or some version of it. The only people who don’t care are her two best friends: Jason, a boy she’s known forever and Lee, a girl who moved to Pacifica after the incident.

Story of a Girl takes place during the summer between sophomore and junior year. Deanna’s strained relationship with her dad causes her to daydream about leaving home and living with her older brother Darren, his girlfriend, Stacy and their infant daughter, April. Currently they live in the basement. Stacy and Deanna’s dad don’t get along. In fact, Deanna’s household is pretty dysfunctional and so Deanna quickly finds work at a local pizza dive…where, it turns out, Tommy also works.

What I loved about this book was how realistic it seemed. Everyone judges Deanna for a decision she made when she was thirteen, but it isn’t until she comes into contact with Tommy again that she figures out why she always went off with him. And forgiving him – and herself – also allows her to empathize with her father.

…I imagined us through his eyes – his family, sitting in a pink kitchen: his tired wife, who never complained; his son who looked exactly like him; his daughter, who used to be the baby, his baby girl; and now April, his grand-daughter, who had a whole life in front of her, with no real mistakes in it yet. Could he look at us someday, I wondered, maybe today, and not be disappointed? Could he see us, and himself, for who we really were?

Story of a Girl is a beautiful book because, although it is Deanna’s story, no one’s life is lived in isolation. This is a book about family – the family given to us by  biology and the family we choose. The path to adulthood is thorny and it’s good to have some people who are on your side.  There are no villains in this book. Even Tommy, douche that he is, is probably trying to fill in the gaps in his own life. The thing is, we carry our mistakes with us and as Deanna’s boss at the pizza place, Michael, tells her: “…don’t mistake a new place for a new you.”

Big love for this book.

Never Fall Down – Patricia McCormick

neverfalldown Arn Chorn-Pond, the young narrator of Patricia McCormick’s novel Never Fall Down, finally escapes Cambodia and  makes it to the safety of Thailand sometime in the spring of 1979.  At the very same time, I was getting ready to graduate from high school. I knew nothing of the Khmer Rouge and their violence – or if I did, I don’t remember. Reading Arn’s story has reminded me again of the priviledged life I’ve lead and of the absolute power of literature to crack open the insulated world in which we often live.

Arn is just eleven when the Khmer Rouge, a radical Communist regime, and an offshoot of the Vietnam People’s Army, sweeps through Cambodia displacing people and separating families. Arn has lived a relatively happy life up until then. He says, “At night in our town, it’s music everywhere. Rich house. Poor house. Doesn’t matter. Everyone has music.”

When the army blows through town, it’s exciting. Arn says, “…I think this is the most exciting thing to happen here. Real Americans coming. Real airplane.” But that excitement doesn’t last. Soon Arn, his aunt and his siblings (four sisters and one brother) are marching out of town with everyone else. And then the real horror begins.

And this book is horrific.

McCormick spent two years interviewing Arn and then  made the choice to tell his story as a novel because “like all trauma survivors, Arn can recall certain experiences in chilling detail; others he can only tell in vague generalities.”  It’s no wonder his mind has decided to compartmentalize; the atrocities he’s witnessed are almost unbearable.

But Arn does bear them. He survives the separation from his family, the endless work in the rice fields, the starvation, illness, walking miles and miles through the heat. He makes himself indespensible by learning to play an instrument, but even that doesn’t save him from witnessing the Khmer Rouge’s atrocities against men, women and children.

And then, even more horrible, Arn suddenly finds himself with a gun in his hand, fighting with the very people who have held him captive for more than three years. Never Fall Down is a survival story because Arn surely does that.

McCormick makes the decision to tell this story in Arn’s distinctive sing-song voice and it’s a wise choice. We see everything though his eyes and he is a truthful and unflinching narrator.

One night the girl next to me at dinner, she dies. She dies just sitting there. No sound. Just no breathing anymore. All of us, we eat so fast, no one even see this girl. Very quick, I take her bowl of rice and keep eating.

I guess we can never really know what we’re capable of until we are put in the situation where our limits might be tested. Arn was a remarkable boy and he has turned into a remarkable man, a champion for humanitarian causes around the world and the winner of many international prizes. Never Fall Down is a must read book.

This video explains  what happened during that period.

I also highly recommend the movie, The Killing Fields.

