Things Change – Patrick Jones

When sixteen-year-old Johanna accepts a ride home from a meeting with Paul, even she is surprised when she boldly asks him to kiss her. Paul is sort of a well-known figure at their high school, not because he’s an athlete or a particularly good student, but because he is funny and good-looking. People want to be around him. Johanna, on the other hand, is studious and  not very popular. Her one and only friend, Pam, calls her “Books” and the two girls have a standing date at the local bookstore on Saturday.

Patrick Jones’ debut novel Things Change will appeal to fans of realistic fiction. Johanna will be immediately recognizable to young girls; they will either see themselves or someone they know in her. Like many teenage girls, Johanna tries to please her parents, tries to balance school and life and falls head over heels in love with a boy who is fighting his own demons. Because one thing Things Change is not is a straight up love story.

Paul and Johanna eventually hook up and it’s all sunshine and roses – except for when it’s not. Paul is possessive and jealous and has a temper that causes him to lash out at Johanna, inflicting physical and emotional pain for which he is almost immediately contrite. But that’s the pattern, right? And Johanna – young and inexperienced – does what many much older women in her situation might do: she makes excuses, tries to be perfect, forgives.

Although the third person narration is mostly limited to Johanna’s point of view, Jones does something smart,  giving the reader a glimpse of Paul’s psyche by letting us read letters he writes to his dead father. I say it’s smart because it prevents Paul from being a one dimensional monster and the book from being a one-note cautionary tale. Paul’s demons in no way excuse his deplorable behaviour, but it does make him human and somewhat sympathetic.

Patrick Jones used to be a Young Adult librarian and Things Change certainly demonstrates that he’s listened to and observed teens carefully. This book doesn’t preach nor talk down to his target audience. It’s not overly graphic, but there is some sexual content and bad language. That said, I will happily be recommending it to readers in my classroom – both those students who claim they don’t like to read and those who want to read compelling and realistic fiction.

Chasing Boys – Karen Tayleur

Chasing Boys is the story of Ariel, El for short, who has moved from her swanky school and big house to a new school and an apartment with her older sister, Bella, and her mom. Dad – whereabouts unknown, but clearly he’s left a void in Ariel’s life which she is in desperate need of filling. So, there’s this boy. His name is Eric and he’s a star basketball player and practically the most perfect boy at school. Everyone has a crush on him, but he has a girlfriend. And not just any girlfriend, but the popular and pretty (and, as it turns out, decent and nice) Angelique.

So, is Karen Tayleur’s first YA novel anything more than your standard girl chases boy teen romance? Well, no and yes. For starters, El is a likeable character and the first person narration is swiftly paced and often quite funny. El is smart and attractive, but doesn’t really feel like she fits in anywhere other than with her two best friends, Desi and Margot. She’s also trying to work through abandonment issues and for that she meets with a therapist, Leonard, once a week. The thing is, she can’t actually talk to Leonard.  “If I was talking to Leonard,”  she muses, “which I am not, I would ask him a question.”

Eric isn’t the only boy orbiting El’s life. There’s also Dylan.

Dylan slumps in the seat and glances at me. I realize he’s the newest guy at school and I give him my catatonic stare – the one I use when I want the other person to look away. It’s usually pretty effective. He has a thin white scar, almost invisible, that travels from his bottom lip and disappears under his chin, and just for a moment I wonder how it got there. His lips curl into a sneer and I look straight ahead.

El tries to balance school and home and her crush on Eric and Dylan’s passive-aggressive interference in her life with varying degrees of success.  For the teen reader who is looking for a book that is entertaining and not particularly challenging, Chasing Boys will likely fit the bill.

Nevermore – @Kelly_Creagh

I’ve been trying to finish Kelly Creagh’s debut YA novel Nevermore for the past few nights. Kids in bed, kitchen clean,  email answered. Check, check, check. With my cat Lily curled beside me, I finally settle down to the book and read until my eyes are burning.  I actually finished it during my 4th period Writing class today. (We read for the first 30 minutes on Tues and Thurs!) I have SO much love for this book.

Isobel Lanley is a popular sixteen-year-old cheerleader. In many ways she is just what you’d imagine her to be; she’s pretty, dates a hunky football player and sits with the ‘in’ crowd at lunch. But Isobel’s world takes a flying leap from normal when she is paired  with Varen Nethers to do an English project.