Paper Covers Rock – Jenny Hubbard

paper-covers-rockJenny Hubbard, the author of Paper Covers Rock, was a high school and college English teacher for seventeen years and I am guessing she was a good one. Her debut novel is filled with  references to poetry and literature and how they make us have “the feels” and allow us to connect with the world etc.

Sixteen-year-old Alex Stromm attends Birch Academy, a boarding school in North Carolina. He is, by his own admission, a good solid kid. When the story opens, Alex is writing in a journal his father had given him to write his impressions in when he’d started at Birch two years previously. Although the book has remained blank, now has something to write about: his friend Thomas is dead. He writes:

What I carry in my backpack down to the river, I carry not knowing that in less than an hour Thomas Broughton will be dead. That is not a knowledge I carry yet, but I will carry it soon – the knowledge of my darkest self – and I will carry it forever.

The reader learns about what happened that fateful day when Alex, Thomas, Clay and Glenn were at the rock by the river in fits and starts. Alex’s feelings of grief and guilt are only part of what compels him to scribble in his journal. He is also in love with his English teacher, Miss Dovecott, a recent Princeton graduate who is only a few years older than the boys she teaches. When she takes an interest in Alex’s writing he becomes even more conflicted about what happened that day on the rock.

Sounds sinister, eh? It’s not really, but I have to say that I did keep turning the pages and read the book in one sitting. Alex’s feelings for Miss Dovecott are complicated by his feelings of loyalty for Glenn. (Clay has taken the blame and left school; I’ll leave you to discover the reason why on your own.) Turns out that just after Thomas drowned, drawn by the screams, Miss Dovecott arrived on the scene and Glenn is convinced that she knows more than she is letting on. Oh what a tangled web.

And I have to say, the writing is stellar. The poetry Alex writes is lovely and it’s easy to see why Miss Dovecott takes an interest in him. Ms. Hubbard captures the male voices beautifully (not as crass as they might be now because, after all, the story is set in 1982) and also manages to make Alex both sympathetic and self-serving on his journey to manhood.

 

Me and Earl and the Dying Girl – Jesse Andrews

earlThis book contains precisely zero Important Life Lessons, or Little-Known Facts About Love, or sappy tear-jerking Moments When We Knew We Had Left Our Childhood Behind For Good, or whatever. And, unlike most books in which a girl gets cancer, there are definitely no sugary paradoxical single-sentence paragraphs that you’re supposed to think are deep because they’re in italics.

Meet Greg Gaines. He’s the seventeen-year-old narrator of Jesse Andrews’ debut novel Me and Earl and the Dying Girl.  He lives with his parents, and two younger sisters in a Pittsburgh suburb. He’s a trash-talking, cynical, slacker who is just trying to make it through his final year of high school.

…you have to to start from the premise that high school sucks. Do you accept that premise? Of course you do. It is a universally acknowledged truth that high school sucks.

Greg goes through the days in a weird state of disconnect because he feels as though the only way to survive school is to stay on the periphery of all the various groups, rather than belonging to any one of them.  He says, “I didn’t join any group outright, you understand. But I got access to all of them.” Of course, that makes having real relationships slightly problematic.

Greg’s only friend is Earl; well, as Greg puts it, they are more like co-workers.   They’ve known each other since they were in kindergarten and discovered a shared love of movies. Since then they have made several films together.

So Greg goes through his days doing as little as possible, using his sense of humour to cover up the fact, I think, that he is insecure about his weight and his looks and his life (all totally relateable to anyone who has ever survived a difficult – or any –  high school  experience.) And then Rachel Kushner is re-introduced to his life.

Greg and Rachel had been sort-of friends when they were kids although Greg admits that he hadn’t been all that nice to her. Turns out Rachel has recently been diagnosed with leukemia and Greg’s mom calls in a favour – rally around Rachel.

Me and Earl and the Dying Girl is not a cancer book, though. It is a profane, often funny and honest look at a teenager on the cusp of adulthood who doesn’t get it…and then does. Despite a great family, Greg is sort of closed off to the world. He doesn’t know how to have authentic relationships even though he is clearly capable of them. He spends his time with Rachel making lame jokes, trying to divert the focus away from Rachel’s illness –  not for her benefit, but for his own.

There is no way Greg is going to come away from spending time with “the dying girl” unscathed and he doesn’t. Mature readers won’t either.

I read this book as part of a program that lets teachers read books being considered for classrooms in New Brunswick. I do think this is a worthwhile and well-written book. My one caveat would be that there is a lot of swearing. A lot a lot. That said, as a high school teacher and a mom of teenagers I think we are fooling ourselves if we think kids don’t talk like this (not my kids, of course!). I think we do mature teens a disservice by leaving books like this off the shelf. I think some students will see themselves in Greg and Earl and it would be a shame not to give strong readers the opportunity to share time with them. I don’t believe in censorship anyway, but beyond that Me and Earl and the Dying Girl has real merit.

 

 

 

Endangered – Eliot Schrefer

endangeredWhen my 14-year-old son saw that I was reading Eliot Schrefer’s novel Endangered he rolled his eyes and said, “Mom, our teacher tried to read us that book last year and no one liked it – not even her.” Connor is a voracious reader and we have often read and enjoyed the same books so I have to admit that I was skeptical as I started this book.

Fourteen-year-old Sophie is visiting her mother in the Democratic Republic of the Congo (DRC). Her parents  are divorced and she has been living with her father in Miami since she was eight, but it’s the summer holidays and so she is visiting with her mom at the bonobo sanctuary her mother runs in Kinshasa. Bonobos are a member of the ape family and they are endangered. Bonobos, as it turns out, are our closest relatives, “sharing over 98.7 percent of our DNA.” Adult bonobos are often killed for food; babies are kidnapped and sold on the black market. It is just such an encounter that starts Sophie’s story.

The little ape sat down tiredly in the dirt and lowered his arms, wincing as his sore muscles relaxed. I kneeled and reached out to him. The bonobo glanced at his master before working up the energy to stand and toddle over to me. He leaned against my shin for a moment, then extended his arms to be picked up. I lifted him easily and he hugged himself to me, his fragile arms as light as a necklace.

Sophie’s mother is none-too-happy when her daughter arrives at the sanctuary with the bonobo. Not because Sophie rescued the bonobo, but because she didn’t follow the proper protocol and that could cause more trouble down the road. But Sophie has fallen in love with the little bonobo she names Otto and their relationship sustains them through the difficult times ahead.

In the beginning I found Endangered a little didactic. Admittedly, I knew nothing about bonobos and even less about the scary situation in the DRC, but the way the information was relayed to the reader – via Sophie – just didn’t feel organic. Thankfully, Schrefer didn’t spend a lot of time instructing us.  When the Congo’s president is assassinated and rebels flood into the area Sophie’s peaceful existence at the sanctuary crumbles.  That’s when things get really interesting.

Sophie is a remarkably resilient character. Despite the fact that she has been leading a relatively privileged life in the States for the past six years, she hasn’t forgotten where she came from. As she and Otto travel through the jungle and up the Congo river to find her mother (who had left just before the coup to take some bonobos to an island release site), my heart was really racing. I mean, this war (despite being fictional) is based on decades of bloody conflict and although Schrefer stays away from the truly graphic, one only has to use their imagination to imagine the atrocities Sophie and Otto encounter on their way.

And don’t even get me started on the subject of Sophie’s bond with Otto. If even half of what transpires between them is true, bonobos are beyond remarkable; they’re us.

Con, honey, I respectfully disagree with your assessment of this book.

Every Day – David Levithan

16BLEVITHANWhat if every day you woke up in someone else’s body? You are you, but also them; you have access to their memories, but also retain your own. This is A’s predicament in David Levithan’s clever and emotionally resonant YA novel, Every Day.

I don’t know how this works. Or why. I stopped trying to figure it out a long time ago. I’m never going to figure it out, any more than a normal person will figure out his or her own existance. After a while, you have to be at peace with the fact that you simply are. There is no way to know why.

Dispensing with the prickly question of how this works (or doesn’t) early on, Levithan dumps the reader into A’s life on Day 5994. He is 16.  Today he is in Justin’s body.  Justin’s not a particularly likeable guy and A figures that out pretty quickly. He admits: “I know I am not going to like today.”

A’s ability to access information from each person he inhabits allows him to live each day with relative ease, plus he always has an escape hatch because he knows that he will wake up as someone else the next day. Even if he wakes up in the body of an idiot, he knows it’s not forever.  Justin is a bit of an idiot and that wouldn’t be such a big deal if it weren’t for Rhiannon. She’s Justin’s girlfriend.