He sat in the back row against the far corner, slumped in his seat and staring straight ahead through shreds of inky locks, his thin wrists lined in black leather bands specked with hostile silver studs.

Isobel can’t believe her crappy luck. Not only are they going to have to work together, but they are going to be researching Edgar Allan Poe. And Varen is clearly hostile towards her. A simple (although slightly unconventional) phone number exchange sets off a chain of events that isolates Isobel in ways she couldn’t ever imagine. And then things start to get really weird.

Kelly Creagh’s book is so much fun, I couldn’t wait to read it every day. Voya called it an “English teacher’s jewel box,” and it’s easy to see why. Although I am not an expert on Edgar Allan Poe (and I don’t mean to imply that you have to be in order to enjoy this book), I did catch many of the allusions. Nevermore is a well-written, intelligent, puzzle of a book that will appeal to any reader – young or old – who likes a novel with a little meat on its bones.

Although it’s likely that Nevermore will get stuck with the ‘paranormal romance’ tag, I think that label actually does the book a disservice. Yes, there is romance – but you wait for hundreds of pages before Isobel and Varen even kiss. Ratchet up the angst, why don’t you. (And, Ms. Creagh, was that some Buffy speak I caught in there?) There were moments in this book when I was seriously creeped out. One menacing character, Pinfeathers, is super-creepy. Reynolds is another character that is difficult to figure out. Is he good? Is he deceitful?

And, best of all, Isobel is a terrific character. She’s smart and brave and resourceful. And I can’t wait to see what happens to her  in Nevermore‘s sequel, Enshadowed.

I am really looking forward to passing this one on to students in my class.

 

 

 

The Day I Killed James – Catherine Ryan Hyde

People die of love.

Eighteen-year-old Theresa believes this to be true, or at least she claims she does in Catherine Ryan Hyde’s YA novel, The Day I Killed James. We meet her at the beginning of her therapy sessions with Dr. Grey. She doesn’t like him very much.

I’ve thought about dumping him and getting  somebody else, but that would be the easy way out, which I’m not entirely sure I deserve.

So why is Theresa in therapy? Well, James, the buff boy next door – who has been trying to get her attention forever – ends up dead after she takes him to an end-of-year party in an effort to make her boyfriend, Randy, jealous. It isn’t until weeks after his death that Theresa can admit to perhaps liking him…just a little bit.

If I had felt it any more strongly, I might have cracked like a china cup. It was like a pressure inside me, like an old steam boiler, and I just lay there hoping it would hold. Hoping I would hold.

Theresa isn’t a horrible person and taking James to the party to make Randy jealous isn’t the worst thing she could have done, but the aftermath of that event sends Theresa off on a journey of self discovery that is actually long overdue.  Theresa has some things to work out and while James might be the catalyst, some of her problems pre-date him.

I didn’t like the beginning of The Day I Killed James very much. The story is told mostly as a series of journal entries prescribed by Dr. Grey. Things improve a little bit in the novel’s second part. Theresa is now Annie and she’s left home not so much to sort out her life, but to escape it. She soon discovers that it’s almost impossible to avoid all human contact. Her sudden ‘relationship’ with a precocious eleven-year-old girl named Cathy ups the ante a little – but also seems slightly forced.

However, when all is said and done, I think teens will quite like the story of what it means to love and how important it is to take care of each others’  heart.

Ashes – Ilsa J. Bick

We learn quite a lot about the feisty heroine, Alex, in the prologue of Ilsa J. Bick’s dynamite YA novel, Ashes. She’s stubborn. Aunt Hannah tells us that. “…once you’ve made up your mind, there’s no talking to you,” she says. She’s seventeen. And  she has “a brain tumor the size of a tennis ball” lodged in her head.

Alex is on the run, sort of. She’s decided not to do any more of the experimental  treatments for her brain tumor – so she’s left her Aunt Hannah and headed to Waucamaw Wilderness in Michigan to clear her head and scatter the ashes of her parents, who had been killed in a helicopter crash.

Alex is enjoying the solitude of the woods until Jack, his granddaughter, Ellie and their dog Mina happen by. Ellie is eight and is clearly not happy to be tramping through the woods. By page 25, Jack is dead and Alex and Ellie are running for their lives.