…there’s something about her – the cities on her shoes, the flash of bravery, the unnecessary sadness – that makes me want to know what the word will be when it stops being a sound. I have spent years meeting people without ever knowing them, and on this morning, in this place, with this girl, I feel the faintest pull of wanting to know. And in a moment of either weakness or bravery on my own part, I decide to follow it. I decide to find out more.

Thus begins A’s relationship with Rhiannon. And as you might imagine, there’s nothing typical about it. There’s nothing typical about Every Day period.

A has spent his entire existence trying to keep himself separate from the person whose body he inhabits. His feelings for Rhiannon complicate his life in ways too numerous to mention; suffice it to say that every day becomes a challenge to see her, but first he somehow has to convince her of the truth of his strange reality.

In one sense, Every Day works as a terrific page-turner: will A and Rhiannon find a way to be together despite their terrific obstacles? After all one day A could be in the body of a hunky football player and the next he could be an overweight teenage girl. Will Rhiannon love him back despite his outward appearance? What is love anyway?

But I think this novel also works hard to be something more and in that way I think it will probably speak to teenagers everywhere. It allows us to inhabit the bodies of confident, beautiful teens and also depressed teens who wish themselves harm. We hang with straight teens and gay teens, teens with parents who smother them and parents who trust them. Each scenario allows Levithan the opportunity to show the reader his tremendous capacity for empathy. And it also allows us to see A  – despite his lack of corpreal form – as the embodiment of what it means to be human.

A Monster Calls – Patrick Ness

Monster-calls_shadow“Are you crying, Mom?”

My daughter was settled in at the foot of my bed playing on her iPhone and I was  reading the last few pages of Patrick Ness’s remarkable novel, A Monster Calls.

And, yeah, I was crying. Hard by the end of it.

Damn you, Patrick Ness.

Siobhan Dowd is credited for the idea for A Monster Calls, but sadly Ms. Dowd died  – at the age of 47 – before she ever had the chance to see her idea through to the end. As Ness acknowledges in his Author’s Note, “the thing about good ideas is that they grow other ideas. Almost before I could help it, Siobhan’s ideas were suggesting new ones to me, and I began to feel that itch that every writer longs for: the itch to start getting words down, the itch to tell a story.”

A Monster Calls is the story of thirteen-year-old Conor O’Malley who lives with his mom in a little house in a little town in England. His parents are divorced and his dad now lives in the States with his new wife and a baby daughter. Conor rarely sees him.

Conor’s mom is ill. Readers will figure out early on that she has cancer and that Conor is doing his level best to cope, with varying degrees of success.  Then the monster shows up “just after midnight. As they do.”

Conor isn’t particularly afraid of this monster. Despite its “great and terrible face”, Conor tells the monster he’s “seen worse.” And even though he claims not to be frightened of the monster, the monster replies that he will be “before the end.”

The monster continues to visit at night with stories that make no sense to Conor. The monster also claims that there will come a time for the fourth tale – that is Conor’s story. Conor knows what the monster is talking about: a recurring nightmare which terrifies him and which he insists he will not be sharing. In the meantime, his mother grows weaker, his grandmother steps in to help out (much to Conor’s dismay) and his father visits from America – a sure sign of the Apocalypse.

The monster drives Conor to action, but also to irrefutable truths. The monster says,      “Stories are important. They can be more important than anything. If they carry the truth.”

Conor’s truth is one that he is unwilling to face, but which comes barreling towards him anyway. And as a reader, I have to say, I was unprepared for its impact.

A Monster Calls reminded me a little bit of John Connolly’s brilliant novel The Book of Lost Things. Connolly’s story is also about a boy on a journey from innocence to experience. You should definitely check it out.

As for A Monster Calls – I cannot recommend it highly enough.

 

 

 

Autobiography of My Dead Brother – Walter Dean Myers

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9780060582913-LWhile this wasn’t a book I particularly enjoyed, I absolutely see its merits. Autobiography of My Dead Brother is the story of 15-year-old Jesse who grows up in a violent New York neighbourhood.  He’s smart, talented and although he’s got all the typical teenage issues – he’s not going to make decisions which adversely impact his life.

His best friend is Rise. Rise is seventeen and he and Jesse have been friends since they were little.

His mother likes to tell me that when Rise first saw me, he was scared of me. She said they had a puppy and a turtle and he liked to play with them both, but when he saw me he started crying.

…

I didn’t remember any of that, but me and Rise grew up to be really close. He was more than my best friend – he was really like a brother.

Myers’ novel opens, Jesse and his friend C.J. are at the funeral of their friend, Bobby, who has been killed in a drive-by shooting. While Jesse and Bobby are horrified by the event because, after all, Bobby wasn’t doing anything, just sitting on his stoop, Rise thinks Bobby “went out like a man.” It’s an early indication that Jesse and Rise might be heading in two different directions.

Rise wants Jesse, an artist, to draw his autobiography and so the reader starts to see Rise through Jesse’s very focused lens. We see his “funny way of walking, with one shoulder higher than the other”; we see Rise’s home life (he lives with his mom and aging maternal grandparents); we see Jesse start to feel the troubling disconnect between him and Rise.

Myers also captures the adults in this book very well. None of these kids come from uncaring families. While some come from single parent households, all the parents work and care and even the police are painted as fair and reasonable human beings. But there still manages to be trouble for Jesse and his friends.

The book is interesting; the drawings are great (done by Christopher Myers, the author’s brother) and Myers certainly writes authentically about the experience of  – in this case – African American kids who just happen to live in a neighbourhood where crappy things happen. Ultimately though, this is a story about the friendship between two kids which unravels over time.

I know a lot of boys would really enjoy it.

The Sky is Everywhere – Jandy Nelson

The Sky is EverywhereJandy Nelson has written a debut novel which will resonate with anyone who has ever lost someone they’ve truly loved.  The Sky is Everywhere is seventeen-year-old Lennie Walker’s journey through the grief of losing her nineteen-year-old sister.

My sister Bailey collapsed one month ago from a fatal arrhythmia while in rehearsal for a local production of Romeo & Juliet. It’s as if someone vacuumed up the horizon while we were looking the other way.

The loss of her sister isn’t the first significant loss of Lennie’s young life. She lives with her grandmother and her uncle ‘Big’ (yes, he is indeed) because her mother abandoned her and her sister when Lennie was only one. Despite the fact that Gram and Big are awesome, Lennie is finding it difficult to cope. Lucky for her, Bailey’s boyfriend, Toby, is on hand to share her grief.

“How will we do this? I say under my breath. “Day after day after day without her…”

“Oh, Len.” he turns to me, smooths the hair around my face with his hand.

…

I look into his sorrowful eyes and he into mine, and I think, He misses her as much as I do, and that’s when he kisses me –

There isn’t a thing I didn’t love about Lennie. She’s lived, thus far, in her sister’s shadow; Bailey was the outgoing, beautiful one.  Now, suddenly, Bailey is gone and Lennie is lost. Perhaps that’s what makes Toby so desirable. They can share their grief, but also their memories of someone they both loved.

But, then it gets complicated.

“Even in the stun of grief, my eyes roam from the black boots, up the miles of legs covered in denim, over the endless torso, and finally settle on a face so animated I wonder if I’ve interrupted a conversation between him and my music stand.

Meet Joe Fontaine, the “gypsy,” “rock star,” “pirate,” who arrived at school while Lennie was away. Suddenly Lennie finds herself in a precarious predicament: she is  impossibly drawn to Toby even as she crushes hard on Joe. Those feelings are compounded by her guilt because she’s supposed to be sad. And she is.

Make no mistake, The Sky is Everywhere is not a romantic comedy; it’s a beautifully written novel about loss, about being left behind and about what it means to be alive. All the characters are fully realized; even the adults have interior lives, a fact Lennie only begins to understand months after her sister’s death. She also comes to understand that grief is a living thing. Lennie thinks, “I don’t know how the heart withstands it.”

I’m not a fan of eReaders, but I can’t imagine reading this book on one would offer as satisfying an experience as reading the book the traditional way. The novel is filled with poetry written on scraps of paper and found in various places which are named on the back of the found object.  How they came to be collected is revealed at the end of the story. The poetry itself is beautiful (Nelson herself is a poet) and I loved its inclusion in the book.

This is a novel I will really look forward to passing on to and talking about with my students.