By page 72 both Alex and the reader know they aren’t in Kansas anymore. When she and Ellie stumble into a camp site, this is what Alex sees:

The boy and girl were eating. Stuffing their faces, actually. Splashes of blood smeared their mouths and dripped over their chins like runny clown’s makeup. With a grunt, the boy plunged his fist into the woman’s abdomen and rooted around before coming back up with a drippy fistful of something liverish and soft enough that Alex could hear the squelch as the meaty thing oozed between his fists.

It’s a waking nightmare. But these flesh eating teens aren’t the only thing Alex has to contend with. For one thing, she’s completely cut off from the rest of the world. She is quickly running out of supplies. Winter is coming.

This is one of those no-holds-barred works of fiction that teens will love. I think boys will especially love it because it really has a gross-out factor.  As the story went on, it did make me think about Patrick Ness’s novel The Knife of Never Letting Go a little. Like that book, Bick’s novel stretches out beyond the confines of teen against supernatural/fantasy/strange forces/etc and starts to tackle some other questions. What does it mean to be free? for example.  Who is trustworthy and how can we be sure they don’t just have a personal agenda? Ashes has a crazy mythology: part religious fanaticism, part survival of the fittest.

As Alex tries to figure out what has happened to the world…and herself (because she isn’t the same anymore either). Bick continues to introduce new perils and characters and we must decide — as must Alex– whether or not we can trust them.

Ashes is the first book in a trilogy and I will definitely be continuing on with the series. Bick’s writing is crisp and fast-paced. Alex is a great character — smart and resourceful. Although the book is written in the third person, it’s a limited point of view so it feels like first person narration. You really do see everything through Alex’s filter.

And holy-ol’-cliffhanger. Great book!

The Fault in Our Stars – John Green

Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same books over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death.

Meet Hazel. She’s got cancer. It started as thyroid cancer, but now it’s in her lungs. There is no cure, but there is this miracle drug, Phalanxifor (Green points out in his acknowledgements that it’s a made up drug.), and although Hazel’s lungs are practically useless and she has to be hooked up to her oxygen tank all the time, she does okay. Except for, you know, the depression. Or whatever.

Her parents insist that she go to the  cancer survivor’s support group meeting – which she had grown to “to be rather kicking-and-screaming about” – and it is there that she meets Augustus Waters.  He’s in remission after losing his leg below the knee from “a little touch of osteosarcoma.” Her immediate reaction: he’s hot. From this point on, I flew through the pages of  John Green’s YA novel The Fault in Our Stars, alternately laughing and crying.

Telling you much more about the plot won’t actually do the book any justice. Besides, it isn’t so much about what as it is about to whom. The Fault in Our Stars is driven by the magic that is Hazel and Augustus.

Their relationship begins over an exchange of books (be still my heart). Hazel lends Augustus her favourite novel,  An Imperial Affliction, the story of Anna, a girl with a rare cancer of the blood. But, Hazel says:

it’s not a cancer book, because cancer books suck. Like, in cancer books, the cancer person starts a charity that raises money to fight cancer, right? And this commitment to charity reminds the cancer person of the essential goodness of humanity and makes him/her feel loved and encouraged because s/he will leave a cancer-curing legacy. But in AIA, Anna decides that being a person with cancer who starts a cancer charity is a bit narcissistic, so she starts a charity called The Anna Foundation for People with Cancer Who Want to Cure Cholera.

Hazel has some unanswered questions about An Imperial Affliction. She has tried for months to get in touch with the book’s author, Peter Van Houten. When Augustus actually makes contact with Van Houten, it sends the pair on the trip of a lifetime.

But much of that is plot and while the story might be predictable in many ways, there is nothing ordinary about this novel. Nothing. Hazel has been sick for a long time; she has already come to terms with her mortality. What she doesn’t know how to do is live. Augustus is the perfect antidote to her doldrums, beautiful and funny.

And make no mistake – this book is funny. These kids know how to laugh at themselves. When  Isaac, another member of the support group, loses his remaining eye to cancer he says: ” …people keep saying my other senses will improve to compensate, but CLEARLY NOT YET. Hi, Support Group Hazel. Come over here so I can examine your face with my hands and see deeper into your soul than a sighted person ever could.”

As if navigating the thorny path to adulthood weren’t difficult enough, the teenagers in this book must also contend with bodies that have forsaken them.  It is also heartbreaking to watch Hazel’s parents try to protect their daughter, even when they know they can’t. As a mom myself, I can only imagine how horrific it must be to care for a terminally ill child.

Augustus sums it up best: “…the thing about pain…it demands to be felt.”

Absolutely my favourite book this year.

Drowning Anna – Sue Mayfield

When Anna Goldsmith moves to Yorkshire from the south of England, she finds the transition difficult – that is until Hayley Parkin, the most popular girl at school, takes Anna under her wing. Sue Mayfield’s YA novel Drowning Anna unspools the story of Anna’s relationship with Hayley, which deteriorates almost as quickly as it began.

As Melanie explains:

Hayley Parkin goes off people. I don’t know why. Perhaps she gets bored with them. Perhaps she runs out of things to buy them. Perhaps she can’t stand competition. She doesn’t seem to need a reason. She drops people.

Drowning Anna combines third person narration with Melanie’s reflections and entries from Anna’s journal. From all these different points of view, we come to understand what has driven Anna to such a commit such a drastic act. Anna is a very relateable character. She’s smart, athletic, musical and attractive – but she’s also 14 when the story starts and given to bouts of self-doubt. Hayley Parkin is not the only thing wrong with her life: her teacher-mother is stressed out and moody, her doctor-father is never home; her older brother, Tom, is busy with his own life and doesn’t always live up to expectations – meaning there is extra pressure on Anna.

None of that explains, however, why Hayley decides to focus so much malevolent energy on Anna. She starts small by ignoring her, but it doesn’t take long for the harassment to extend to mimicking her accent (which, granted, means less in a Canadian context but having lived for a time in the UK, I understood this as a tool of torture), isolating Anna and actually physically hurting Anna.

Hayley, it seems, has a lot of charisma. The other students want to be in her orbit, but it feels sort of like, “keep your enemies closer.” We don’t ever get a clear understanding of why Hayley is so hateful, but it hardly matters. At the end of the day, Hayley will have to live with her choices.

Mayfield really captures the very particular cruelty of teenage girls. Anyone who has ever been bullied will see themselves in Anna Goldsmith.

The Returning – Christine Hinwood

I read a lot more Young Adult fiction.  I do it so that I can have conversations with students in my classroom. I read some YA because it sounds interesting to me. Recently, I volunteered to help review some books for the Dept of Education, books which have been selected for possible inclusion on the sanctioned reading list and thus destined for English classes in middle and high school. That’s how I came to read Christine Hinwood’s debut novel, The Returning.

The Returning, a Printz Award winner, is the story of how the aftermath of a domestic war between the Uplanders and Downlanders affects a disparate group of people including Cam Attling (a returned soldier), Pin (his younger sister), Graceful (Cam’s fiance) and Lord Gyaar (the man who saved Cam’s life). It’s alternate historical fiction – which reads like fantasy because the world is sort of, well, otherworldly. Is it the past? Future?

While not without its merits, Hinwood’s book didn’t appeal to me. The story is elliptical in nature, jumping around in time and place – never settling with one character long enough to allow the reader to really get to know them.

Cam is the only man from his village to return from the war and he’s having a difficult time adapting to life back on his father’s farm. Other villagers always want him to talk about what happened to their husbands and sons and brothers, but Cam just wants to forget. But it wasn’t just Cam’s war  – the world has changed for everyone. Da explains the war to Pin as a rock that has been:  “thrown and done, but the ripples do take longer to spread and flatten. That’s what this is, the ripples.”

I understand why Hinwood didn’t want to focus entirely on Cam – the war has affected many other people (including those from the winning side) – but I just couldn’t seem to keep everyone straight. Perhaps it was all the strange names: Diido, Hughar, Acton. Maybe it was the unusual way the characters spoke – although the writing was often quite beautiful. Maybe Hinwood was too ambitious, trying to capture the aftermath of war for too many players.

I just didn’t  feel like I truly knew any of the characters and so, for me, The Returning just didn’t have the emotional impact I had hoped it would

Jane – April Lindner

Although I read it almost 40 years ago (and, oh, it pains me to say that!) Charlotte Bronte’s novel Jane Eyre, the story of  Jane, an orphan who is mistreated by her awful cousins and finally finds love and a home at Thornfield Hall, the estate of the enigmatic and darkly handsome Edward Rochester, has stayed with me my entire life. I remember the specific feeling of satisfaction I had while reading it — my first ‘adult’ novel; but, more than that, I fell in love with Jane. I felt, in her, a kindred spirit –  a bookish, sensible and rather plain young woman — someone I could relate to.

I tell my writing students that  we tell the same stories over and over and our real job as writers is to find fresh and inventive ways to do that: to make the old new. Perhaps that explains the glut of sequels and prequels and little women turned zombie killers on the bookshelves these days. Despite my reservations about these books, I have to say that I have a few on my bookshelves; mostly these books are ones I hope I can pass on to my students.

April Lindner’s book Jane comes with the tagline “What if Jane Eyre fell in love with a rock star?” Lindner herself is a Jane Eyre fan and claims that as much as she “love[s] the Pride and Prejudice spin-offs … if I had to choose between Jane Austen and Charlotte Bronte, I’d be on Team Bronte.” She wondered why there wasn’t some sort of Jane Eyre redux and thought it might have to do with some of the complicating factors of the original: a crazy woman locked in an attic could hardly happen with today’s modern medicine.

Still, Lindner decided to see if she could finesse Jane’s story into the 21st century.  Sadly, I can’t say that she’s altogether successful.

Jane Moore has to leave her East Coast college after the death of her parents. The stocks they left her turn out to be worthless; her older siblings did marginally better, but she isn’t close to them. At all. In fact they are horrible. Unlike Bronte’s Jane, though, we aren’t given any real insight into why the family dynamics are so messed up. So, we just have to accept that Jane’s stiff-upper-lip is because of some deep-rooted childhood trauma. So, without a degree or money, Jane decides to become a nanny. Lucky girl, she gets to work for Nico Rathburn – über famous rock star guy. Seriously, if there is a bigger star on the planet, we don’t know who he is. Jane sort of knows who Rathburn is because her brother used to blare his music all the time, but Jane is above all that.

Off Jane goes to the Thornfield Park where she meets various employees of Rathburn’s, and his five-year-old daughter, Maddy. She’s also warned to stay away from the third floor because, despite Nico’s wealth,  “the floorboards are old and rotting.”  Nico, when he finally shows up, is prickly and kinda hot. And despite the awkward conversation between them, it’s not long before Jane realizes she’s in love with Mr. Rathburn (yes, she still calls him that!)

Here’s where I started to giggle. We are expected to buy into this relationship – and yet I never believed any of it. All their conversations were extremely awkward and somehow inappropriate. I’m not just talking about the age difference (Jane is 19 or perhaps 20 and Rathburn has had one marriage, one child with another woman and scads — by his own admission — of liaisons with groupies and super models). He seems to have no problem revealing very personal details to Jane, almost from the moment he meets her. But he also has no problem fawning over a beautiful photographer, ostensibly to make Jane jealous. Really? Nico seems less tortured and more torturer.

There’s no emotional center to Lindner’s JaneIronically, the novel ends up being as glossy and superficial as the magazines Jane manages to avoid after she runs away from Nico and his dark secret. (Which also, really?)

If Jane manages to encourage a new generation of readers to pick up Bronte’s vastly superior novel, that will be an accomplishment. But I can’t imagine any fans of the original thinking this update has anything much to offer.

 

He’s After Me – Chris Higgins

When smart but plain Anna meets Jem in Chris Higgins’ novel He’s After Me, her life is falling apart. Her parents have recently separated, her mother has retreated from the world and her younger sister, Olivia, is suddenly dressing far too provocatively and hanging out with kids that Anna doesn’t particularly like.

Jem is, well, electrifying. “…his smile faded and our eyes held and that’s when it happened. A charge passed through me like an electric shock.”

The first person narration sweeps the reader along and allows us to see both Jem’s many charms and also Anna’s growing doubts about the intensity of  her first serious relationship. Her best friend Zoe sees it though. “He’s got inside your head, Anna! He controls you. Can’t you see it?” she says.

But Anna can’t – or won’t see it. As Jem leads her further and further away from the safety of her life, she takes risks and chances she would never have previously considered.

That might have been enough to drive this YA novel’s breakneck pace – but there’s more. Someone seems to be watching Anna and Jem.

And so love’s arrow finds its target.

And she’d seemed like such a sensible girl too, not the kind to lose her head over some bloke.

That’s love for you.

Anna is a likeable character. I found myself really turning the pages to find out what was going on – wavering between believing in Jem’s charms and wanting to scream at Anna for not seeing through them. The anonymous third person kept me guessing, too. So, in that respect – good little page turner.

But I didn’t like the ending much.